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a line QUOTES

a line QUOTES

121 " I walked a block on rubbery knees, feeling the way I did the time a van clipped my bike and sent me reeling into a line of parked cars. Ella had dropped her cigarette and jumped on the fallen bike, screaming at the top of her lungs as she sped after the car. Bleeding in three places, I watched her go, glad she knew I'd rather have retribution than comfort. "

― Melissa Albert , The Hazel Wood (The Hazel Wood, #1)

122 " I am sailing on a ship bound for life. a line in a song "

123 " Our lives are made up of choices. Big ones, small ones, strung together by the thin air of good intentions; a line of dominoes, ready to fall. Which shirt to wear on a cold winter's morning, what crappy junk food to eat for lunch. It starts out so innocently, you don't even notice: go to this party or that movie, listen to this song, or read that book, and then, somehow, you've chosen your college and career; your boyfriend or wife. "

― Abigail Haas , Dangerous Boys

124 " Sometimes I have the feeling that what takes place is identical to what doesn't take place, what we dismiss or allow to slip by us identical to what we accept and seize, what we experience identical to what we never try, and yet we spend our lives in a process of choosing and rejecting and selecting, in drawing a line to separate these identical things and make of our story a unique story that we can remember and that can be recounted, either now or at the end of time, and this be erased or swept away, the annulment of everything we are and do. We pour all our intelligence and our feelings and our enthusiasm into the task of discriminating between things that will all be made equal, if they haven't already been, and that's why we're so full of regrets and lost opportunities, of confirmations and reaffirmations and opportunities grasped, when the truth is that nothing is affirmed and everything is constantly in the process of being lost. "

― Javier Marías

125 " Our lives are made up of choices. Big ones, small ones, strung together by the thin air of good intentions; a line of dominoes, ready to fall. "

― Abigail Haas , Dangerous Boys

126 " The Big Book’s chapter We Agnostics draws a line in the sand: God either is or He isn’t. What was our choice to be (Alcoholics Anonymous, 53)? Nature abhors a vacuum and a state of nothing can’t exist in either the material or spiritual world. This kind of binary thinking made sense in the autocratic world of 1939. But in a democratic, pluralist society, all-or-nothing thinking is a cognitive distortion—a philosophical assumption that everything is right or wrong, good or evil, superior or inferior. In this millennium, people can hold opposing views and be equals in the same community. Our Traditions, lovingly and tolerantly, make room for more than one truth. That’s a good thing, because the only problem with the truth is that there are so many versions of it. "

― Joe C. , Beyond Belief: Agnostic Musings for 12 Step Life: Finally, a Daily Reflection Book for Nonbelievers, Freethinkers and Everyone

127 " Did I ever tell you about Asin? She is the wild woman of the woods. It's an old story of the People. My mom used to tell me about Asin. Asin couldn't bear being married or having children or having friends. She always wanted to run wild. She ran wild through the woods. If you saw her running you had to run to water as fast as you could and drink or her restlessness would come into you like a thirst that could never be quenched. She was happy and unhappy. She had wild long hair and she was very tall and she ran like the wind. When you saw dunegrass rippling in a line she was running through it. When the wind changed direction suddenly that was Asin. She was never satisfied or content and so she ran and ran and ran. She would grab men who were fishing alone and make love to them and then throw them down on the ground and run away weeping. She would grab children who wandered too far alone in the woods but she would return them to the same spot after three days and run away again. She would listen to women talking by the fire or working in the village or gathering berries but if they invited her to join them she ran away. You could hear her crying sometimes when the sun went down. She wanted something but she never knew what it was so she had nothing. She was as free as anyone ever could be and she was trapped. When I was young I wanted to be Asin. Many times I wanted to be Asin. So do you, Nora. I know. It's okay. It's alright. My sweet love. Poor Asin. Sometimes I think to be Asin would be the saddest thing in the world. Poor thing. "

― Brian Doyle , Mink River

128 " It would be very difficult to draw a line between holy wonder and real worship; for when the soul is overwhelmed with the majesty of God's glory, though it may not express itself in song, or even utter its voice with bowed head in humble prayer, yet it silently adores. "

― Charles Haddon Spurgeon , Morning and Evening, Based on the English Standard Version

