7
" They shoot the white girl first, but the rest they can take their time. No need to hurry out here. They are 17 miles from a town which has 90 miles between it and any other. Hiding places will be plentiful in the convent, but there is time, and the day has just begun. They are nine. Over twice the number of the women, they are obliged to stampede or kill, and they have the paraphernalia for either requirement--rope, a palm leaf cross, handcuffs, mace, and sunglasses, along with clean, handsome guns. "
― Toni Morrison , Paradise (Beloved Trilogy, #3)
11
" ... [t]he air was thinning out, as if from too much wear, not when Scout was killed but two weeks later--even before Scout's body had been shipped--when they were informed that Easter was dead too. Babies. One nineteen, the other twenty-one. How proud she was when they enlisted. She had actively encouraged them to do so. Their father had served in the forties. Uncles too. Jeff Fleetwood was back from Vietnam and none the worse. And although he did seem a little shook up, Menus Jury got back alive. Like a fool, she believed her sons would be safe. Safer than anywhere in Oklahoma outside Ruby. Safer in the army than in Chicago, where Easter wanted to go. Safer than Birmingham, than Montgomery, Selma, than Watts. Safer than Money, Mississippi, in 1955 and Jackson, Mississippi, in 1963. Safer than Newark. She had thought war was safer than any city in the United States. Now she had four unopened letters mailed in 1968 and delivered to the Demby post office four days after she buried the last of her sons. She had never been able to open them. Both had been home on furlough that Thanksgiving, 1968. Seven months after King's murder, and Soane had sobbed like the redeemed to see her boys alive. Her sweet colored boys unshot, unlynched, unmolested, unimprisoned. "
― Toni Morrison , Paradise (Beloved Trilogy, #3)
13
" But can't you even imagine what it must feel like to have a true home? I don't mean heaven. I mean a real earthly home. Not some fortress you bought and built up and have to keep everybody locked in or out. A real home. Not some place you went to and invaded and slaughtered people to get. Not some place you claimed, snatched because you got the guns. Not some place you stole from the people living there, but your own home, where if you go back past your great-great-grandparents, past theirs, and theirs, past the whole of Western history, past the beginning of organized knowledge, past pyramids and poison bows, on back to when rain was new, before plants forgot they could sing and birds thought they were fish, back when God said Good! Good!-- there, right there where you know your own people were born and lived and died. Imagine that, Pat. That place. Who was God talking to if not to my people living in my home?"
"You preaching, Reverend."
"No, I'm talking to you, Pat. I'm talking to you. "
― Toni Morrison , Paradise (Beloved Trilogy, #3)
18
" Misner walked away from the pulpit, to the rear wall of the church. There he stretched, reaching up until he was able to unhook the cross that hung there. He carried it then, past the empty choir stall, past the organ where Kate sat, the chair where Pulliam was, on to the podium and held it before him for all to see - if only they would. . . . Without this sign, the believer's life was confined to praising God and taking the hits. The praise was credit; the hits were interest due on a debt that could never be paid. . . . But with it, in the religion in which this sign was paramount and foundational, well, life was a whole other matter. "
― Toni Morrison , Paradise (Beloved Trilogy, #3)