62
" Do you fancy catching a movie at the Sturbridge Theater tonight? That new Robert Pattinson movie is showing,” I ask her, the phone cradled against my chest.
“Definitely sign me up for that!” Ari replies, chuckling as I mock scowl. Her easy laugh warms my soul.
“We’re in,” I tell Gil, arranging to meet him and his date in the diner later.
“So, who is it this time?” Ari asks, resting her chin in her hands. “Anyone we know?”
Considering I can count the girls on one hand who have enjoyed more than one date with Gil, I doubt it’ll be someone familiar. “I didn’t ask; guess we’ll find out soon enough.”
“Five bucks says it’s a blonde,” Ari quips.
“That’s one bet I’m not taking,” I admit, twirling a lock of her hair around my finger. “Gil’s penchant for blondes is world-renowned. "
― Siobhan Davis , Light Of A Thousand Stars (True Calling #2.5)
63
" Sure, occasionally a certain sappy song or romantic movie would come on, and you’d wonder what he or she was up to, but there was no way to know. Of course, you could always pick up the phone (and more recently, text or e-mail), but that would require that person’s knowing you were thinking of him or her. Where’s the fun in that? You never want them to know you’re thinking of them, so you refrain. Before long the memories start to fade. One day, you realize you can’t quite remember how she smelled or the exact color of his eyes. Eventually, without ever knowing it, you just forget that person altogether. You replace old memories with new ones, and life goes on. It was the clean break you needed to move forward. "
66
" ...I am, in short, a rationalist and believe only that which reason tells me is so. Mind you, this isn’t easy. We are so surrounded by tales of the supernatural, by the thunders of the powers to be who attempt with all their might to convince us of the existence of the supernatural, that the strongest among us may feel himself swaying.Something like that happened to me recently. In January 1990, I was lying in a hospital bed one afternoon and my dear wife, Janet, was not with me, but had gone home for a few hours to take care of some necessary chores. I was sleeping, and a finger jabbed at me. I woke, of course, and looked blearily to see who had awakened me and for what purpose.My room, however, had a lock, and the lock was firmly closed and there was a chain across the door too. Sunlight filled the room and it was clearly empty. So were the closet and the bathroom. Rationalist though I am, there was no way in which I could refrain from thinking that some supernatural influence had interfered to tell me that something had happened to Janet (naturally, my ultimate fear). I hesitated for a moment, trying to fight it off, and for anyone but Janet I would have. So I phoned her at home. She answered immediately and said she was perfectly well.Relieved, I hung up the phone and settled down to consider the problem of who or what had poked me. Was it simply a dream, a sensory hallucination? Perhaps, but it had seemed absolutely real. I considered.When I sleep alone, I often wrap myself up in my own arms. I also know that when I am sleeping lightly, my muscles twitch. I assumed my sleeping position and imagined my muscles twitching. It was clear that my own finger had poked into my shoulder and that was it.Now suppose that at the precise moment I had poked myself, Janet, through some utterly meaningless coincidence, had tripped and skinned her knee. And suppose I had called and she had groaned and said, " I just hurt myself" .Would I have been able to resist the thought of supernatural interference? I hope so. However, I can't be sure. It's the world we live in. It would corrupt the strongest, and I don't imagine I'm in the strongest. "
71
" And then, with a shock like high-voltage coursing through me, the phone beside me started pealing thinly.I just stood there and stared at it, blood draining from my face. A call to a tollbooth? It must, it must be a wrong number, somebody wanted the Information Booth or-! It must have been audible outside, with all I had the slide partly closed. One of the redcaps passing by turned, looked over, then started coming across toward where I was. To get rid of him I picked up the receiver, put it to my ear.'You'd better come out now, time's up,' a flat, deadly voice said. 'They're calling your train, but you're not getting on that one - or any other.''Wh-where are talking from?''The next booth to yours,' the voice jeered. 