43
" Before she could think, he bent his head and was kissing her, only this wasn't anything like the chaste kiss she'd gave him. His mouth slanted across hers, demanding her response. Soft and warm, his tongue brushed against the tender skin. With a sigh, Clarissa parted her lips and he quickly took advantage, deepening their kiss.
His hand cupped the back of her head and his fingers tangled in her hair, while his other arm around her waist locked her against him. Clarissa twined her arms around his neck and felt the cold wall of the house at her back as he pressed her into it.
Her pulse raced as their kiss became even more heated, each second that passed marking time they didn't have. Langston's tongue stroked hers in a dance that set fire to her blood. The shadow of whiskers on his face softly abraded her skin. His hair was silky, and she couldn't resist from pushing her fingers into the thick strands, which he must have liked, judging by the masculine groan that met her ears.
When he finally lifted his head, both of them were breathing hard. "
― Tiffany Snow , Blank Slate
48
" Rites–of–passage stories…were cherished in pre–literate societies not only for their entertainment value, but also as mythic tools to prepare young men and women for life’s ordeals. A wealth of such stories can be found marking each major transition in the human life cycle: puberty, marriage, childbirth, menopause, death. Other rites–of–passage, less predictable but equally transformative, include times of sudden change and calamity such as illness and injury, the loss of one’s home, the death of a loved one, etc. These are the times when we wake, like Dante, to find ourselves in a deep, dark wood — an image that in Jungian psychology represents an inward journey. Rites–of–passage tales point to the hidden roads that lead out of the dark again — and remind us that at the end of the journey we’re not the same person as when we started. Ascending from the Netherworld (that grey landscape of illness, grief, depression, or despair), we are ‘twice–born’ in our return to life, carrying seeds — new wisdom, ideas, creativity and fecundity of spirit. "
― Terri Windling
51
" They sat in a sphere of quiet, save the sound of theirbreathing and the carriage’s creaks and sways. Outside,the coachman yelled his encouragement to the steedsmoving them forward. The whole carriage cocoonedthem in a peculiar world with the heaven’s wool-thickmists pressing against the windows. Her hand didn’t stop rubbing his neck, but sheshifted her leg, bending her knee to rest her leg onhis thigh. Her patten slipped off, dropping to the floorwith a thud. Cyrus’s head moved off the squab. “Are youundressing for my benefit?” His smile’s wicked curve played on her. From herstays to her drawers, everything was too tight, toomuch against her skin. Cyrus reached for her handworking his neck muscles. He brought it to his lips andkissed her knuckles thrice with slow adoration. “We don’t have to stop,” she said, her voice breathyand quick. “I’m sure you have more aches and pains.” Mid-kiss, he smiled against the back of her hand, hiswarm breath brushing her skin. “There are so many ways a man could go withthat.” Humor lightened his voice. “But I’m sure youmean to provide tender care to my neck only.” She grinned at her unintended innuendo. This wasthe experience she craved—to flirt and tease, to kissand touch. Cyrus put his lips to her wrist, marking herwith hot kisses. A spangle of pleasure shot up her arm. “You would break down the meanest soul withyour soft heart.” He set her hand on the blanket’sscratchy folds, his thumb caressing her wrist. “High praise, indeed, sir.” Tinseled sparks danced across her skin, not lettingher recover from those gentle touches, his lips to herarm. He stroked a lone finger on her hand that restedbetween them. “And you don’t care one bit that I’m the son of aMidland swine farmer, do you?” Cyrus asked the unexpected question, but his voiceconveyed confidence in her answer. Was her chivalrousbrawler showing a hidden spot? She peered athim, wanting a better view of his shadowed features. How was she to decipher this latest turn? The carriage bumped and rocked, and the outsidecandle lantern swung another shaft of light inside. Hisquicksilver stare pinned her. “Miss Mayhew, have you ever wondered how afreehold farmer got to be in such a fine place? "
52
" I was in a copse of pine trees, and the pine was overpowering my scent. The pheromones of the big cat mingled with the pine and I spun around. I was smelling and looking for the flash of white, but I couldn’t see it. I grew angry and I pawed at the earth. The aroma of the soil cleansed my nose as I leaned down and sniffed deeply. I slowly closed and opened my eyes. As I looked ahead I saw something.
