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41 " The places and people in the following stories have been represented accurately to the best of my ability; yet my writing is supposed to be a tale, and as in any historical novel, my own imagination has blended with fact to create poetical reality. "
42 " We will always be black, you and I, even if it means different things in different places. France is built on its own dream, on its collection of bodies, and recall that your very name is drawn from a man who opposed France and its national project of theft by colonization. It is true that our color was not our distinguishing feature there, so much as the Americanness represented in our poor handle on French. And it is true that there is something particular about how the Americans who think they are white regard us—something sexual and obscene. We were not enslaved in France. We are not their particular “problem,” nor their national guilt. We are not their niggers. If there is any comfort in this, it is not the kind that I would encourage you to indulge. Remember your name. Remember that you and I are brothers, are the children of trans-Atlantic rape. Remember the broader consciousness that comes with that. Remember that this consciousness can never ultimately be racial; it must be cosmic. Remember the Roma you saw begging with their children in the street, and the venom with which they were addressed. Remember the Algerian cab driver, speaking openly of his hatred of Paris, then looking at your mother and me and insisting that we were all united under Africa. Remember the rumbling we all felt under the beauty of Paris, as though the city had been built in abeyance of Pompeii. Remember the feeling that the great public gardens, the long lunches, might all be undone by a physics, cousin to our rules and the reckoning of our own country, that we do not fully comprehend. "
― Ta-Nehisi Coates
43 " We who bore the mark might well be considered by the rest of the world as strange, even as insane and dangerous. We had awoken, or were awakening, and we were striving for an ever perfect state of wakefulness, whereas the ambition and quest for happiness of the others consisted of linking their opinions, ideals, and duties, their life and happiness, ever more closely with those of the herd. They, too, strove; they, too showed signs of strength and greatness. But as we saw it, whereas we marked men represented Nature's determination to create something new, individual, and forward-looking, the others lived in the determination to stay the same. For them mankind--which they loved as much as we did--was a fully formed entity that had to be preserved and protected. For us mankind was a distant future toward which we were all journeying, whose aspect no one knew, whose laws weren't written down anywhere. "
― Hermann Hesse , Demian: Die Geschichte von Emil Sinclairs Jugend
44 " She was one of those exceptional children who do still spend time outside, in solitude. In her case nature represented beauty - and refuge. " It's so peaceful out there and the air smells so good. I mean, it's polluted, but not as much as the city air. For me, it's completely different there," she said. " It's like you're free when you go out there. It's your own time. Sometimes I go there when I'm mad - and then, just with the peacefulness, I'm better. I can come back home happy, and my mom doesn't even know why." The she described her special part of the woods. " I had a place. There was a big waterfall and a creek on one side of it. I'd dug a big hole there, and sometimes I'd take a tent back there, or a blanket, and just lie down in the hole, and look up at the trees and sky. Sometimes I'd fall asleep back there. I just felt free; it was like my place, and I could do what I wanted, with nobody to stop me. I used to go down there almost every day." The young poet's face flushed. Her voice thickened. " And then they just cut the woods down. It was like they cut down part of me. "
45 " Someone once told me that when you die every deed you ever committed, whether on behalf of good or bad is represented in the form of pebbles. Black ones for every deed done in the name of evil, white ones for every act of good. The pebbles are weighed upon a great scale, and if the white stones outweigh the black then your soul is granted peace.”He opens one bleary eye. “What’s the punishment for too many black acts?”“There is no worse punishment than standing on the threshold of heaven alone. "
46 " Véra assumed her married name almost as a stage name; rarely has matrimony so much represented a profession. It was one of the ironies of the life that – born at a time and place where women could and did lay claim to all kinds of ambitions – she should elevate the role of wife to a high art. […] Traditionally, a man changes his name and braces himself for fame; a woman changes hers and passes into oblivion. This was not to be Véra’s case, although she did gather her married name around her like a cloak, which she occasionally opened to startling effect. She would never be forced to make a woman’s historic choice between love and work. Nor would Verochka, as Vladimir called her, squander any of her professional training, though as it happened her husband would be the direct (and sole) beneficiary of that expertise. "
