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The Transparency of Evil: Essays in Extreme Phenomena QUOTES

22 " The triumph of the transsexual and of transvestitism casts a strange light, retrospectively, upon the sexual liberation espoused by an earlier generation. It now appears that this liberation - which, according to its own discourse, meant the bursting forth of the body's full erotic force, a process especially favorable to the principles of femininity and of sexual pleasure - may actually have been no more than an intermediate phase on the way to the confusion of categories that we have been discussing. The sexual revolution may thus turn out to have been just a stage in the genesis of transsexuality. What is at issue here, fundamentally, is the problematic fate of all revolutions.
The cybernetic revolution, in view of the equivalence of brain and computer, places humanity before the crucial question 'Am I a man or a machine? ' The genetic revolution that is taking place at the moment raises the question 'Am I a man or just a potential clone? ' The sexual revolution, by liberating all the potentialities of desire, raises another fundamental question, 'Am I a man or a woman?' (If it has done nothing else, psychoanalysis has certainly added its weight to this principle of sexual uncertainty.) As for the political and social revolution, the prototype for all the others, it will turn out to have led man by an implacable logic - having offered him his own freedom, his own free will - to ask himself where his own will lies, what he wants in his heart of hearts, and what he is entitled to expect from himself. To these questions there are no answers. Such is the paradoxical outcome of every revolution: revolution opens the door to indeterminacy, anxiety and confusion. Once the orgy was over, liberation was seen to have left everyone looking for their generic and sexual identity - and with fewer and fewer answers available, in view of the traffic in signs and the multiplicity of pleasures on offer. That is how we became transsexuals - just as we became transpoliticals: in other words, politically indifferent and undifferentiated beings, androgynous and hermaphroditic - for by this time we had embraced, digested and rejected the most contradictory ideologies, and were left wearing only their masks: we had become, in our own heads - and perhaps unbeknownst to ourselves - transvestites of the political realm. "

Jean Baudrillard , The Transparency of Evil: Essays in Extreme Phenomena

23 " Everything tends to become a satellite - even our brains may be said to be outside us now, floating around us in the countless Hertzian ramifications of waves and circuits.
This is not science fiction, merely a generalization of McLuhan's theory of the 'extensions of man' . Every aspect of human beings - their bodies in their biological, mental, muscular or cerebral manifestations - now floats free in the shape of mechanical or computer-aided replacement parts. McLuhan, however, conceives of all this as a positive expansion - as the universalization of man - through media. This is a very sanguine view. The fact is that all the functions of man's body, so far from gravitating around him in concentric order, have become satellites ordered excentrically with respect to him. They have gone into orbit on their own account; consequently it is man himself, in view of this orbital extraversion of his own functions, his own technologies, who is now in a position of ex-orbitation and ex-centricity. Vis-a-vis the satellites that he has created and put into orbit, it is man with his planet Earth, with his territory, with his body, who is now the satellite. Once transcendent, he has become exorbitate.
It is not just the functions of man's body which, by becoming satellites, make man himself into a satellite. All those functions of our societies - notably the higher ones - which break off and go into orbit, contribute to the process.
Loan, finance, the technosphere, communications - all have become satellites in an inaccessible space and left everything else to go to rack and ruin.
Whatever fails to achieve orbital power is left in a state of abandonment which is permanent, since there is now no way out of it via some kind of transcendence. "

Jean Baudrillard , The Transparency of Evil: Essays in Extreme Phenomena

24 " Power itself is founded largely on disgust. The whole of advertising, the whole of political discourse, is a public insult to the intelligence, to reason - but an insult in which we collaborate, abjectly subscribing to a silent interaction. The day of hidden persuasion is over: those who govern us now resort unapologetically to arm-twisting pure and simple. The prototype here was a banker got up like a vampire, saying, 'I am after you for your money' . A decade has already gone by since this kind of obscenity was introduced, with the government's blessing, into our social mores. At the time we thought the ad feeble because of its aggressive vulgarity. In point of fact it was a prophetic commercial, full of intimations of the future shape of social relationships, because it operated, precisely, in terms of disgust, avidity and rape. The same goes for pornographic and food advertising, which are also powered by shamelessness and lust, by a strategic logic of violation and anxiety. Nowadays you can seduce a woman with the words, 'I am interested in your cunt' . The same kind of crassness has triumphed in the realm of art, whose mounds of trivia may be reduced to a single pronouncement of the type, 'What we want from you is stupidity and bad taste' . And the fact is that we do succumb to this mass extortion, with its subtle infusion of guilt.
It is true in a sense that nothing really disgusts us any more. In our eclectic culture, which embraces the debris of all others in a promiscuous confusion, nothing is unacceptable. But for this very reason disgust is nevertheless on the increase - the desire to spew out this promiscuity, this indifference to everything no matter how bad, this viscous adherence of opposites. To the extent that this happens, what is on the increase is disgust over the lack of disgust. An allergic temptation to reject everything en bloc: to refuse all the gentle brainwashing, the soft-sold overfeeding, the tolerance, the pressure to embrace synergy and consensus. "