'You forgot the glass inserts only reach halfway down.'The connection broke and a man's looming figure was shadowing the glass in front of my eyes, before I could even get the receiver back on the hook. I dropped it full-length, tensed my right arm to pound it through his face as soon as I shoved the glass aside. He had a revolver-bore for a top vest-button, trained on me. Two more had shown up behind him, from which direction I hadn't noticed. It was very dark in the booth now, their collective silhouettes shut out all the daylight. The station and all its friendly bustle was blotted out, had receded into the far background, a thousand miles away for all the help it could give me. I slapped the glass wearily aside, came slowly out.One of them flashed a badge - maybe Crow had loaned him his for the occasion. 'You're being arrested for putting slugs in that phone. It won't do any good to raise your voice and shriek for help, try to tell people different. But suit yourself.'I knew that as well as he; heads turned to stare after us by the dozens as they started with me in their midst through the station's main-level. But not one in all that crowd would have dared interfere with what they mistook for a legitimate arrest in the line of duty. The one with the badge kept it conspicuously tilted in his upturned palm, at sight of which the frozen onlookers slowly parted, made way for us through their midst. I was being led to my doom in full view of scores of people. (" Graves For The Living" ) "
73
" Claire scraped her chair back, walked over to the cordless phone lying on the counter, and dialed from the business card still stuck to the refrigerator with a magnet. Four rings, and a cheerful voice answered on the other end and announced she’d reached Common Grounds. “Hi,’” Claire said. “Can I talk to Sam, please?’”
“Sam? Hold on.’” The phone clattered, and Claire could hear the buzz of activity in the background—milk being steamed, people chatting, the usual excitement of a busy coffee shop. She waited, jittering one leg impatiently, until the voice came back on the line. “Sorry,’” it said. “He’s not here tonight. I think he went to the party.’”
“The party?’”
“You know, the zombie frat party? Epsilon Epsilon Kappa? The Dead Girls’ Dance?’”
“Thanks,’” Claire said. She hung up and turned to face Michael and Eve, who were staring at her in outright surprise. She held up the phone. “The power of technology. Embrace it. "
― Rachel Caine , The Dead Girls' Dance (The Morganville Vampires, #2)
74
" For months beforehand, I fielded calls from British media. A couple of the reporters asked me to name some British chefs who had inspired me. I mentioned the Roux brothers, Albert and Michel, and I named Marco Pierre White, not as much for his food as for how—by virtue of becoming an apron-wearing rock-star bad boy—he had broken the mold of whom a chef could be, which was something I could relate to. I got to London to find the Lanesborough dining room packed each night, a general excitement shared by everyone involved, and incredibly posh digs from which I could step out each morning into Hyde Park and take a good long run around Buckingham Palace. On my second day, I was cooking when a phone call came into the kitchen. The executive chef answered and, with a puzzled look, handed me the receiver. Trouble at Aquavit, I figured.
I put the phone up to my ear, expecting to hear Håkan’s familiar “Hej, Marcus.” Instead, there was screaming. “How the fuck can you come to my fucking city and think you are going to be able to cook without even fucking referring to me?” This went on for what seemed like five minutes; I was too stunned to hang up. “I’m going to make sure you have a fucking miserable time here. This is my city, you hear? Good luck, you fucking black bastard.” And then he hung up.
I had cooked with Gordon Ramsay once, a couple of years earlier, when we did a promotion with Charlie Trotter in Chicago. There were a handful of chefs there, including Daniel Boulud and Ferran Adrià, and Gordon was rude and obnoxious to all of them. As a group we were interviewed by the Chicago newspaper; Gordon interrupted everyone who tried to answer a question, craving the limelight. I was almost embarrassed for him. So when I was giving interviews in the lead-up to the Lanesborough event, and was asked who inspired me, I thought the best way to handle it was to say nothing about him at all. Nothing good, nothing bad. I guess he was offended at being left out. To be honest, though, only one phrase in his juvenile tirade unsettled me: when he called me a black bastard. Actually, I didn’t give a fuck about the bastard part. But the black part pissed me off. "
― Marcus Samuelsson , Yes, Chef
