121
" ... He didn't know how to say good-bye. His throat ached from the strain of holding back his emotions. “I don't want to leave you,” he said humbly, reaching for her cold, stiff hands.
Emma lowered her head, her tears falling freely. “I'll never see you again, will I?”
He shook his head. “Not in this lifetime,” he said hoarsely.
She pulled her hands away and wrapped her arms around his neck. He felt her wet lashes brush his cheek. “Then I'll wait a hundred years,” she whispered. “Or a thousand, if I must. Remember that, Nikki. I'll be waiting for you to come to me. "
― Lisa Kleypas , Prince of Dreams (Stokehurst, #2)
122
" In the jumbled, fragmented memories I carry from my childhood there are probably nearly as many dreams as images from waking life. I thought of one which might have been my earliest remembered nightmare. I was probably about four years old - I don't think I'd started school yet - when I woke up screaming. The image I retained of the dream, the thing which had frightened me so, was an ugly, clown-like doll made of soft red and cream-coloured rubber. When you squeezed it, bulbous eyes popped out on stalks and the mouth opened in a gaping scream. As I recall it now, it was disturbingly ugly, not really an appropriate toy for a very young child, but it had been mine when I was younger, at least until I'd bitten its nose off, at which point it had been taken away from me. At the time when I had the dream I hadn't seen it for a year or more - I don't think I consciously remembered it until its sudden looming appearance in a dream had frightened me awake.When I told my mother about the dream, she was puzzled.'But what's scary about that? You were never scared of that doll.'I shook my head, meaning that the doll I'd owned - and barely remembered - had never scared me. 'But it was very scary,' I said, meaning that the reappearance of it in my dream had been terrifying.My mother looked at me, baffled. 'But it's not scary,' she said gently. I'm sure she was trying to make me feel better, and thought this reasonable statement would help. She was absolutely amazed when it had the opposite result, and I burst into tears.Of course she had no idea why, and of course I couldn't explain. Now I think - and of course I could be wrong - that what upset me was that I'd just realized that my mother and I were separate people. We didn't share the same dreams or nightmares. I was alone in the universe, like everybody else. In some confused way, that was what the doll had been telling me. Once it had loved me enough to let me eat its nose; now it would make me wake up screaming. (" My Death" ) "
124
" Vhat ozzer abilities do you haf?" ter Borcht snapped, which his assistant waited, pen in hand.Gazzy thought. " I have X-ray vision," he said. He peered at ter Borcht's chest, then blinked and looked alarmed.Ter Borcht was startled for a second, but then he frowned. " Don't write dat down," he told his assistant in irritation. The assistant froze in midsentence." You. Do you haf any qualities dat distinguish you in any way?" Nudge chewed on a fingernail. " You mean, like, besides the WINGS?" She shook her shoulders gently, and her beautiful fawn-colored wings unfolded a bit.His face flushed, and I felt like cheering. " Yes," he said stiffly. " Besides de vings." " Hmm. Besides de vings." Nudge tapped one finger against her chin. " Um..." Her face brightened. " I once ate nine Snickers bars in one sitting. Without barfing. That was a record!" " Hardly a special talent," ter Borcht said witheringly. Nudge was offended. " Yeah? Let's see YOU do it." ..." I vill now eat nine Snickers bars," Gazzy said in a perfect, creepy imitation of ter Borcht's voice, " visout bahfing." Iggy rubbed his forehead with one hand. " Well, I have a highly developed sense of irony." Ter Borcht tsked. " You are a liability to your group. I assume you alvays hold on to someone's shirt, yes? Following dem closely?" " Only when I'm trying to steal their dessert" ...Fang pretended to think, gazing up at the ceiling. " Besides my fashion sense? I play a mean harmonica." " I vill now destroy de Snickuhs bahrs!" Gazzy barked. "
125
" The weather had freshened almost to coldness, for the wind was coming more easterly, from the chilly currents between Tristan and the Cape; the sloth was amazed by the change; it shunned the deck and spent its time below. Jack was in his cabin, pricking the chart with less satisfaction than he could have wished: progress, slow, serious trouble with the mainmast-- unaccountable headwinds by night-- and sipping a glass of grog; Stephen was in the mizentop, teaching Bonden to write and scanning the sea for his first albatross. The sloth sneezed, and looking up, Jack caught its gaze fixed upon him; its inverted face had an expression of anxiety and concern. 'Try a piece of this, old cock,' he said, dipping his cake in the grog and proffering the sop. 'It might put a little heart into you.' The sloth sighed, closed its eyes, but gently absorbed the piece, and sighed again.
