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21 " The closer two people stand to each other inwardly, the more readily they become for each other the condition under which alone their two beings find expression. "
― Lou Andreas-Salomé
22 " All other trades are contained in that of war.Is that why war endures?No. It endures because young men love it and old men love it in them. Those that fought, those that did not.That's your notion.The judge smiled. Men are born for games. Nothing else. Every child knows that play is nobler than work. He knows too that the worth or merit of a game is not inherent in the game itself but rather in the value of that which is put at hazard. Games of chance require a wager to have meaning at all. Games of sport involve the skill and strength of the opponents and the humiliation of defeat and the pride of victory are in themselves sufficient stake because they inhere in the worth of the principals and define them. But trial of chance or trial of worth all games aspire to the condition of war for here that which is wagered swallows up game, player, all. "
― Cormac McCarthy , Blood Meridian, or the Evening Redness in the West
23 " If those who are sent to draw water begin by drinking themselves, the army is suffering from thirst. [One may know the condition of a whole army from the behavior of a single man.] "
― Sun Tzu , The Art of War
24 " Men are born for games. Nothing else. Every child knows that play is nobler than work. He knows too that the worth or merit of a game is not inherent in the game itself but rather in the value of that which is put at hazard. Games of chance require a wager to have meaning at all. Games of sport involve the skill and strength of the opponents and the humiliation of defeat and the pride of victory are in themselves sufficient stake because they inhere in the worth of the principals and define them. But the trial of chance or trial of worth all games aspire to the condition of war for here that which is wagered swallows up game, player, all. "
25 " And because the condition of man . . . is a condition of war of every one against every one, in which case every one is governed by his own reason, and there is nothing he can make use of that may not be a help unto him in preserving his life against his enemies; it followeth that in such a condition every man has a right to every thing, even to one another's body. And therefore, as long as this natural right of every man to every thing endureth, there can be no security to any man, how strong or wise soever he be, of living out the time which nature ordinarily alloweth men to live. And consequently it is a precept, or general rule of reason: that every man ought to endeavour peace, as far as he has hope of obtaining it; and when he cannot obtain it, that he may seek and use all helps and advantages of war. The first branch of which rule containeth the first and fundamental law of nature, which is: to seek peace and follow it. The second, the sum of the right of nature, which is: by all means we can to defend ourselves. "
― Thomas Hobbes , Leviathan
26 " think of the condition of Europe for twenty years before, where people were fighting, not by thousands, but by millions; each one of whom as he struck his enemy wounded horribly some other innocent heart far away. "
― William Makepeace Thackeray
27 " We still (sometimes) remember that we cannot be free if our minds and voices are controlled by someone else. But we have neglected to understand that we cannot be free if our food and its sources are controlled by someone else. The condition of the passive consumer of food is not a democratic condition. One reason to eat responsibly is to live free. (pg. 323, The Pleasures of Eating) "
― Wendell Berry , The Art of the Commonplace: The Agrarian Essays
28 " It seems obvious, looking back, that the artists of Weimar Germany and Leninist Russia lived in a much more attenuated landscape of media than ours, and their reward was that they could still believe, in good faith and without bombast, that art could morally influence the world. Today, the idea has largely been dismissed, as it must in a mass media society where art's principal social role is to be investment capital, or, in the simplest way, bullion. We still have political art, but we have no effective political art. An artist must be famous to be heard, but as he acquires fame, so his work accumulates 'value' and becomes, ipso-facto, harmless. As far as today's politics is concerned, most art aspires to the condition of Muzak. It provides the background hum for power. "
― Robert Hughes , The Shock of the New
29 " Every action in this world, every word, every thought, has an effect. But the actor is also acted upon by his action. The condition on which you are allowed to make a change in the world is that the world changes you as well. "
― Yael Shahar , Returning
