1
" Did you eat my Twinkies?" She gulped. Keeping her eyes glued to the whip, she said, " Exactly what Twinkies are we talking about?" " The Twinkies in the cupboard over the sink. The only Twinkies in the trailer." His fingers convulsed around the coils of leather.Oh, Lord, she thought. Flayed to death for a Twinkle." Well?" " It, uh — it won't happen again, I promise you. But they didn't have any special marking on them, so there was no way I could tell they were yours." Her eyes remained riveted on the whip. " And normally I wouldn't have eaten them— I never eat junk food-—but I was hungry last night, and, well, when you think about it, you'll have to admit I did you a favor because they're clogging my arteries now instead of yours." His voice was quiet. Too quiet. In her mind she heard the howl of a rampaging Cossack baying at a Russian moon. " Don't touch my Twinkies. Ever. If you want Twinkies, buy your own. "
4
" The kind of poem I produced in those days was hardly anything more than a sign I made of being alive, of passing or having passed, or hoping to pass, through certain intense human emotions. It was a phenomenon of orientation rather than of art, thus comparable to stripes of paint on a roadside rock or to a pillared heap of stones marking a mountain trail.
But then, in a sense, all poetry is positional: to try to express one's position in regard to the universe embraced by consciousness, is an immemorial urge. Tentacles, not wings, are Apollo's natural members. Vivian Bloodmark, a philosophical friend of mine, in later years, used to say that while the scientist sees everything that happens in one point of space, the poet feels everything that happens in one point of time. "
― Vladimir Nabokov , Speak, Memory
5
" After a long while he sat upright with great effort, exhaled a sigh and reached for a clean sheet of lined paper, smoothing it out on the desk. He unscrewed the lid of his fountain pen, laid it perpendicular to his paper, and began to write. Often he compared his writing to white water. He had only to leap in to be dragged away on its rapids, thrown this way and that with his own will rendered impotent. While writing he found the words came from the muscles in his hands, the feel of the shaft of his pen, the locked joint of his elbow. the scratching noise of the nib marking paper and, underneath all that, some coordinating impulse in his guts. Certainly not from his mind. "
― Ali Shaw , The Girl With Glass Feet
7
" If you imagine the 4,500-bilion-odd years of Earth's history compressed into a normal earthly day, then life begins very early, about 4 A.M., with the rise of the first simple, single-celled organisms, but then advances no further for the next sixteen hours. Not until almost 8:30 in the evening, with the day five-sixths over, has Earth anything to show the universe but a restless skin of microbes. Then, finally, the first sea plants appear, followed twenty minutes later by the first jellyfish and the enigmatic Ediacaran fauna first seen by Reginald Sprigg in Australia. At 9:04 P.M. trilobites swim onto the scene, followed more or less immediately by the shapely creatures of the Burgess Shale. Just before 10 P.M. plants begin to pop up on the land. Soon after, with less than two hours left in the day, the first land creatures follow.
Thanks to ten minutes or so of balmy weather, by 10:24 the Earth is covered in the great carboniferous forests whose residues give us all our coal, and the first winged insects are evident. Dinosaurs plod onto the scene just before 11 P.M. and hold sway for about three-quarters of an hour. At twenty-one minutes to midnight they vanish and the age of mammals begins. Humans emerge one minute and seventeen seconds before midnight. The whole of our recorded history, on this scale, would be no more than a few seconds, a single human lifetime barely an instant. Throughout this greatly speeded-up day continents slide about and bang together at a clip that seems positively reckless. Mountains rise and melt away, ocean basins come and go, ice sheets advance and withdraw. And throughout the whole, about three times every minute, somewhere on the planet there is a flash-bulb pop of light marking the impact of a Manson-sized meteor or one even larger. It's a wonder that anything at all can survive in such a pummeled and unsettled environment. In fact, not many things do for long. "
― Bill Bryson , A Short History of Nearly Everything
10
" It seems to me that few people walk their ways with deliberation, stopping every so often to delight in the seasons and in the simple, important, enduring things. Most of those I know are either rushing about blindly, almost headlong, or inching along, looking down. Both methods of progression are, in a spiritual sense, not progression at all, but symptoms of fear.
No matter what has happened or what you fear will happen, you have to walk as though you were going somewhere—not in a hurry, not at a crawl, and certainly not running away from something toward you know not what.
It cannot be said too often, or by too many people, that the path we follow must be taken a step at a time—never on the run, and never standing still, neither going backward nor marking time. Everyone hazards a guess at the future—his own, the future of those he loves, the future of the country and the world. Statisticians often come up with some amazing suggestions; so do computers; but no one really knows. Only He know, Who created this world in all its beauty, and our small selves, with it. And it's just as well that we don't know. "
― Faith Baldwin , Harvest of Hope
12
" I remember one incident which bears upon this part of the treatise. The gentleman who gave it to me had asked to see my tobacco-pipe; he examined it carefully, and when he came to the little protuberance at the bottom of the bowl he seemed much delighted, and exclaimed that it must be rudimentary. I asked him what he meant." Sir," he answered, " this organ is identical with the rim at the bottom of a cup; it is but another form of the same function. Its purposes must have been to keep the heat of the pipe from marking the table upon which it rested. You would find, if you were to look up the history of tobacco-pipes, that in early specimens this protuberance was of a different shape to what it is now. It will have been broad at the bottom, and flat, so that while the pipe was being smoked the bowl might rest upon the table without marking it. Use and disuse must have come into play and reduced the function its present rudimentary condition. I should not be surprised, sir," he continued, " if, in the course of time, it were to become modified still farther, and to assume the form of an ornamental leaf or scroll, or even a butterfly, while in some cases, it will become extinct. "
15
" Words didn’t come. I couldn’t formulate a thought. I was too startled. These three figures lying in the sand in front of me weren’t surfers at all.
They weren’t even people.
From their facial features and upper torsos, they looked kind of like women, but all three of them had silver-colored skin. They were bald, with strange ridges marking their skulls. None of them seemed to have ears, only holes in the sides of their heads. No nose was visible, not even a bone or nostrils filled that space between their eyes and mouths. Although their mouths seemed to be moving, they were actually breathing through what looked like gills in their necks.
And if that wasn’t weird enough, instead of legs, their upper torsos stretched out into long, scale-covered, silver fishtails. If I had to say what these things stranded in front of me, splattered with oil, appeared to be, I’d say mermaids. And no, they didn’t look like they’d start singing songs or granting me wishes. They looked a little bit scary—but fragile too. Most of all, they looked like they were going to die, and no handsome prince was there to kiss them and keep them from turning into sea foam. "
― D.G. Driver , Cry of the Sea (Juniper Sawfeather, #1)
17
" From fear of death to sexualizing the normal and marking children, religion is hell bent on creating an environment that is sexually negative –an environment that systematically and arbitrarily restricts options for people. Regardless of the biological map of an individual, religion will do its best to impose its map. The map is almost always focused on what not to do. Since humans can rarely, if ever, live up to such a restrictive standard, it gives religion a huge opportunity to develop guilt and shame, leading the person back to the religion for relief. The map bears no resemblance to human sexuality. It is an artificial and arbitrary set of rules imposed by the religion on its adherents. The result is oppression of women, sexual misinformation, fear of death, repression of homosexuals and much more. "
― Darrel Ray , Sex & God: How Religion Distorts Sexuality