There, further on, I had another glimpse of the large white cat. She was stopped and her hindquarters were in the air. I stared, trying to figure out what she was doing. Her forepaws and head were on the ground, but her hind was wiggling. She was next to a tree, marking it, so I slowly paced in a zigzag pattern as I walked close to her. I was being cautious because poachers had been known to employ shifters to entice real animals in the wild. She turned her head and growled at me. I took it as an invite to come closer.
I ran up to her and started circling. She was an albino panther as I thought. I paced closer, breathing deep. I was in the middle of Ohio, outside of a lost cougar and a few bobcats there were no big cats here, at least not counting lycanthropes, and this creature didn’t smell like one of those. Her rump almost wagged in anticipation, and I felt my tiger body respond.
I circled her, taking a swipe in her direction to see if she was going to respond negatively to me. The pink eyes followed me and she growled. I walked up to her, sniffed her face and neckline. I didn’t smell any other male on her, and I walked to her raised rump. Burying my nose in her groin I smelled deeper, and she shifted her body.
I felt it before I could see it. She was shifting, changing from albino panther to human. I sat on my hindquarters as I watched.
Her white fur seemed to melt from her, sliding upwards, starting with her back legs. The flesh and fur on her feet slid forward, leaving human feet and calves. It was fully fleshed, unlike some lycanthrope changes when they’re younger. The calves of her legs appeared, and slowly slid up. The panther flesh was sliding forward, slowly and methodically. Across her ass and groin, now lower back and stomach. The pheromones I smelled earlier were coming from her, the human form. I stood and started pacing behind her, and her panther head shook in a very human gesture. I stopped, fighting the desire to lean forward and lick her wetness with my large tongue. The flesh was sliding forward and as her teats turned into breasts, I growled in need. Next were her shoulders and arms, then her head and hands. As the transformation ended, there was a pile of fur and flesh lying in front of her.
Her human form was beautiful; a full figured woman with long white hair, that was perfectly natural. She looked to be in her early forties, but didn’t have a line on her face that she didn’t want. In the corners of her eyes were small, but beautiful, crow’s feet, laugh lines surrounded her mouth. She laid out with her former form under her, laying on it, propped up by her elbows. She smiled with the confidence of someone who was used to being in charge. Her long hair flowed around her shoulders, framing her body. She reminded me of someone, but I couldn’t figure out who. "
― Todd Misura , Divergence: Erotica from a Different Angle
54
" Not darkness, for that implies an understanding of light. Not silence, for that suggests a familiarity with sound. Not loneliness, for that requires knowledge of others. But still, faintly, so tenuous that if it were any less it wouldn’t exist at all: awareness. Nothing more than that. Just awareness—a vague, ethereal sense of being. Being . . . but not becoming. No marking of time, no past or future—only an endless, featureless now, and, just barely there in that boundless moment, inchoate and raw, the dawning of perception . . . "
― Robert J. Sawyer , WWW: Wake (WWW, #1)
57
" I walked out this evening to the bottom of the garden and smoked a cigarette. Last week I planted an acer in the furthest bed from the house, in honour of our new baby. The sapling is as tall as me and, by all accounts, it can grow forty feet tall. So, in thirty year's time, if we're still here I can come back and see this tree in its maturity. But the thought depresses me: in thirty years' time I'll be in my mid-sixties and I realize that these forward projections that you make, so unreflectingly, in your life are beginning to run out. Suppose I'd said in forty years' time? That would be pushing it, Fifty? I'll probably be gone by then. Sixty? Dead and buried, for sure. Thank Christ I didn't plant an oak. Is that a good definition of of marking the ageing watershed? That moment when you realize-quite rationally, quite unemotionally-that the world in the not-so-distant future will not contain you: that the trees you planted will continue growing but you will not be there to see them. "
― William Boyd , Any Human Heart