30 " The secret is to create the condition for change, a process that sometimes takes decades, and then use certain men as pivot points, a fulcrum to move history. "
― Robert Ferrigno
31 " To be a good human being is to have a kind of openness to the world, an ability to trust uncertain things beyond your own control, that can lead you to be shattered in very extreme circumstances for which you were not to blame. That says something very important about the condition of the ethical life: that it is based on a trust in the uncertain and on a willingness to be exposed; it’s based on being more like a plant than like a jewel, something rather fragile, but whose very particular beauty is inseparable from that fragility. "
― Martha C. Nussbaum
32 " Stories are psycho-diagnostic ― they diagnose the condition of our psyches. When we watch, read or hear a story, whatever detail jumps out reflects an issue in our psyche that requires our attention. "
― Thea Euryphaessa , Running Into Myself
33 " A work that aspires, however humbly, to the condition of art should carry its justification in every line...To snatch in a moment of courage, from the remorseless rush of time, a passing phase of life is only the beginning of the task. The task approached in tenderness and faith is to hold up unquestioningly, without choice and without fear, the rescued fragment before all eyes and in the light of a sincere mood. It is to show its vibration, its colour, its form; and through its movement, its form, and its colour, reveal the substance of its truth -- disclose its inspiring secret: the stress and passion within the core of each convincing moment. In a single-minded attempt of that kind, if one be deserving and fortunate, one may perchance attain to such clearness of sincerity that at last the presented vision of regret or pity, of terror or mirth, shall awaken in the hearts of the beholders that feeling of unavoidable solidarity; of the solidarity in mysterious origin, in toil, in joy, in hope, in uncertain fate, which binds men to each other and all mankind to the visible world. "
― Joseph Conrad
34 " All art constantly aspires towards the condition of music. For while in all other kinds of art it is possible to distinguish the matter from the form, and the understanding can always make this distinction, yet it is the constant effort of art to obliterate it. "
― Walter Pater
35 " Illusion (maya) makes one take birth, illusion makes one get married and illusion also makes one die. But here the condition is that it is not the reign of illusion. It is your own reign. It cannot happen unless you wish for it. Illusion gives the result (effect) of what you had consented to in your past life. "
― Dada Bhagwan
36 " A good friend loves you when the condition is better, a best friend holds your hand when you're in gutter. "
― Debasish Mridha
37 " We have lived by the assumption that what was good for us would be good for the world. And this has been based on the even flimsier assumption that we could know with any certainty what was good even for us. We have fulfilled the danger of this by making our personal pride and greed the standard of our behavior toward the world - to the incalculable disadvantage of the world and every living thing in it. And now, perhaps very close to too late, our great error has become clear. It is not only our own creativity - our own capacity for life - that is stifled by our arrogant assumption; the creation itself is stifled.We have been wrong. We must change our lives, so that it will be possible to live by the contrary assumption that what is good for the world will be good for us. And that requires that we make the effort to know the world and to learn what is good for it. We must learn to cooperate in its processes, and to yield to its limits. But even more important, we must learn to acknowledge that the creation is full of mystery; we will never entirely understand it. We must abandon arrogance and stand in awe. We must recover the sense of the majesty of creation, and the ability to be worshipful in its presence. For I do not doubt that it is only on the condition of humility and reverence before the world that our species will be able to remain in it. (pg. 20, " A Native Hill" ) "
38 " Walter Pater said that all the arts aspire to the condition of music, but I’ve always felt that music aspires to the condition of words. "
― John Ashbery
39 " There are so many things we can have in this world, but only 10 percent of it changes the condition of someone's heart. "
― Shannon L. Alder
40 " Insecurity is debilitating. It cripples your motivation and breaks your spirit. The condition is NOT insurmountable, but healing will only begin when self loathing ends. Once you learn to love the person you are, there are no limits to the person you can become. "
― Carlos Wallace , Life Is Not Complicated-You Are: Turning Your Biggest Disappointments Into Your Greatest Blessings