129 " There's a school of thought today that rejects patriotism. People are made nervous by that intense allegiance to a country. They think it can only lead to war and bloodshed and that fights can be avoided if we all just compromise and get along. And, of course, compromise and getting along are great things as long as you're not sacrificing essential values. But I believe there's a line in the sand, some things that you have to be willing to stand up for, even if it means trouble. Charlie's patriotism is not blind, flag-waving jingoism: it's an intense allegiance to the American concept of liberty. He's through and through. He can talk about it and explain it. And he's shown he's willing to give everything for it. I admire him for that. "

― Andrew Klavan

130 " The days of the future stand in fornt of us
Like a line of candles all alight
Golden and warm and lively little candles
The days that are past are left behind "

― Constantinos P. Cavafy

131 " When you draw a line in the sand, be careful it is not low tide. "

―

132 " First of all is the fact that I have some rather good turns of phrase. I don't say that pridefully ... it's just that when a line I forgot about smacks me in the face and says, " Look at me! Aren't I lovely?" I have to notice. "

133 " As a revolutionary people, we Americans won a probable victory over the best and biggest army in the world because we learned to fight from the Indians. You can do a lot of damage with a Kentucky rifle from behind a tree. You don't put on a peaked hat and a red coat and white leggings and crossed white bandoleers with a big silver buckle in the center of the X and march uphill into a line of Howitzers loaded with chain and chopped horseshoes. "

― James Lee Burke , Creole Belle (Dave Robicheaux, #19)

134 " Where was the line between compassion and foolishness, kindness and weakness? And that was from her position. From theirs, it might be a line between mercy and cruelty, consideration and callousness. "

― Rohinton Mistry , A Fine Balance

135 " For this wire is as a part of our body, as a vein torn from us, glowing with our blood. Are we proud of this thread of metal, or of our hands which made it, or is there a line to divide these two? "

― Ayn Rand , Anthem

136 " I assure you the law isn't a line engraved in marble, immovable and unchangeable through the centuries. Rather...the law is like a string, fixed at both ends but with a great deal of play in it-very loose, the line of the law-so you can stretch it this way or that, rearrange the arc of it so you are always-short of the blantant theft or cold-blooded murder-safely on the right side. "

― Dean Koontz , Watchers

137 " I don't judge a scene or a line of dialog by whether or not it advances the plot, for example. Imagine an edit of Tarantino's Pulp Fiction wherein only dialog that advances the plot was allowed to remain. I don't obsess over the balance of conflict and interaction. I don't generally fret over the possibility that something I do may cause some reader to experience a " disconnect" (what an odious metaphor). I don't think in dramatic arcs. I don't spend a lot of time wondering if the plot is getting lost in description and conversation. To me, this all seems like a wealth of tedious confusion being introduced into an act that ought to be instinctive, natural, intuitive. I want to say, stop thinking about all that stuff and just write the story you have to tell. Let the story show you how it needs you to write it. I don't try to imagine how the reader will react to X or if maybe A, B, and C should have happened by page R. It's not that I don't want the story to be read. I desire readers as much as anyone. But I desire readers who want to read what I'm writing, not readers who approach fiction with so many expectations that they're constantly second-guessing and critiquing the author's every move, book in one hand, some workshop checklist in the other, and a stopwatch on the desk before them. If writing or reading like this seems to work for you, fine. I mean, I've always said that when you find something that works, stick with it. But, for me, it seems as though such an anal approach to creating any art would bleed from it any spark of enjoyment on the part of the artist (not to mention the audience). It also feels like an attempt to side-step the nasty issue of talent, as if we can all write equally well if we only follow the rules, because, you know, good writing is really 99% craft, not inexplicable, inconvenient, unquantifiable talent. "

138 " The story of two dreams is a coincidence, a line drawn by chance, like the shapes of lions or horses that are sometimes formed by clouds. "

― Jorge Luis Borges

139 " She took my papers, the papers that had followed me from the Khobar police station to jail, and pointed at a place where I was supposed to sign. On the paper there was a line for charges. In the blank space, someone had written “driving while female. "

― Manal Al-Sharif , Daring to Drive: A Saudi Woman's Awakening

140 " It is important to understand where to draw a line between progress and perfection. "

― Abhishek Ratna , No Parking. No Halt. Success Non Stop!