Jean Baudrillard , The Transparency of Evil: Essays in Extreme Phenomena

26 " Impossible to find as otherness per se (obviously a dream); but at the same time---­ irreducible as a symbolic rule of the game, as a rule of the game that governs the world. The promiscuity and general confusion in which differences exist do not affect this rule of the game as such: it is not a rational law, nor is it a demonstrative process - we shall never have either metaphysical or scientific proof of this principle of foreignness and incomprehensibility: we simply have to accept it.
The worst thing here is understanding, which is sentimental and useless.
True knowledge is knowledge of exactly what we can never understand in the other, knowledge of what it is in the other that makes the other not oneself - and hence someone who can in no sense become separated from oneself, nor alienated by any look of ours, nor instituted by us in either identity or difference. (Never question others about their identity. In the case of America, the question of American identity was never at issue: the issue was America's foreignness.) If we do not understand the savage, it is for the same reason that he does not understand himself (the term 'savage' conveys this foreignness better than all later euphemisms).
The rule of exoticism thus implies that one should not be fooled by understanding, by intimacy, by the country, by travel, by picturesqueness, or by oneself. The realm of radical exoticism, moreover, is not necessarily a function of travel: 'It is not essential, in order to feel the shock [of the exotic], to revive the old-fashioned episode of the voyage. [ ... ] The fact remains that such an episode and its setting are better than any other subterfuge for reaching this brutal, rapid and pitiless hand-to-hand conflict and making each blow count.' Travel is a subterfuge, then - but it is the most appropriate one of all. "

Jean Baudrillard , The Transparency of Evil: Essays in Extreme Phenomena

35 " Whatever it may be that comes to us from elsewhere, even the worst exploitation, the very fact that it comes from somewhere else is positive. This is why alienation has its advantages, even though it is so often denounced as the dispossession of the self, with the other treated in consequence as an age-old enemy holding the alienated part of us captive. The inverse theory, that of disalienation, is equally simplistic, holding as it does that the subject merely has to reappropriate his alienated will and his alienated desire. From this perspective everything that befalls the subject as a result of his own efforts is good, because it is authentic; while everything that comes from outside the subject is dubbed inauthentic, merely because it does not fall within the sphere of his freedom.
Exactly the opposite position is the one that has to be stressed, while at the same time broadening the paradox. For just as it is better to be controlled by someone else rather than by oneself, it is likewise always better to be made happy, or unhappy, by someone else rather than by oneself. It is always better to depend in life on something that does not depend on us. In this way I can avoid any kind of servitude. I am not obliged to submit to something that does not depend on me - including my own existence. I am free of my birth - and in the same sense I can be free of my death. There has never been any true freedom apart from this one. The source of all interplay, of everything that is in play, of all passion, of all seduction, is that which is completely foreign to us, yet has power over us. That which is Other, that which we have to seduce. "

Jean Baudrillard , The Transparency of Evil: Essays in Extreme Phenomena

37 " The most beautiful of all photographs are those taken of savages in their natural surroundings. The savage is always confronting death, and he confronts the lens in exactly the same manner. He does not ham it up, nor is he indifferent. He always poses; he faces up to the camera. His achievement is to transform this technical operation into a face-to-face confrontation with death.
This is what makes these pictures such powerful and intense photographic objects. As soon as the lens fails to capture this pose, this provocative obscenity of the object facing death, as soon as the subject begins to collude with the lens, and the photographer too becomes subjective, the 'great game' of photography is over. Exoticism is dead. Today it is very hard indeed to find a subject - or even an object - that does not collude with the camera lens.
The only trick here, generally speaking, is to be ignorant of how one's subjects live. This gives them a certain aura of mystery, a savagery, which the successful picture captures. It also captures a gleam of ingenuity, of fatality, in their faces, betraying the fact that they do not know who they are or how they live. A glow of impotence and awe that is completely lacking in our tribes of worldly, devious, fashion-conscious and self-regarding people, always well-versed in the subject of themselves - and hence devoid of all mystery. For such people the camera is merciless. "

Jean Baudrillard , The Transparency of Evil: Essays in Extreme Phenomena

39 " The celibacy of the machine entails the celibacy of Telecomputer Man. Thanks to his computer or word processor, Telecomputer Man offers himself the spectacle of his own brain, his own intelligence, at work. Similarly, through his chat line or his Minitel, he can offer himself the spectacle of his own phantasies, of a strictly virtual pleasure. He exorcizes both intelligence and pleasure at the interface with the machine. The Other, the interlocutor, is never really involved: the screen works much like a mirror, for the screen itself as locus of the interface is the prime concern. An interactive screen transforms the process of relating into a process of commutation between One and the Same. The secret of the interface is that the Other here is virtually the Same: otherness is surreptitiously conjured away by the machine. The most probable scenario of communication here is that Minitel users gravitate from the screen to telephone conversations, thence to face-to-face meetings, and ... then what?
Well, it's 'let's phone each other', and, finally, back to the Minitel - which is, after all, more erotic because it is at once both esoteric and transparent. This is communication in its purest form, for there is no intimacy here except with the screen, and with an electronic text that is no more than a design filigreed onto life. A new Plato's retreat whence to observe shadow-forms of bodily pleasure filing past. Why speak to one another, when it is so simple to communicate? "

Jean Baudrillard , The Transparency of Evil: Essays in Extreme Phenomena