― Stacy Schiff , Vera (Mrs. Vladimir Nabokov)
47 " [T]he piano was to Harlem what brass bands had been to New Orleans. The instrument represented conflicting possibilities -- a pathway for assimilating traditional highbrow culture, a calling card of lowbrow nightlife, a symbol of middle-class prosperity, or, quite simply, a means of making a living. "
― , The History of Jazz
48 " Akin to the idea that time is money is the concept, less spoken but as commonly assumed, that we may be adequately represented by money. The giving of money has thus become our characteristic virtue. But to give is not to do. The money is given in lieu of action, thought, care, time. "
― Wendell Berry
49 " Van Uoc felt the stab of a sad truth: she and her mother would never be as close as her mother and grandmother had been.Her mother got up, stretched her tidy, graceful frame and headed for the kitchen. Van Uoc wanted to be able to offer her some comfort, but what could she say? Her mother was right. The two of them represented an irreconcilable cultural split. Distance between them was inevitable. "
― Fiona Wood , Cloudwish (The Six Impossiverse #3)
50 " Her vision of the world under the water represented a beautiful stillness, a version of heaven. It was the lost city of Lena, her alternate universe, the life she yearned for but didn't get to have. "
― , Sisterhood Everlasting (Sisterhood, #5)
51 " In that smooth fortress of glass, I caught a glimpse of my corruption gripping steel, which before I had thought of as my salvation, but now represented my obliteration. "
― J.D. Stroube , Caged in Spirit (Caged, #3)
52 " Jesus was a penniless teacher who wandered about the dusty sun-bit country of Judea, living upon casual gifts of food; yet he is always represented clean, combed, and sleek, in spotless raiment, erect, and with something motionless about him as though he was gliding through the air. This alone has made him unreal and incredible to many people who cannot distinguish the core of the story from the ornamental and unwise additions of the unintelligently devout. "
― H.G. Wells , The Outline of History, Vol. 1 (of 2)
53 " Every word appears in our mind as a composite of everything else we associate with it. We by default personify every word, because in each of our minds, when we think of a certain person, there is one word that is the biggest part of that composite image. If I said swimming, singing or story telling each word is personified by someone different in each of our minds. It is very important to not let hate, treachery or any negative thing be personified by anyone in our mind, also not to give any reason that we would personify them in someone else’s mind. Any space in our hearts we allow hate to occupy, is space that could be filled with love. There will come a time in every person’s life, when they realize they are woefully wanting in the love they have cultivated in their heart. How amazing to think of the contrary: that you personified love in someone’s mind. What better compliment could we ever hear, than for someone to say, that we are their personification of love? I think it’s something that is not too often said, but oh that it was, and more, that there were more reason to say it. My wish is that every person could wake up in the morning with a prayer, that they may have the courage, diligence and desire to love more truly, sincerely and objectively; that every night we reflect on what we may have represented by our thoughts, words and deeds,” Jefferson concluded. "
― Michael Brent Jones , Dinner Party
54 " Through the blur, I wondered if I was alone or if other parents felt the same way I did - that everything involving our children was painful in some way. The emotions, whether they were joy, sorrow, love or pride, were so deep and sharp that in the end they left you raw, exposed and yes, in pain. The human heart was not designed to beat outside the human body and yet, each child represented just that - a parent's heart bared, beating forever outside its chest. "
― Debra Ginsberg
