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21 " The truth is that there comes a time When we can mourn no more over music That is so much motionless sound "
― Wallace Stevens
22 " Then -- they saw the Groke. Everybody saw her. She sat motionless on the sandy path at the bottom of the steps and stared at them with round, expressionless eyes.She was not particularly big and didn't look dangerous either, but your let that she was terribly evil and would wait for ever. And that was awful.Nobody plucked up enough courage to attack. She sat there for a while, and then slid away into the darkness. But where she had been sitting the ground was frozen! "
― Tove Jansson , Finn Family Moomintroll (The Moomins, #3)
23 " Being unique - be yourself, only so you'll distinguish yourself out of the ''grey'' and motionless reality. Train positive perception of the surrounding things. "
― , Petals of Decades
24 " Jesus was a penniless teacher who wandered about the dusty sun-bit country of Judea, living upon casual gifts of food; yet he is always represented clean, combed, and sleek, in spotless raiment, erect, and with something motionless about him as though he was gliding through the air. This alone has made him unreal and incredible to many people who cannot distinguish the core of the story from the ornamental and unwise additions of the unintelligently devout. "
― H.G. Wells , The Outline of History, Vol. 1 (of 2)
25 " . . . the authors had developed indices that could be employed to measure the state of a civilization, to determine if society was healthy, in decline, or perhaps even dead. The indicators keyed in on everything from the accumulation of refuse to declines in everyday civility. They looked at how a society treated its most vulnerable citizens; examined a culture's architecture, gauging its scale in relation to humans and the surrounding natural world. One of the primary indicators, however, was a measure of the ability of a society's citizens to listen to each other and truly hear what was being said. It evaluated by gradations the ability of individuals to stand motionless for prolonged periods, receptive to their surroundings. "
26 " Don't allow your imagination to colour events as lesser men would, and see movement in motionless things. "
27 " For example. But I cannot give you an example. It was not so much any one example, any one event, which I recollected which was important, but the flow, the texture of the events, for meaning is never in the event but in the motion through event. Otherwise we could isolate an instant in the event and say that this is the event itself. The meaning. But we cannot do that. For it is the motion which is important. And I was moving. I was moving West at seventy-five miles an hour, through a blur of million-dollar landscape and heroic history, and I was moving back through time into my memory. They say the drowning man re-lives his life as he drowns. Well, I was not drowning in water, but I was drowning in West. I drowned westward through the hot brass days and black velvet nights. It took me seventy-eight hours to drown. For my body to sink down to the very bottom of West and lie in the motionless ooze of History, naked on a hotel bed in Long Beach, California. "
― Robert Penn Warren , All the King's Men
28 " Master Nathaniel looked at him. The fixed stare, the slightly-open mouth, the rigid motionless body, fettered by a misery too profound for restlessness — how well he knew the state of mind these things expressed! But there must surely be relief in thus allowing the mood to mould the body's attitude to its own s "
29 " My mother sat motionless at the kitchen table, her head cradled on one arm, the other extended toward her ever-present coffee mug. This was going to be another of her bad days. It was hard to pinpoint when I’d given up hope that she would pull herself together--that me being in charge would be a temporary thing. But too many months had passed with nothing changing, except somewhere along the way I’d stopped feeling sympathy for her. Or anger. It was easier to not feel anything where my mother was concerned because then I could never be let down. "
― Elizabeth Langston , I Wish (I Wish, #1)
30 " I have at least the whole of my life to answer a question: Who am I? And who is the other? A gust of wind at dawn? A motionless landscape? A trembling leaf? A coil of white smoke above a mountain? I write all these words and I hear the wind, not outside, but inside my head. A strong wind, it rattles the shutters through which I enter the dream. "
― Tahar Ben Jelloun , The Sand Child
