82
" Rojer!” his mother cried, stumbling towards the washing trough before falling to her knees. Screaming in pain, she reached back and got a firm grip on one of the coreling's horns.
“You... can't... have... my... son!” she screamed, and threw herself forward, pulling on the horn with all her strength. Torn from its perch, the demon took ribbons of flesh with it, as Kally flipped it into the trough.
Soaking crockery shattered on impact, and the flame demon gurgled and thrashed, steam filling the air as the water was brought to an instant boil. Kally screamed as her arms burned, but she held the creature under until its thrashes stopped. "
― Peter V. Brett , The Warded Man (The Demon Cycle, #1)
84
" You really need to trade in that End Days psychology, Stephanie, for some silver-lining thinking,” Jim said airily. “Not every second of every day is a friggin’ crisis. Besides, be careful what you wish for.” He paused to hand her a book, The Dark Side of the Light Chasers. “Says here, the more psychic energy you invest in gloom and doom, the more likely you are to make it happen. The universe is very sensitive to these things, picks up on all those thought impressions, and the next thing you know, whack!” He smacked the back of his right hand against his left palm for emphasis.They rounded the hall, and the next thing Stephanie knew her head was being stuffed in a microwave. Microwave Man, one of the robots, provided the service. “Five seconds to a side, makes for an evenly cooked meal,” Microwave Man said. He waited five seconds, then turned Stephanie’s head. “Get me out of here! I feel my brains boiling!” Stephanie screamed frantically. But Jim, as strong as he was, was no match for Microwave Man. “He’s got ahold of your hair. I’ll run and get some scissors.”“I’ll be dead by then, you fool!”“What did I say about looking on the bright side, Stephanie? "
86
" Max raised the mallet. He stared into her face and wished he could say he was sorry, that he didn't want to do it. When he slammed the mallet down, with an echoing bang, he heard a high, piercing scream and almost screamed himself, believing for an instant it was her, still somehow alive; then realized it was Rudy. Max was powerfully built, with his, deep water-buffalo chest and Dutch farmer's shoulders. With the first blow he had driven the stake over two-thirds of the way in. He only needed to bring the mallet down once more. The blood that squelched up around the wood was cold and had a sticky, viscous consistency.Max swayed, his head light. His father took his arm.'Goot,' Abraham whispered into his ear, his arms around him, squeezing him so tightly his ribs creaked. Max felt a little thrill of pleasure - an automatic reaction to the intense, unmistakable affection of his father's embrace - and was sickened by it. 'To do offense to the house of the human spirit, even after its tenant depart, is no easy thing, I know.'(" Abraham's Boys" ) "
88
" How could she have gotten herself here? To this place where she stood by while the man she adored checked out things to share with his wife?
You knew what you were getting into.
But that wasn’t really true. One never knew, not entirely, not until in really deep. She screamed and seethed in raw silence. Damien came in then, and spooned her. He hadn’t a clue she was an impulse away from getting up, dressing, and leaving.
How shocked he would be, if she did that.
And he’d conclude that she wasn’t the well-matched true lover that he thought he had finally, at long last, discovered.
That thought ploughed a spike deeply through her. It gouged her so much that her breath stopped. It hurt her even more than did the wife. And she knew in that moment while he settled into bliss that she wasn’t going to leave, that leaving hadn’t had the slightest chance. "
― Aphrodite Phoenix , And The Point of All this Agony is...?
95
" I remember at that time I went to the hairdresser's. I did this regularly, but I remember that visit for two particular reasons. The first was that next to me was a young mother with a little girl aged about three. The child, whose hair was about to be cut for the first time, screamed with terror and clung to her mother. The hairdresser stood by gravely, comb in hand: he recognised that this was a serious moment. The mother, blushing, tried to comfort the child who had suddenly plunged into despair; all around the shop women smiled in sympathy. What impressed me, and what I particularly remember, was the child's passionate attempt to re-enter her mother, the arms locked around the woman's neck, the terrified cries of unending love. So dangerous is it to be so close! I had tears in my eyes, witnessing that bond, seeing that closeness, of which only a sorrowful memory remained in my own life. One loses the capacity to grieve as a child grieves, or to rage as a child rages: hotly, despairingly, with tears of passion. One grows up, one becomes civilised, one learns one's manners, and consequently can no longer manage these two functions - sorrow and anger - adequately. "
― Anita Brookner , Brief Lives
97
" Antonia Valleau cast the first shovelful of dirt onto her husband’s fur-shrouded body, lying in the grave she’d dug in their garden plot, the only place where the soil wasn’t still rock hard. I won’t be breakin’ down. For the sake of my children, I must be strong. Pain squeezed her chest like a steel trap. She had to force herself to take a deep breath, inhaling the scent of loam and pine. I must be doing this.
She drove the shovel into the soil heaped next to the grave, hefted the laden blade, and dumped the earth over Jean-Claude, trying to block out the thumping sound the soil made as it covered him. Even as Antonia scooped and tossed, her muscles aching from the effort, her heart stayed numb, and her mind kept playing out the last sight of her husband. The memory haunting her, she paused to catch her breath and wipe the sweat off her brow, her face hot from exertion in spite of the cool spring air.
