46
" And it suggests this truth about the place where aesthetic form meets the human mind. For even if we were to find ourselves homeless, in a strange land, with nothing of ourselves left-say we lost everything-we'd still have another kind of home, in aesthetic form itself, in the familiarity, the unchanging assurance that a known rhythm, a recognised line, the familiar shape of a story, a tune, a line or phrase or sentence gives us every time, even long after we've forgotten we even know it. "
― Ali Smith , Artful
47
" Evere since I was first to read, then started reading to myself, there has never been a line read that I didn't hear. As my eyes followed the sentence, a voice was saying it silently to me. It wasn't my mother's voice, or the voice of any person I can identify, certainly not my own. It is human, but inward, and it is inwardly that I listen to it. It is to me the voice of the poem or the story itself. The cadence, whatever it is that asks you to believe, the feeling that resides in the printed word, reaches me through the reader-voice. I have supposed, but never found out, that this is the case with all readers - to read as listeners - and with all writers, to write as listeners. It may be part of the desire to write. The sound of what falls on the page begins the process of testing it for truth, for me. Whether I am right to trust so far I don't know. By now I don;t know whether I could do either one, reading or writing, without the other. "
― Eudora Welty , On Writing
49
" Your brother is a sensitive person. Aesthetically, ethically, and intellectually he is in fact hypersensitive. As a result, it would seem that he was born only to torture himself. He has none of that saving dullness of intelligence which sees little difference between A and B. To him it must be either A or B. And if it is to be A, its shape, degree, and shade of color must precisely match his own conception of it; otherwise he will not accept it. Your brother, being sensitive, is all his life walking on a line he has chosen—a line as precarious as a tight rope. At the same time he impatiently demands that others also tread an equally precarious rope, without missing their footing. It would be a mistake, though, to think that this stems from selfishness. Imagine a world which could react exactly the way your brother expects; that world would undoubtedly be far more advanced than the world as it is now. Consequently, he detests the world which is—aesthetically, intellectually, and ethically—not as advanced as he is himself. That's why it's different from mere selfishness, I think. "
― Natsume Sōseki , The Wayfarer
58
" ...[Y]ou know very well the truth of what I [say]... I have incurred a great deal of bitter hostility; and this is what will bring about my destruction, if anything does... the slander and jealousy of a very large section of the people. They have been fatal to a great many other innocent men, and I suppose will continue to be so; there is no likelihood that they will stop at me. But perhaps someone will say 'Do you feel no compunction, Socrates, at having followed a line of action which puts you in danger of the death-penalty?' I might fairly reply to him 'You are mistaken, my friend, if you think that a man who is worth anything ought to spend his time weighing up the prospects of life and death. He has only one thing to consider in performing any action; that is, whether he is acting rightly or wrongly, like a good man or a bad one...['] The truth of the matter is this, gentlemen. Where a man has once taken up his stand, either because it seems best to him or in obedience to his orders, there I believe he is bound to remain and face the danger, taking no account of death or anything else before dishonour. "
― Plato , Apology/Crito/Phaedo