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61 " The motionless person was once full of life in one moment in time. What a misery? "
62 " Are you not thirsty?" said the Lion." I am dying of thirst," said Jill." Then drink," said the Lion." May I — could I — would you mind going away while I do?" said Jill.The Lion answered this only by a look and a very low growl. And as Jill gazed at its motionless bulk, she realized that she might as well have asked the whole mountain to move aside for her convenience.The delicious rippling noise of the stream was driving her nearly frantic." Will you promise not to — do anything to me, if I do come?" said Jill." I make no promise," said the Lion.Jill was so thirsty now that, without noticing it, she had come a step nearer." Do you eat girls?" she said." I have swallowed up girls and boys, women and men, kings and emperors, cities and realms," said the Lion. It didn't say this as if it were boasting, nor as if it were sorry, nor as if it were angry. It just said it." I daren't come and drink," said Jill." Then you will die of thirst," said the Lion." Oh dear!" said Jill, coming another step nearer. " I suppose I must go and look for another stream then." " There is no other stream," said the Lion. "
63 " A picture was a motionless record of motion. An arrested representation of life. A picture was the kiss of death pretending to possess immutability. "
― Ivan Klíma , Waiting for the Dark, Waiting for the Light
64 " Just as teardrops, when they are large and round and compassionate, can leave a long strand washed clean of discord, the summer rain as it washes away the motionless dust can bring to a person's soul something like endless breathing. "
― Muriel Barbery , The Elegance of the Hedgehog
65 " When shall I cease to regret you! – When learn to feel a home elsewhere! – Oh! Happy house, could you know what I suffer in now viewing you from this spot, from whence perhaps I may view you no more! – And you, ye well-known trees! – but you will continue the same. – No leaf will decay because we are removed, nor any branch become motionless although we can observe you no longer! – No; you will continue the same; unconscious of the pleasure or the regret you occasion, and insensible of any change in those who walk under your shade! – But who will remain to enjoy you? "
66 " To be mad is to feel with excruciating intensity the sadness and joy of a time which has not arrived or has already been. And to protect their delicate vision of that other time, madmen will justify their condition with touching loyalty, and surround it with a thousand distractive schemes. These schemes, in turn, drive them deeper and deeper into the darkness and light (which is their mortification and their reward), and confront them with a choice. They may either slacken and fall back, accepting the relief of a rational view and the approval of others, or they may push on, and, by falling, arise. When and if by their unforgivable stubbornness they finally burst through to worlds upon worlds of motionless light, they are no longer called afflicted or insane. They are called saints. "
― Mark Helprin , Winter's Tale
67 " One morning indeed, I felt a sudden misgiving that she not only had left the house but had gone for good: I had just heard the sound of a door which seemed to me to be that of her room. On tiptoe I crept towards the room, opened the door, stood upon the threshold. In the dim light the bedclothes bulged in a semi-circle, that must be Albertine who, with her body bent, was sleeping with her feet and face to the wall. Only, overflowing the bed, the hair upon that head, abundant and dark, made me realise that it was she, that she had not opened her door, had not stirred, and I felt that this motionless and living semi-circle, in which a whole human life was contained and which was the only thing to which I attached any value, I felt that it was there, in my despotic possession. "
― Marcel Proust , The Captive: Part 2
68 " Something, most certainly, happens to a diver’s emotions underwater. It is not merely a side effect of the pleasing, vaguely erotic sensation of water pressure on the body. Nor is it alone the peculiar sense of weightlessness, which permits a diver to hang motionless in open water, observing sea life large as whales around him; not the ability of a diver, descending in that condition, to slowly tumble and rotate in all three spatial planes. It is not the exhilaration from disorientation that comes when one’s point of view starts to lose its “lefts” and “down” and gains instead something else, a unique perception that grows out of the ease of movement in three dimensions. It is not from the diminishment of gravity to a force little more emphatic than a suggestion. It is not solely exposure to an unfamiliar intensity of life. It is not a state of rapture with the bottomless blue world beneath one’s feet…it is some complicated mix of these emotions, together with the constant proximity of real terror. "
― Barry Lopez , About This Life
69 " When we define the Photograph as a motionless image, this does not mean only that the figures it represents do not move; it means that they do not (i)emerge(i), do not (i)leave(i): they are anesthetized and fastened down, like butterflies. "