55 " All faults or defects, from the slightest misconduct to the most flagitious crime, Pantocyclus attributed to some deviation from perfect Regularity in the bodily figure, caused perhaps (if not congenital) by some collision in a crowd; by neglect to take exercise, or by taking too much of it; or even by a sudden change of temperature, resulting in a shrinkage or expansion in some too susceptible part of the frame. Therefore, concluded that illustrious Philosopher, neither good conduct nor bad conduct is a fit subject, in any sober estimation, for either praise or blame. For why should you praise, for example, the integrity of a Square who faithfully defends the interests of his client, when you ought in reality rather to admire the exact precision of his right angles? Or again, why blame a lying, thievish Isosceles when you ought rather to deplore the incurable inequality of his sides?Theoretically, this doctrine is unquestionable; but it has practical drawbacks. In dealing with an Isosceles, if a rascal pleads that he cannot help stealing because of his unevenness, you reply that for that very reason, because he cannot help being a nuisance to his neighbours, you, the Magistrate, cannot help sentencing him to be consumed - and there's an end of the matter. But in little domestic difficulties, where the penalty of consumption, or death, is out of the question, this theory of Configuration sometimes comes in awkwardly; and I must confess that occasionally when one of my own Hexagonal Grandsons pleads as an excuse for his disobedience that a sudden change of the temperature has been too much for his perimeter, and that I ought to lay the blame not on him but on his Configuration, which can only be strengthened by abundance of the choicest sweetmeats, I neither see my way logically to reject, nor practically to accept, his conclusions.For my own part, I find it best to assume that a good sound scolding or castigation has some latent and strengthening influence on my Grandson's Configuration; though I own that I have no grounds for thinking so. At all events I am not alone in my way of extricating myself from this dilemma; for I find that many of the highest Circles, sitting as Judges in law courts, use praise and blame towards Regular and Irregular Figures; and in their homes I know by experience that, when scolding their children, they speak about " right" or " wrong" as vehemently and passionately as if they believed that these names represented real existences, and that a human Figure is really capable of choosing between them. "
56 " A child cannot quarrel with its elders, as I had done, cannot give its furious feelings uncontrolled play, as I had given mine, without experiencing afterwards the pang of remorse and the chill of reaction. A ridge of lighted heath, alive, glancing, devouring, would have been a meet emblem of my mind when I accused and menaced Mrs. Reed: the same ridge, black and blasted after the flames are dead, would have represented as meetly my subsequent condition. "
― Charlotte Brontë , Jane Eyre
57 " Our pendants glowed in unison and I understood that they represented us – Siren and human intertwined for eternity. "
― , The Pax Valley
58 " No wonder then that men who cared, who were open to change, often just gave up, falling back on the patriarchal masculinity they found so problematic. The individual men who did take on the mantle of a feminist notion of male liberation did so only to find that few women respected this shift. Once the 'new man' that is the man changed by feminism was represented as a wimp, as overcooked broccoli dominated by powerful females who were secretly longing for his macho counterpart, masses of men lost interest. "
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59 " At first glance, the stewardess appears to have been a reflection of conservative postwar gender roles—an impeccable airborne incarnation of the mythical homemaker of the 1950s who would happily abandon work to settle down with Mr. Right. A high-flying expert at applying lipstick, warming baby bottles, and mixing a martini, the stewardess was popularly imagined as the quintessential wife to be. Dubbed the “typical American girl,” this masterful charmer—known for pampering her mostly male passengers while maintaining perfect poise (and straight stocking seams) thirty thousand feet above sea level—became an esteemed national heroine for her womanly perfection.But while the the stewardess appears to have been an airborne Donna Reed, a closer look reveals that she was also popularly represented as a sophisticated, independent, ambitious career woman employed on the cutting edge of technology. This iconic woman in the workforce was in a unique position to bring acceptance and respect to working women by bridging the gap between the postwar domestic ideal and wage work for women. As both the apotheosis of feminine charm and American careerism, the stewardess deftly straddled the domestic ideal and a career that took her far from home. Ultimately, she became a crucial figure in paving the way for feminism in America. "
― Victoria Vantoch , The Jet Sex: Airline Stewardesses and the Making of an American Icon
60 " In a world dominated by violent and passive-aggressive men, and by male institutions dispensing violence, it is extraordinary to note how often women are represented as the perpetrators of violence, most of all when we are simply fighting in self-defense or for our children, or when we collectively attempt to change the institutions that are making war on us and our children. "
― Adrienne Rich , On Lies, Secrets, and Silence: Selected Prose, 1966-1978