Some minutes later he felt a touch upon his knee: the sloth had silently climbed down and it was standing there, its beady eyes looking up into his face, bright with expectation. More cake, more grog: growing confidence and esteem. After this, as soon as the drum had beat the retreat, the sloth would meet him, hurrying toward the door on its uneven legs: it was given its own bowl, and it would grip it with its claws, lowering its round face into it and pursing its lips to drink (its tongue was too short to lap). Sometimes it went to sleep in this position, bowed over the emptiness.
'In this bucket,' said Stephen, walking into the cabin, 'in this small half-bucket, now, I have the population of Dublin, London, and Paris combined: these animalculae-- what is the matter with the sloth?' It was curled on Jack's knee, breathing heavily: its bowl and Jack's glass stood empty on the table. Stephen picked it up, peered into its affable bleary face, shook it, and hung it upon its rope. It seized hold with one fore and one hind foot, letting the others dangle limp, and went to sleep.
Stephen looked sharply round, saw the decanter, smelt to the sloth, and cried, 'Jack, you have debauched my sloth. "
― Patrick O'Brian , H. M. S. Surprise (Aubrey & Maturin #3)
126
" After a moment or two a man in brown crimplene looked in at us, did not at all like the look of us and asked us if we were transit passengers. We said we were. He shook his head with infinite weariness and told us that if we were transit passengers then we were supposed to be in the other of the two rooms. We were obviously very crazy and stupid not to have realized this. He stayed there slumped against the door jamb, raising his eyebrows pointedly at us until we eventually gathered our gear together and dragged it off down the
corridor to the other room. He watched us go past him shaking his head in wonder and sorrow at the stupid futility of the human condition in general and ours in particular, and then closed the door behind us.
The second room was identical to the first. Identical in all respects other than one, which was that it had a hatchway let into one wall. A large vacant-looking girl was leaning through it with her elbows on the counter and her fists jammed up into her cheekbones. She was watching some flies crawling up the wall, not with any great interest because they were not doing anything unexpected, but at least they were doing something. Behind her was a table stacked with biscuits, chocolate bars, cola, and a pot of coffee, and we headed straight towards this like a pack of stoats.
Just before we reached it, however, we were suddenly headed off by a man in blue crimplene, who asked us what we thought we were doing in there. We explained that we were transit passengers on our way to Zaire, and he looked at us as if we had completely taken leave of our senses.
'Transit passengers? he said. 'It is not allowed for transit passengers to be in here.'
He waved us magnificently away from the snack counter, made us pick up all our gear again, and herded us back through the door and away into the first room where, a minute later, the man in the brown crimplene found us again.
He looked at us. Slow incomprehension engulfed him, followed by sadness, anger, deep frustration and a sense that the world had been created specifically to cause him vexation. He leaned back against the wall, frowned, closed his eyes and pinched the bridge of his nose.
'You are in the wrong room,' he said simply. `You are transit passengers. Please go to the other room.'
There is a wonderful calm that comes over you in such situations, particularly when there is a refreshment kiosk involved. We nodded, picked up our gear in a Zen-like manner and made our way back down the corridor to the second room. Here the man in blue crimplene accosted us once more but we patiently explained to him that he could fuck off. "
― Douglas Adams , Last Chance to See
129
" Fabre stood up. He placed his fingertips on d‘Anton’s temples. “Put your fingers here,” he said. “Feel the resonance. Put them here, and here.” He jabbed at d’Anton’s face: below the cheekbones, at the side of his jaw. “I’ll teach you like an actor,” he said. “This city is our stage.”
Camille said: “Book of Ezekiel. ‘This city is the cauldron, and we the flesh’ ...”
Fabre turned. “This stutter,” he said. “You don’t have to do it.” Camille put his hands over his eyes. “Leave me alone,” he said. “Even you.” Fabre’s face was incandescent. “Even you, I am going to teach.” He leapt forward, wrenched Camille upright in his chair. He took him by the shoulders and shook him. “You’re going to talk properly,” Fabre said. “Even if it kills one of us.” Camille put his hands protectively over his head. Fabre continued to perpetrate violence; d’Anton was too tired to intervene. "
― Hilary Mantel , A Place of Greater Safety
135
" His words reminded me of something else I’d meant to bring up when he got back to town, something that had taken a very low priority. “Your coat—you never took it back after the wedding. It’s in my car.”
