105
" I turn and walk back to the home shore whose tall yellow bluffs still bare of snow I can see nearly half a mile to the north. I find my way as I came, over dusty sandbars and by old channels, through shrubby stands of willows. The cold, late afternoon sun breaks through its cloud cover and streaks the grey sand mixed with snow.As it has fallen steadily in the past weeks, the river has left behind many shallow pools, and these are now roofed with ice. When I am close to the main shore I come upon one of them, not far from the wooded bank. The light snow that fell a few days ago has blown away; the ice is polished and is thick enough to stand on. I can see to the bottom without difficulty, as through heavy dark glass.I bend over, looking at the debris caught there in the clear, black depth of the ice: I see a few small sticks, and many leaves. There are alder leaves, roughly toothed and still half green; the more delicate birch leaves and aspen leaves, the big, smooth poplar leaves, and narrow leaves from the willows. They are massed or scattered, as they fell quietly or as the wind blew them into the freezing water. Some of them are still fresh in color, glowing yellow and orange; others are mottled with grey and brown. A few older leaves lie sunken and black on the silty bottom. Here and there a pebble of quartz is gleaming. But nothing moves there. It is a still, cold world, something like night, with its own fixed planets and stars. "
106
" The undulating terrain was cloaked in lush abundance, the vineyards like garlands of deep green and yellow, orchards and farms sprouting here and there, hillocks of dry golden grass crowned by beautiful sun-gilt houses, barns and silos. And overhead was the bluest sky she'd ever seen, as bright and hard polished as marble.
There was something about the landscape that caught at her emotions. It was both lush and intimidating, its beauty so abundant. Far from the bustle of the city, she was a complete stranger here, like Dorothy stepping out of her whirling house into the land of Oz. Farm stands overflowing with local produce marked the long driveways into farms with whimsical names- Almost Paradise, One Bad Apple, Toad Hollow. Boxes and bushels were displayed on long, weathered tables. Between the farms, brushy tangles of berries and towering old oak trees lined the roadway. "
― Susan Wiggs , The Apple Orchard (Bella Vista Chronicles, #1)
113
" I need a drink. Now.”
After tossing—fine, throwing—my purse and keys on the couch, I march straight into the kitchen. No more delays; it's time to forget tonight. It’s been yet another night like all the other first dates that never meet a second one. When you begin to lose count, that's when it's really time for a drink.
Adrian stands there, leaning against the counter in an unbuttoned dress shirt and dark wash jeans. He glances at me as I walk in. “How was your date?” he asks, taking a swig of his scotch.
I brush past him on my mission, opening the cupboard and moving a couple bottles around. I reiterate, “I need alcohol.”
Out of the corner of my eye, I catch him hiding a smile before he says, “That bad?”
My face twitches as I ignore his line of questioning. It is more like a statement he wants me to clarify, even though he already knows the answer. Instead, I ask, “I have vodka left, don't I?” I stand on my tiptoes in hopes of spotting something in the very back. Nothing.
He waltzes over and looks with me, his chin almost touching my shoulder. “I think you polished that one off after last week's date.” His voice is low right next to my ear, very nearly causing a shiver. "
― Lilly Avalon , Here All Along
114
" In the widely open cup of the armchair was I-330. I, on the floor, embracing her limbs, my head on her lap. We were silent. Everything was silent. Only the pulse was audible. Like a crystal I was dissolving in her, in I-330. I felt most distinctly how the polished facets which limited me in space were slowly thawing, melting away. I was dissolving in her lap, in her, and I became at once smaller and larger, and larger, unembraceable. For she was not she but the whole universe. For a second I and that armchair near the bed, transfixed with joy, we were one. "
― Yevgeny Zamyatin , We
116
" Lucy preferred gin and tonics during the summer and switched over to whiskey sours in the winter. At dinner, a sit-down affair with the family, Lucy drank whatever the Temerlins drank, including expensive French wines. " She never gets obnoxious, even when smashed to the brink of unconsciousness," wrote Maurice, revealing more about the chimp's alcoholism than perhaps he intended. At one point, he tried to wean Lucy off the good stuff and onto Boone's Farm apple wine. Assuming she would delight in the fruity swill, he purchased a case and filled her glass one night at dinner. Lucy took a sip of the apple wine, noticed her parents were drinking something else, and put her glass down. She then graabbed Maurice's glass of Chablis and polished it off. She finished Jane's next. Not another sip of Boone's farm ever touched her lips. "
117
" ...crossed the room to where a selection of implements was arranged on a table top. These could have been mistaken for the trade tools of a cook, physician, or torturer, save for the fact that the surface on which they rested was a slab of polished pink marble, topping a white and gilt dressing table-cum-sculpture, done up in the new, hyper-Baroque style named Rococo. It was adorned, for example, with several cherubs, bows drawn, eyes asquint, as they drew beads on unseen targets, butt cheeks polished to a luster with jeweler’s rouge. It had, in other words, all the earmarks of a gift that had been sent to the princess by someone with a lot of money who did not know her very well. "
― Neal Stephenson