31 " This is the " burglar-alarm" theory of bioluminescence: by turning on its lights, an animal may create enough of a scene to draw the attention of its predator's predator, and thereby perhaps save itself. The corollary of the burglar-alarm theory is the minefield theory. It says the reason so many animals tend to hang motionless in the deep, even fish, is to avoid setting off light explosions that would expose them to their enemies - their predators or their prey. Life in the midwater, in this view, is a tense affair (though the denizens do not know it) in which everyone is waiting stealthily in the dark, moving slowly if at all, watching and waiting for someone to turn on a light and for something to happen. "
32 " realy i wish i knew me better. you knew that feel when you are motionless and your fear entwined with your regret ? a feeling of sadness, repentance, or disappointment over something that has happened or been done, i realy want to tell you how do i feel inside, but this feeling in me it sends me to 7 sky high, i always tried to hold it on, it makes me feel so strong after, may i look weirdo,i've been thinking too much and i've been asking and talking to myself like that " its there any point in making plans? "
33 " And that is why it is so important to be solitary and attentive when one is sad: because the seemingly uneventful and motionless moment when our future steps into us is so much closer to life than that other loud and accidental point of time when it happens to us as if from outside. The quieter we are, the more patient and open we are in our sadnesses, the more deeply and serenely the new presence can enter us, and the more we can make it our own... "
― Rainer Maria Rilke , Letters to a Young Poet
34 " March 1898What a strange dream I had last night! I wandered in the warm streets of a port, in the low quarter of some Barcelona or Marseille. The streets were noisome, with their freshly-heaped piles of ordure outside the doors, in the blue shadows of their high roofs. They all led down towards the sea. The gold-spangled sea, seeming as if it had been polished by the sun, could be seen at the end of each thoroughfare, bristling with yard-arms and luminous masts. The implacable blue of the sky shone brilliantly overhead as I wandered through the long, cool and sombre corridors in the emptiness of a deserted district: a quarter which might almost have been dead, abruptly abandoned by seamen and foreigners. I was alone, subjected to the stares of prostitutes seated at their windows or in the doorways, whose eyes seemed to ransack my very soul.They did not speak to me. Leaning on the sides of tall bay-windows or huddled in doorways, they were silent. Their breasts and arms were bare, bizarrely made up in pink, their eyebrows were darkened, they wore their hair in corkscrew-curls, decorated with paper flowers and metal birds. And they were all exactly alike!They might have been huge marionettes, or tall mannequin dolls left behind in panic - for I divined that some plague, some frightful epidemic brought from the Orient by sailors, had swept through the town and emptied it of its inhabitants. I was alone with these simulacra of love, abandoned by the men on the doorsteps of the brothels.I had already been wandering for hours without being able to find a way out of that miserable quarter, obsessed by the fixed and varnished eyes of all those automata, when I was seized by the sudden thought that all these girls were dead, plague-stricken and putrefied by cholera where they stood, in the solitude, beneath their carmine plaster masks... and my entrails were liquefied by cold. In spite of that harrowing chill, I was drawn closer to a motionless girl. I saw that she was indeed wearing a mask... and the girl in the next doorway was also masked... and all of them were horribly alike under their identical crude colouring...I was alone with the masks, with the masked corpses, worse than the masks... when, all of a sudden, I perceived that beneath the false faces of plaster and cardboard, the eyes of these dead women were alive.Their vitreous eyes were looking at me...I woke up with a cry, for in that moment I had recognised all the women. They all had the eyes of Kranile and Willie, of Willie the mime and Kranile the dancer. Every one of the dead women had Kranile's left eye and Willie's right eye... so that every one of them appeared to be squinting.Am I to be haunted by masks now? "
― Jean Lorrain , Monsieur De Phocas
