6
" We wait and think and doubt and hate. How does it make you feel? The overwhelming feeling is rage. We hate ourself for being unable to be other than what we are. Unable to be better. We feel rage. The feelings must be followed. It doesn't matter whether you're an ideologue or a sensualist, you follow the stimuli thinking that they're your signposts to the promised land. But they are nothing of the kind. What they are is rocks to navigate the past, each on your brush against, ripping you a little more open and they are always more on the horizon. But you can't face up to the that, so you force yourself to believe the bullshit of those you instinctively know are liars and you repeat those lies to yourself and to others, hoping that by repeating them often and fervently enough you'll attain the godlike status we accord those who tell the lies most frequently and most passionately. But you never do, and even if you could, you wouldn't value it, you'd realise that nobody believes in heroes any more. We know that they only want to sell us something we don't really want and keep from us what we really do need. Maybe that's a good thing. Maybe we're getting in touch with our condition at last. It's horrible how we always die alone, but no worse than living alone. "
― Irvine Welsh , Filth
11
" The contemporary proliferation of bullshit also has deeper sources, in various forms of skepticism which deny that we can have any reliable access to an objective reality and which therefore reject the possibility of knowing how things truly are. These " anti-realist" doctrines undermine confidence in the value of disinterested efforts to determine what is true and what is false, and even in the intelligibility of the notion of objective inquiry. One response to this loss of confidence has been a retreat from the discipline required by dedication to the ideal of correctness to a quite different sort of discipline, which is imposed by pursuit of an alternative ideal of sincerity. Rather than seeking primarily to arrive at accurate representations of a common world, the individual turns toward trying to provide honest representations of himself. Convinced that reality has no inherent nature, which he might hope to identify as the truth about things, he devotes himself to being true to his own nature. It is as though he decides that since it makes no sense to try to be true to the facts, he must therefore try instead to be true to himself.But it is preposterous to imagine that we ourselves are determinate, and hence susceptible both to correct and to incorrect descriptions, while supposing that the ascription of determinacy to anything else has been exposed as a mistake. As conscious beings, we exist only in response to other things, and we cannot know ourselves at all without knowing them. Moreover, there is nothing in theory, and certainly nothing in experience, to support the extraordinary judgment that it is the truth about himself that is the easiest for a person to know. Facts about ourselves are not peculiarly solid and resistant to skeptical dissolution. Our natures are, indeed, elusively insubstantial -- notoriously less stable and less inherent than the natures of other things. And insofar as this is the case, sincerity itself is bullshit. "
14
" The world isn’t always what’s right in front of you, you know? It’s below, it’s above, it’s out there somewhere. Every burn of every light inside every house I see when I look down from the rooftop has a story. Sometimes we just need to change our perspective.
And when I look down at everything, I remember that there’s more out there than just what’s going on in my house—the bullshit with my dad, school, my future. I look at all those full houses, and I remember, I’m just one of many. It’s not to say we’re not special or important, but it’s comforting, I guess. You don’t feel so alone. "
― Penelope Douglas , Punk 57
17
" Hey you, dragging the halo-
how about a holiday in the islands of grief?
Tongue is the word I wish to have with you.
Your eyes are so blue they leak.
Your legs are longer than a prisoner's
last night on death row.
I'm filthier than the coal miner's bathtub
and nastier than the breath of Charles Bukowski.
You're a dirty little windshield.
I'm standing behind you on the subway,
hard as calculus. My breath
be sticking to your neck like graffiti.
I'm sitting opposite you in the bar,
waiting for you to uncross your boundaries.
I want to rip off your logic
and make passionate sense to you.
I want to ride in the swing of your hips.
My fingers will dig in you like quotation marks,
blazing your limbs into parts of speech.
But with me for a lover, you won't need
catastrophes. What attracted me in the first place
will ultimately make me resent you.
I'll start telling you lies,
and my lies will sparkle,
become the bad stars you chart your life by.
I'll stare at other women so blatantly
you'll hear my eyes peeling,
because sex with you is like Great Britain:
cold, groggy, and a little uptight.
Your bed is a big, soft calculator
where my problems multiply.
Your brain is a garage
I park my bullshit in, for free.
You're not really my new girlfriend,
just another flop sequel of the first one,
who was based on the true story of my mother.
You're so ugly I forgot how to spell.
I'll cheat on you like a ninth grade math test,
break your heart just for the sound it makes.
You're the 'this' we need to put an end to.
The more you apologize, the less I forgive you.
So how about it? "
― Jeffrey McDaniel
