82
" Maybe life is like a walking safari. If you venture out expecting lions and leopards all the time you’ll almost always never find them. Maybe the best things are the ones you never knew you wanted to see. The ones that, scary as they may seem, were just the things you needed to unleash reality. I’d selfishly written my story before even reaching Africa. I’d romanticized scenarios, fabricated settings, invented fantastical dialogue, and almost overlooked the lesson I’d been sent to learn – to live life on foot and not in my head, with fearlessness, presence, without expectation, and above all, with gratitude. "
84
" I venture to say Kierkegaard meant that truth has lost its force with us and horrible pain and evil must teach it to us again, the eternal punishments of Hell will have to regain their reality before mankind turns serious once more. I do not see this. Let us set aside the fact that such convictions in the mouths of safe, comfortable people playing at crisis, alienation, apocalypse and desperation, make me sick. We must get it out of our heads that this is a doomed time, that we are waiting for the end, and th rest of it, mere junk from fashionable magazines. Things are grim enough without these shivery games. People frightening one another--a poor sort of moral exercise. But, to get to the main point, the advocacy and praise of suffering take us in the wrong direction and those of us who remain loyal to civilization must not go for it. You have to have the power to employ pain, to repent, to be illuminated, you must have the opportunity and even the time. "
― Saul Bellow , Herzog
85
" We must allow ourselves to think, we must dare to think, even though we fail. It is in the nature of things that we always fail, because we suddenly find it impossible to order our thoughts, because the process of thinking requires us to consider every thought there is, every possible thought. Fundamentally we have always failed, like all the others, whoever they were, even the greatest minds. At some point, they suddenly failed and their system collapsed, as is proved by their writings, which we admire because they venture farthest into failure. To think is to fail, I thought. "
― Thomas Bernhard , Extinction
91
" Our sense of self, formulated in large part by the untold number of cross-related connections that we make with our physical, social, and family environments, is reliant upon fitting into our social fabric. The educational environment, family relationships, peer groups, books, television, films, music, along with an assortment of other cultural events shape our emergent persona. Our successes and failures interacting in the world leave their collective imprint upon the wet clay of our forming brains. We are sentimental creatures who cling to past memories. We are inquisitive critters who venture forth from our protective dens to explore new territory. We are perceptive organisms equipped with five basic senses. We are sentient beings who can consciously organize our sense impressions into guiding ideas and useful principles. Our survival responses form a central cord of our emotions. We are receptive, compassionate beings that respond with both body and mind to global stimuli. "
100
" One may, in a case of exigency, introduce the reader in to a nuptial chamber, not into a virginal chamber. Verse would hardly venture it, prose must not.
It is the interior of a flower that is not yet unfolded, it is whiteness in the dark, it is the private cell of a closed lily, which must not be gazed upon by man so long as the sun has not gazed upon it. Woman in the bud is sacred. That innocent bud which opens, that adorable half-nudity which is afraid of itself, that white foot which takes refuge in a slipper, that throat which veils itself before a mirror as though a mirror were an eye, that chemise which makes haste to rise up and conceal the shoulder for a creaking bit of furniture or a passing vehicle, those cords tied, those clasps fastened, those laces drawn, those tremors, those shivers of cold and modesty, that exquisite affright in every movement, that almost winged uneasiness where there is no cause for alarm, the successive phases of dressing, as charming as the clouds of dawn,—it is not fitting at all that all this should be narrated, and it is too much to have even called attention to it. "
― Victor Hugo , Les Misérables