Home > Work > Getting Naked with Harry Crews: Interviews
1 " I think all of us are looking for that which does not admit of bullshit . . . If you tell me you can bench press 450, hell, we'll load up the bar and put you under it. Either you can do it or you can't do it—you can't bullshit. Ultimately, sports are just about as close to what one would call the truth as it is possible to get in this world. "
― Harry Crews , Getting Naked with Harry Crews: Interviews
2 " All Sam Peckinpah ever did in his movies was show that getting hit on the chin doesn't sound like [makes a small popping noise]. When one grown man hits another grown man in the face, it splatters like an overripe tomato. And it's not fun getting killed. It's bloody and gory and altogether unpleasant. That's all Sam Peckinpah ever did. "
3 " You get a tattoo like this and a ’do like this, and wear a shirt where the tattoo shows, and you walk into a room of people and feel the animosity, the disapproval, the how-dare-you. You can feel it coming off them like heat off a stove. And the thing I want to ask them is, how have I deserved this, what have I done that so offends you? I have not asked you to cut your hair this way. I have not asked you what you thought of it, or to approve it. So why do you feel this way towards me? If you can’t get past my 'too—my tattoo—and my 'do—the way I got my hair cut—it’s only because you have decided there are certain things that can be done with hair and certain things that cannot be done with hair. And certain of them are right and proper and decent, and the rest indicate a warped, degenerate nature; therefore I am warped and degenerate. 'Cause I got my hair cut a different way, man? You gonna really live your life like that? What’s wrong with you? "
4 " If you're a person of feeling, if you feel things keenly and deeply—and I don't think you can be a writer unless you feel things not just for the moment but they live in you—that costs you. I don't think you can be a writer of consequence and merit unless you have grave doubts about yourself, about what you've done and who you are and whom you've hurt. And that costs you. And so, it all costs you. What is left is what all of us are going to get, a chance to know what it's like to die. "
5 " James Agee. He was born a prince of the language, and so he remains. And Capote. I don't care what kind of stupid ass remarks he makes, he can write; he really can. When he's on he's really on. Updike would be twice the writer he is if he weren't such a hot dog. God knows, he's a word man. Eudora Welty, great writer. Erskine Caldwell, by the way is a helluva lot better than he's ever been given credit for. But if you ask me, "Who's your favorite writer?" there's no answer to that. That's like saying, "What do you like best for breakfast?" Some mornings you want a beer; some mornings you want strawberries; some mornings you want, God help us, Frostie Crispie Flakes with a lot of sugar, and some mornings you want your old lady. "