Antonia touched the tips of her dirty fingers to her lips. She could still feel the pressure of Jean-Claude’s mouth on hers as he’d kissed her before striding out the door for a day of hunting. She’d held up baby Jacques, and Jean-Claude had tapped his son’s nose. Jacques had let out a belly laugh that made his father respond in kind. Her heart had filled with so much love and pride in her family that she’d chuckled, too.
Stepping outside, she’d watched Jean-Claude ruffle the dark hair of their six-year-old, Henri. Then he strode off, whistling, with his rifle carried over his shoulder. She’d thought it would be a good day—a normal day. She assumed her husband would return to their mountain home in the afternoon before dusk as he always did, unless he had a longer hunt planned.
As Antonia filled the grave, she denied she was burying her husband. Jean-Claude be gone a checkin’ the trap line, she told herself, flipping the dirt onto his shroud.
She moved through the nightmare with leaden limbs, a knotted stomach, burning dry eyes, and a throat that felt as though a log had lodged there. While Antonia shoveled, she kept glancing at her little house, where, inside, Henri watched over the sleeping baby. From the garden, she couldn’t see the doorway.
She worried about her son—what the glimpse of his father’s bloody body had done to the boy. Mon Dieu, she couldn’t stop to comfort him. Not yet. Henri had promised to stay inside with the baby, but she didn’t know how long she had before Jacques woke up.
Once she finished burying Jean-Claude, Antonia would have to put her sons on a mule and trek to where she’d found her husband’s body clutched in the great arms of the dead grizzly. She wasn’t about to let his last kill lie there for the animals and the elements to claim. Her family needed that meat and the fur.
She heard a sleepy wail that meant Jacques had awakened. Just a few more shovelfuls. Antonia forced herself to hurry, despite how her arms, shoulders, and back screamed in pain.
When she finished the last shovelful of earth, exhausted, Antonia sank to her knees, facing the cabin, her back to the grave, placing herself between her sons and where their father lay. She should go to them, but she was too depleted to move. "
― Debra Holland , Healing Montana Sky (Montana Sky, #5)
98
" We stepped in, and, as we paid the cover charge, the music hit us. The double doors buzzed open and we walked in. A handsome man and his lover in an orange top snuggled as they walked to the exit. Veronica turned to me and smiled, taking my hand. I unbuttoned my shirt at the neck and exposed my collar. It was a thin metal collar with a padlock on the front. If the padlock wasn’t attached it would have looked like any other interesting necklace that was tight against my neck, but it got more interesting with the padlock.
On Veronica’s left hand there was a thick bracelet, and that had a key on it. Her right wrist had a glow bracelet. We walked past the tables of people as they drank and screamed over the music to talk. We decided to go right to the dance floor. She took me by the hand, led me.
We were on the dance floor and I couldn’t dance. I ended up just throwing myself around, getting lost in the people surrounding us. The bodies pressed against us, the industrial music loud and crisp. The bass shook your bones, and my ribcage felt like it was rattled to pieces. I closed my eyes and just moved. Veronica moved with a grace I hadn’t seen in awhile when I opened my eyes. She pressed herself against a couple that surrounded her. I felt my breath catch in my throat, my heart pounded from excitement. She squeezed past them and moved to me, her hands ran down my face, and then she gripped the padlock with her left hand.
She pulled me down to her, which wasn’t very far, but it was the intensity of the moment that made all the difference. What she did next made me jump, my body tensed and relaxed in milliseconds. She gave me a deep kiss, and, while she kissed me, distracted me, her other hand undid my padlock. I pulled back as I jumped in shock. Our eyes were locked on each others’ in the flashing neon stage lights. She had a twinkle in her eye as she pulled me close to her.
“Find a man, for you.”
I pulled back, looked at her in surprise. She smiled wickedly, an erotic edge to her features suddenly. She was hot when she was getting dressed and she was even hotter now. I didn’t know what the hell was going on, but I leaned into her ear.
“Are you looking for a woman? "
― Todd Misura , Divergence: Erotica from a Different Angle
99
" She brought her elbow
backward and connected with Rand’s ribs. He swore and released her.
She whirled on him. “That’s for being so arrogant!”
Rand advanced on her, and the grin on his face wasn’t at all reassuring. She took one step
back, then turned to sprint into the bathroom, when a pair of hands caught her and slung her over
a hard muscled shoulder.
“Put me down right now!” She screamed as she pummeled his back. “You are the most
annoying, selfish, barbaric, horny man I know, Rand Miller!”
He set her back on her feet inside the bathroom, then cupped her chin in his palm. “You
are the most gorgeous, intelligent, feisty woman I know, Lucy Flemming.”
Lucy narrowed her eyes. What was he up to now? “Flattery won’t help you out of this
one.”
“It’s not flattery. It’s the truth,” he murmured as he leaned close to her ear. “And, baby?”
“Yes?” she answered, her voice nearly inaudible as his nearness began to override her
anger.
“I’d better be the only horny man you know. "
― Anne Rainey , Reckless Exposure (Three Kinds of Wicked, #3)
