2
" Fabre stood up. He placed his fingertips on d‘Anton’s temples. “Put your fingers here,” he said. “Feel the resonance. Put them here, and here.” He jabbed at d’Anton’s face: below the cheekbones, at the side of his jaw. “I’ll teach you like an actor,” he said. “This city is our stage.”
Camille said: “Book of Ezekiel. ‘This city is the cauldron, and we the flesh’ ...”
Fabre turned. “This stutter,” he said. “You don’t have to do it.” Camille put his hands over his eyes. “Leave me alone,” he said. “Even you.” Fabre’s face was incandescent. “Even you, I am going to teach.” He leapt forward, wrenched Camille upright in his chair. He took him by the shoulders and shook him. “You’re going to talk properly,” Fabre said. “Even if it kills one of us.” Camille put his hands protectively over his head. Fabre continued to perpetrate violence; d’Anton was too tired to intervene. "
― Hilary Mantel , A Place of Greater Safety
6
" All that evening he talked to the Candle of Arras, in a low confidential tone. When you get down to it, he thought, there's not much difference between politics and sex; it's all about
power. He didn't suppose he was the first person in the world to make this observation. It's a question of seduction, and how fast and cheap you can effect it: if Camille, he thought, approximates to one of those little milliners who can't make ends meet - in other words, an absolute pushover - then Robespierre is a Carmelite, mind set on becoming Mother Superior. You can't corrupt her; you can wave your cock under her nose, and she's neither shocked nor interested: why should she be, when she hasn't the remotest idea
what it's for? "
― Hilary Mantel , A Place of Greater Safety
9
" Talking to Robespierre, one tried to make the right noises; but what is right, these days? Address yourself to the militant, and you find a pacifist giving you a reproachful look. Address yourself to the idealist, and you’ll find that you’ve fallen into the company of a cheerful, breezy professional politician. Address yourself to means, and you’ll be told to think of ends: to ends, and you’ll be told to think of means. Make an assumption, and you will find it overturned; offer yesterday’s conviction, and today you’ll find it shredded. What did Mirabeau complain of? He believes everything he says. Presumably there was some layer of Robespierre, some deep stratum, where all the contradictions were resolved. "
― Hilary Mantel , A Place of Greater Safety
13
" Your fear is, that if you marry Adèle, you will love her. If you have children, you will love them more than anything else in the world, more than patriotism, more than democracy. If your children grow up, and prove traitors to the people, will you be able to demand their deaths, as the Romans did? Perhaps you will, but perhaps you will not be able to do it. You’re afraid that if you love people you may be deflected from your duty, but it’s because of another kind of love, isn’t it, that the duty is laid upon you? "
― Hilary Mantel , A Place of Greater Safety
19
" As the year goes on, certain deputies—and others, high in public life—will appear unshaven, without coat or cravat; or they will jettison these marks of the polite man, when the temperature rises. They affect the style of men who begin their mornings with a splash under a backyard pump, and who stop off at their street-corner bar for a nip of spirits on their way to ten hours’ manual labor. Citizen Robespierre, however, is a breathing rebuke
to these men; he retains his buckled shoes, his striped coat of olive green. Can it be the same coat that he wore in the first year of the Revolution? He is not profligate with coats.
While Citizen Danton tears off the starched linen that fretted his thick neck, Citizen Saint-Just’s cravat grows ever higher, stiffer, more wonderful to behold. He affects a single earring, but he resembles less a corsair than a slightly deranged merchant banker. "
― Hilary Mantel , A Place of Greater Safety