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1 " Hate traps us by binding us too tightly to our adversary.This is the obscenity of war: the intimacy of mutually shed blood, the lascivious proximity of two soldiers who, eye to eye, bayonet each other. "
― Milan Kundera , Immortality
2 " She blushed. It is a beautiful thing when a woman blushes; at that instant her body no longer belongs to her; she doesn't control it; she is at its mercy; oh, can there be anything more beautiful than the sight of a woman violated by her own body! "
3 " Not only have people stopped trying to be attractive when they are out among other people, but they are no longer even trying not to look ugly! "
4 " A meadow is nothing but a field of suffering. Every second some creature is dying in the gorgeous green expanse, ants eat wriggling earthworms, birds lurk in the sky to pounce on a weasel or a mouse. You see that black cat, standing motionless in the grass. She is only waiting for an opportunity to kill. I detest all that naïve respect for nature. Do you think that a doe in the jaws of a tiger feels less horror than you? People thought up the idea that animals don’t have the same capability for suffering as human, because otherwise they couldn’t bear the knowledge that they are surrounded by a world of nature that is horror and nothing but horror. "
5 " Of course, these were only dreams. How could a sensible woman leave a happy marriage? All the same, a seductive voice from afar kept breaking into her conjugal peace: it was the voice of solitude. "
6 " If we cannot accept the importance of the world, which considers itself important, if in the midst of that world our laughter finds no echo, we have but one choice: to take the world as a whole and make it the object of our game; to turn it into a toy "
7 " Living, there is no happiness in that. Living: carrying one’s painful self through the world.But being, being is happiness. Being: Becoming a fountain, a fountain on which the universe falls like warm rain. "
8 " Agnes subtracts from her self everything that is exterior and borrowed, in order to come closer to her sheer essence (even with the risk that zero lurks at the bottom of the subtraction). Laura's method is precisely the opposite: in order to make her self ever more visible, perceivable, seizable, sizeable, she keeps adding to it more and more attributes and she attempts to identify herself with them (with the risk that the essence of the self may be buried by the additional attributes). "
9 " He took her in his arms and lifted her up. She looked at him and he noticed only now that her eyes were full of tears. He pressed her to him. She understood that he loved her and this suddenly filled her with sadness. She felt sad that he loved her so much, and she felt like crying. "
10 " We don't know when our name came into being or how some distant ancestor acquired it. We don't understand our name at all, we don't know its history, and yet we bear it with exalted fidelity, we merge with it, we like it, we are ridiculously proud of it as if we had thought it up ourselves in a moment of brilliant inspiration. A face is like a name. It must have happened some time toward the end of my childhood: I kept looking in the mirror for such a long time that I finally believed that what I was seeing was my self. My recollection of this period is very vague, but I know that the discovery of the self must have been intoxicating. Yet there comes a time when you stand in front of a mirror and ask yourself: this is my self? And why? Why did I want to identify with this? What do I care about this face? And at that moment everything starts to crumble. Everything starts to crumble. "
11 " The physical contact with people who struck and trampled and killed one another seemed far worse to him than a solitary death in the purity of the waters. "
12 " Just imagine living in a world without mirrors. You'd dream about your face and imagine it as an outer reflection of what is inside you. And then, when you reached forty, someone put a mirror before you for the first time in your life. Imagine your fright! You'd see the face of a stranger. And you'd know quite clearly what you are unable to grasp: your face is not you. "
13 " I have a strong will to love you for eternity. "
14 " Perhaps we become aware of our age only at exceptional moments and most of the time we are ageless. "
15 " I cannot hate them because nothing binds me to them; I have nothing in common with them. "
16 " The basis of shame is not some personal mistake of ours, but the ignominy, the humiliation we feel that we must be what we are without any choice in the matter, and that this humiliation is seen by everyone. "
17 " To be mortal is the most basic human experience, and yet man has never been able to accept it, grasp it, and behave accordingly. Man doesn't know how to be mortal. And when he dies, he doesn't even know how to be dead. "
18 " The purpose of the poetry is not to dazzle us with an astonishing thought, but to make one moment of existence unforgettable and worthy of unbearable nostalgia. "
19 " A person is nothing but his image. Philosophers can tell us that it doesn't matter what the world thinks of us, that nothing matters but what we really are. But philosophers don't understand anything. As long as we live with other people, we are only what other people consider us to be. Thinking about how others see us and trying to make our image as attractive as possible is considered a kind of dissembling or cheating. But does there exist another kind of direct contact between my self and their selves except through the mediation of the eyes? Can we possibly imagine love without anxiously following our image in the mind of the beloved? When we are no longer interested in how we are seen by the person we love, it means we no longer love. "
20 " Hate traps us by binding us too tightly to our adversary. "