3
" I take literally the statement in the Gospel of John that God loves the world. I believe that the world was created and approved by love, that it subsists, coheres, and endures by love, and that, insofar as it is redeemable, it can be redeemed only by love. I believe that divine love, incarnate and indwelling in the world, summons the world always toward wholeness, which ultimately is reconciliation and atonement with God. "
― Wendell Berry , The Art of the Commonplace: The Agrarian Essays
6
" Good human work honors God's work. Good work uses no thing without respect, both for what it is in itself and for its origin. It uses neither tool nor material that it does not respect and that it does not love. It honors nature as a great mystery and power, as an indispensable teacher, and as the inescapable judge of all work of human hands. It does not dissociate life and work, or pleasure and work, or love and work, or usefulness and beauty. To work without pleasure or affection, to make a product that is not both useful and beautiful, is to dishonor God, nature, the thing that is made, and whomever it is made for. This is blasphemy: to make shoddy work of the work of God. But such blasphemy is not possible when the entire Creation is understood as holy and when the works of God are understood as embodying and thus revealing His spirit. (pg. 312, Christianity and the Survival of Creation) "
― Wendell Berry , The Art of the Commonplace: The Agrarian Essays
7
" It is impossible to see how good work might be accomplished by people who think that our life in this world either signifies nothing or has only a negative significance.
If, on the other hand, we believe that we are living souls, God's dust and God's breath, acting our parts among other creatures all made of the same dust and breath as ourselves; and if we understand that we are free, within the obvious limits of moral human life, to do evil or good to ourselves and to the other creatures - then all our acts have a supreme significance. If it is true that we are living souls and morally free, then all of us are artists. All of us are makers, within mortal terms and limits, of our lives, of one another's lives, of things we need and use...
If we think of ourselves as living souls, immortal creatures, living in the midst of a Creation that is mostly mysterious, and if we see that everything we make or do cannot help but have an everlasting significance for ourselves, for others, and for the world, then we see why some religious teachers have understood work as a form of prayer...
Work connects us both to Creation and to eternity. (pg. 316, Christianity and the Survival of Creation) "
― Wendell Berry , The Art of the Commonplace: The Agrarian Essays
10
" Some of the most memorable, and least regrettable, nights of my own youth were spent in coon hunting with farmers. There is no denying that these activities contributed to the economy of farm households, but a further fact is that they were pleasures; they were wilderness pleasures, not greatly different from the pleasures pursued by conservationists and wilderness lovers. As I was always aware, my friends the coon hunters were not motivated just by the wish to tree coons and listen to hounds and listen to each other, all of which were sufficiently attractive; they were coon hunters also because they wanted to be afoot in the woods at night. Most of the farmers I have known, and certainly the most interesting ones, have had the capacity to ramble about outdoors for the mere happiness of it, alert to the doings of the creatures, amused by the sight of a fox catching grasshoppers, or by the puzzle of wild tracks in the snow. "
― Wendell Berry , Bringing it to the Table: On Farming and Food
12
" Living without expectations is hard but, when you can do it, good. Living without hope is harder, and that is bad. You have got to have hope, and you mustn’t shirk it. Love, after all, 'hopeth all things.' But maybe you must learn, and it is hard learning, not to hope out loud, especially for other people. You must not let your hope turn into expectation. "
― Wendell Berry , Hannah Coulter
13
" [My grandfather] returned to what he called ‘studying.’ He sat looking down at his lap, his left hand idle on the chair arm, his right scratching his head, his white hair gleaming in the lamplight. I knew that when he was studying he was thinking, but I did not know what about. Now I have aged into knowledge of what he thought about. He thought of his strength and endurance when he was young, his merriment and joy, and how his life’s burdens had then grown upon him. He thought of that arc of country that centered upon Port William as he first had known it in the years just after the Civil War, and as it had changed, and as it had become; and how all that time, which would have seemed almost forever when he was a boy, now seemed hardly anytime at all. He thought of the people he remembered, now dead, and of those who had come and gone before his knowledge, and of those who would come after, and of his own place in that long procession. "
― Wendell Berry , Andy Catlett: Early Travels