― Roland Barthes , Camera Lucida: Reflections on Photography
70 " We know the original relation of the theater and the cult of the Dead: the first actors separated themselves from the community by playing the role of the Dead: to make oneself up was to designate oneself as a body simultaneously living and dead: the whitened bust of the totemic theater, the man with the painted face in the Chinese theater, the rice-paste makeup of the Indian Katha-Kali, the Japanese No mask ... Now it is this same relation which I find in the Photograph; however 'lifelike' we strive to make it (and this frenzy to be lifelike can only be our mythic denial of an apprehension of death), Photography is a kind of primitive theater, a kind of Tableau Vivant, a figuration of the motionless and made-up face beneath which we see the dead. "
71 " Another unary photograph is the pornographic photograph (I am not saying the erotic photograph: the erotic is a pornographic that has been disturbed, fissured). Nothing more homogeneous than a pornographic photograph. It is always a naive photograph, without intention and without calculation. Like a shop window which shows only one illuminated piece of jewelry, it is completely constituted by the presentation of only one thing: sex: no secondary, untimely object ever manages to half conceal, delay, or distract... A proof a contrario: Mapplethorpe shifts his close-ups of genitalia from the pornographic to the erotic by photographing the fabric of underwear at very close range: the photograph is no longer unary, since I am interested in the texture of the material. The presence (the dynamics) of this blind field is, I believe, what distinguishes the erotic photograph from the pornographic photograph. Pornography ordinarily represents the sexual organs, making them into a motionless object (a fetish), flattered like an idol that does not leave its niche; for me, there is no punctum in the pornographic image; at most it amuses me (and even then, boredom follows quickly). The erotic photograph, on the contrary (and this is its very condition), does not make the sexual organs into a central object; it may very well not show them at all; it takes the spectator outside its frame, and it is there that I animate this photograph and that it animates me. "
72 " In the end, the train stood 2 hours motionless in the middle of nowhere.Every minute seemed like an eternity.Time felt crept by slowly, with clear malice towards me. All I could do was grip my teeth and try to hold back my tears...Akari... Please, don't wait for me...If you'd just go home. "
― , 5 Centimeters per Second (5 Centimeters per Second, #1-2)
73 " It was winter, and a night of bitter cold. The snow lay thick upon the ground, and upon the branches of the trees: the frost kept snapping the little twigs on either side of them, as they passed: and when they came to the Mountain-Torrent she was hanging motionless in air, for the Ice-King had kissed her. "
― Oscar Wilde , The Star-Child and Other Tales
74 " She took particular comfort in certain familiar sights and sounds that marked her day: the buzz of the fluorescent lights, the pale figures sprawled silent and motionless over their reading, the reassuring feel of her book cart as she wheeled it down the aisle, and the books themselves, symbols of order on their backs - young adulthood reduced to " YA," mystery reduced to a tiny red skull. "
75 " There's a girl calm people don't know about. It's a girl teen standstill. A motionless peace. It doesn't come from anywhere but inside us, and it only lasts for a few years. It's born from being a not woman yet. It's free flowing and invisible. It's the eye of the violent storm you call my teenage daughter. In this place we are undisturbed by all the moronic things you think about us. Our voices like rain falling. We are serene. Smooth. With more perfect hair and skin than you will ever again know. Daughters of Eve. "
― Lidia Yuknavitch , Dora: A Headcase
76 " To Cono’s mind the three assailants were all three nearly motionless even as they skittered and dodged, firing, maneuvering for a kill. Cono felt exhilaration—the ecstatic awareness that his strange brain and body had ordained him for just such moments, by allowing him to enter a space outside of time. "
― Victor Robert Lee , Performance Anomalies
77 " It is assumed that the woman must wait motionless until she is wooed. That is how the spider waits for the fly. "
78 " Redwood time moves at a more stately pace than human time. To us, when we look at a redwood tree, it seems to be motionless and still, and yet redwoods are constantly in motion, moving upward into space, articulating themselves and filling redwood space over redwood time, over thousands of years. "
79 " I listened, motionless and still; And, as I mounted up the hill, The music in my heart I bore, Long after it was heard no more. "
80 " All trembling, I reached the Falls of Niagara, and oh, what a scene! My blood shudders still, although I am not a coward, at the grandeur of the Creator's power; and I gazed motionless on this new display of the irresistible force of one of His elements. "