35 " And it was in that moment of distress and confusion that the whip of terror laid its most nicely calculated lash about his heart. It dropped with deadly effect upon the sorest spot of all, completely unnerving him. He had been secretly dreading all the time that it would come - and come it did.Far overhead, muted by great height and distance, strangely thinned and wailing, he heard the crying voice of Defago, the guide.The sound dropped upon him out of that still, wintry sky with an effect of dismay and terror unsurpassed. The rifle fell to his feet. He stood motionless an instant, listening as it were with his whole body, then staggered back against the nearest tree for support, disorganized hopelessly in mind and spirit. To him, in that moment, it seemed the most shattering and dislocating experience he had ever known, so that his heart emptied itself of all feeling whatsoever as by a sudden draught.'Oh! oh! This fiery height! Oh, my feet of fire! My burning feet of fire...' ran in far, beseeching accents of indescribable appeal this voice of anguish down the sky. Once it called - then silence through all the listening wilderness of trees.And Simpson, scarcely knowing what he did, presently found himself running wildly to and fro, searching, calling, tripping over roots and boulders, and flinging himself in a frenzy of undirected pursuit after the Caller. Behind the screen of memory and emotion with which experience veils events, he plunged, distracted and half-deranged, picking up false lights like a ship at sea, terror in his eyes and heart and soul. For the Panic of the Wilderness had called to him in that far voice - the Power of untamed Distance - the Enticement of the Desolation that destroys. He knew in that moment all the pains of someone hopelessly and irretrievably lost, suffering the lust and travail of a soul in the final Loneliness. A vision of Defago, eternally hunted, driven and pursued across the skyey vastness of those ancient forests fled like a flame across the dark ruin of his thoughts...It seemed ages before he could find anything in the chaos of his disorganized sensations to which he could anchor himself steady for a moment, and think...The cry was not repeated; his own hoarse calling brought no response; the inscrutable forces of the Wild had summoned their victim beyond recall - and held him fast.(" The Wendigo" ) "
36 " If I were to draw, I would apply myself only to studying the form of inanimate objects," I said somewhat imperiously, because I wanted to change the subjects and also because a natural inclination does truly lead me to recognise my moods in the motionless suffering of things. "
37 " But perhaps the most celebrated of these auto-incendiaries is Kalanos. You will remember, no doubt, that Kalanos (the Greek version of the Sanskrit Kalyāna) was an Indian ascetic—though not a Buddhist—who accompanied Alexander's army on its withdrawal from India. At a certain moment he announced that his time had come to die, and arranged for a funeral pyre to be constructed. He mounted the pyre, had it set alight, and, sitting cross-legged, remained motionless until his body was consumed by the flames. What an occasion! With the entire Greek army, and probably Alexander the Great himself, watching him; with each one of those hardened and undefeated veterans, themselves no stranger to pain and mutilations, wondering if he himself would be capable of such cold-blooded endurance: with the eyes of posterity upon him (his peculiar fame has come down for more than twenty centuries); and with the honour of Indian asceticism at stake (and Indian asceticism is India);—how could he fail? For a moment one could almost wish to have been Kalanos. And yet, from the point of view of Dhamma, all this is foolishness—a childish escapade. "
38 " As the thing came closer, what was left of Nick’s body became revealed and I could see how the dead boy’s eyes had bled from the trauma inflicted upon him; they dripped with steady succession onto the floor between his splayed legs. He looked like a rejected marionette tossed haphazardly in the corner by a frustrated puppeteer, his head drooping so low that his chin rested against his chest. His motionless arms lay at his sides, both of them squeezed into tight fists, as if he’d died futilely trying to defend himself. "
― J. Tonzelli , The End of Summer: Thirteen Tales of Halloween
39 " With heightened senses it remained motionless and looked through bulbous eyes. It could taste fear in the air. Pheromones. Sweat. Food was near, but more importantly, so was its new home. "
― Stephen Craig , Symbiote (A Flash Fiction Horror)
40 " One thinks of nothing,’ he continued; ‘the hours slip by. Motionless we traverse countries we fancy we see, and your thought, blinding with the fiction, playing with the details, follows the outline of the adventures. It mingles with the characters, and it seems as if it were yourself palpitating beneath their costumes. "
― Gustave Flaubert , Madame Bovary