He waved dismissively “Keep it. I’ve got others.”
“What am I going to do with a wool coat?” I asked. “Especially here in Palm Springs?”
“Sleep with it,” he suggested. “Think of me.”
I put my hands on my hips and tried to stare him down, which wasn’t easy since he was so tall. That, and because his words suddenly returned me to the disorienting feeling I’d had sitting on his bed. “You said you weren’t going to bring up any romantic stuff around me.”
“Was that romantic?” he asked. “I was just making the suggestion, since the coat’s so heavy and warm. I figured you’d think of me since it was such a nice gesture. And yet, once again, you’re the one who finds romantic subtext in everything I say.”
“I do not. You know that’s not what I meant.”
He shook his head in mock sympathy. “I tell you, Sage. Sometimes I think I’m the one who needs to take out the restraining order on you.”
“Adrian! "
― Richelle Mead , The Indigo Spell (Bloodlines, #3)
136
" Halt glared at his friend as the whistling continued.'I had hoped that your new sense of responsibly would put an end to that painful shrieking noise you make between your lips' he said.Crowley smiled. It was a beautiful day and he was feeling at peace with the world. And that meant he was more than ready to tease Halt 'It's a jaunty song''What's jaunty about it?' Halt asked, grim faced. Crowley made an uncertain gesture as he sought for an answer to that question.'I suppose it's the subject matter' he said eventually. 'It's a very cheerful song. Would you like me to sing it for you?''N-' Halt began but he was too late, as Crowley began to sing. He had a pleasant tenor voice, in fact, and his rendering of the song was quite good. But to Halt it was as attractive as a rusty barn door squeaking.'A blacksmith from Palladio, he met a lovely lady-o''Whoa! Whoa!' Halt said 'He met a lovely lady-o?' Halt repeated sarcastically 'What in the name of all that's holy is a lady-o?''It's a lady' Crowley told him patiently.'Then why not sing 'he met a lovely lady'?' Halt wanted to know.Crowley frowned as if the answer was blatantly obvious." Because he's from Palladio, as the song says. It's a city on the continent, in the southern part of Toscana.''And people there have lady-o's, instead of ladies?' Asked Halt'No. They have ladies, like everyone else. But 'lady' doesn't rhyme with Palladio, does it? I could hardly sing, 'A blacksmith from Palladio, he met his lovely lady', could I?''It would make more sense if you did' Halt insisted 'But it wouldn't rhyme' Crowley told him.'Would that be so bad?''Yes! A song has to rhyme or it isn't a proper song. It has to be lady-o. It's called poetic license.''It's poetic license to make up a word that doesn't exist and which, by the way, sound extremely silly?' Halt asked.Crowley shook his head 'No. It's poetic license to make sure that the two lines rhyme with each other'Halt thought for a few seconds, his eyes knitted close together. Then inspiration struck him.'Well then couldn't you sing 'A blacksmith from Palladio, he met a lovely lady, so...'?''So what?' Crowley challengedHalt made and uncertain gesture with his hands as he sought more inspiration. Then he replied. 'He met a lovely lady, so...he asked her for her hand and gave her a leg of lamb.''A leg of lamb? Why would she want a leg of lamb?' Crowley demanded Halt shrugged 'Maybe she was hungry "
138
" ..." Were hostages ever killed?" She shook her head. " Not until the end. When everything...fell apart. " All it needs," ,she said, memories clouding her mind, " is the breaking of one rule, one law. A breaking that then no one calls to account. Once that happens, once the shock passes, every law shatters. Every rule of conduct, of proper behaviour, it all vanishes. Then the hounds inside each and everyone of us is unleashed. At that moment Withal" - she met his eyes, defiant against the grief she saw in them - " we show our true selves. We are not beasts- we are something far worse. There deep inside us. You see it - the emptiness in the eyes, as horror upon horror is committed, and no one feels. No one feels a thing." --Steven Erikson... Dust of Dreams "
139
" Darla shook her head, a small smirk on her lips. “You’re such a mom,” she told Katherine.
Katherine stared at her, puzzled. “You’re a mom, too,” she said softly.
“No, I gave birth. That doesn’t make me a mom. Not like you.”
A look passed between the two women like none they had ever shared before. For a split second, Katherine felt a slight connection. “Well, you rest. I’ll check on you later.” She turned and left the room, a funny, unexplainable feeling inside her. "
― Deanna Lynn Sletten , Widow, Virgin, Whore
