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61 " SEPTEMBER 1, 1939I sit in one of the divesOn Fifty-second StreetUncertain and afraidAs the clever hopes expireOf a low dishonest decade:Waves of anger and fearCirculate over the brightAnd darkened lands of the earth,Obsessing our private lives;The unmentionable odour of deathOffends the September night.Accurate scholarship canUnearth the whole offenceFrom Luther until nowThat has driven a culture mad,Find what occurred at Linz,What huge imago madeA psychopathic god:I and the public knowWhat all schoolchildren learn,Those to whom evil is doneDo evil in return.Exiled Thucydides knewAll that a speech can sayAbout Democracy,And what dictators do,The elderly rubbish they talkTo an apathetic grave;Analysed all in his book,The enlightenment driven away,The habit-forming pain,Mismanagement and grief:We must suffer them all again.Into this neutral airWhere blind skyscrapers useTheir full height to proclaimThe strength of Collective Man,Each language pours its vainCompetitive excuse:But who can live for longIn an euphoric dream;Out of the mirror they stare,Imperialism's faceAnd the international wrong.Faces along the barCling to their average day:The lights must never go out,The music must always play,All the conventions conspireTo make this fort assumeThe furniture of home;Lest we should see where we are,Lost in a haunted wood,Children afraid of the nightWho have never been happy or good.The windiest militant trashImportant Persons shoutIs not so crude as our wish:What mad Nijinsky wroteAbout DiaghilevIs true of the normal heart;For the error bred in the boneOf each woman and each manCraves what it cannot have,Not universal loveBut to be loved alone.From the conservative darkInto the ethical lifeThe dense commuters come,Repeating their morning vow;'I will be true to the wife,I'll concentrate more on my work,'And helpless governors wakeTo resume their compulsory game:Who can release them now,Who can reach the dead,Who can speak for the dumb?All I have is a voiceTo undo the folded lie,The romantic lie in the brainOf the sensual man-in-the-streetAnd the lie of AuthorityWhose buildings grope the sky:There is no such thing as the StateAnd no one exists alone;Hunger allows no choiceTo the citizen or the police;We must love one another or die.Defenseless under the nightOur world in stupor lies;Yet, dotted everywhere,Ironic points of lightFlash out wherever the JustExchange their messages:May I, composed like themOf Eros and of dust,Beleaguered by the sameNegation and despair,Show an affirming flame. "
62 " If I am more alive because love burns and chars me,as a fire, given wood or wind, feels new elation,it's that he who lays me low is my salvation,and invigorates the more, the more he scars me. "
― Michelangelo Buonarroti
63 " The Soul selects her own Society—Then—shuts the Door—To her divine Majority—Present no more—Unmoved—she notes the Chariots—pausing—At her low Gate—Unmoved—an Emperor be kneelingUpon her Mat—I've known her—from an ample nation—Choose One—Then—close the Valves of her attention—Like Stone— "
― Emily Dickinson , Selected Poems
64 " Suddenly, I was stopped by a quiet song . .Somebody stood, swaying slowly on the road,In the darkest shadow by a puddle,And low above it a small tree grew . .It might’ve been a wild cherry tree . .He kept singing, watching the puddle fill . .I dragged the pine through the water,And with my other hand steadied my sack,Where a bottle of red vino dangled . .He didn’t move, but kept on singing . .Should I have stopped thereAnd joined his singing? . .Had he foundThe one happy tree? . .No one knows where it grows—Or what it looks like . .And who is allowed to recognize it? . .I never stood under it,Even to wait for rain to passOr watch between the dropsThe silent froth appear . .Swaying, he kept on singing . .Otherwise, he would have fallenAnd the rain stopped . .He danced his own rainUnder that tree . .I can’t do such things . .Perhaps it was a wolf? . . "
65 " The woman had gone down on her knees and was shuffling slowly across the cruel ground towards the group of crosses: the dead baby rocked on her back. When she reached the tallest cross she unhooked the child and held the face against the wood and afterwards the loins: then she crossed herself, not as ordinary Catholics do, but in a curious and complicated pattern which included the nose and ears. Did she expect a miracle? And if she did, why should it not be granted her? the priest wondered. Faith, one was told, could move mountains, and here was faith--faith in the spittle that healed the blind man and the voice that raised the dead. The evening star was out: it hung low down over the edge of the plateau: it looked as if it was within reach: and a small hot wind stirred. The priest found himself watching the child for some movement. When none came, it was as if God had missed an opportunity. The woman sat down, and taking a lump of sugar from her bundle, began to eat, and the child lay quiet at the foot of the cross. Why, after all, should we expect God to punish the innocent with more life? "
― Graham Greene , The Power and the Glory
66 " Girls aside, the other thing I found in the last few years of being at school, was a quiet, but strong Christian faith – and this touched me profoundly, setting up a relationship or faith that has followed me ever since.I am so grateful for this. It has provided me with a real anchor to my life and has been the secret strength to so many great adventures since.But it came to me very simply one day at school, aged only sixteen.As a young kid, I had always found that a faith in God was so natural. It was a simple comfort to me: unquestioning and personal.But once I went to school and was forced to sit through somewhere in the region of nine hundred dry, Latin-liturgical, chapel services, listening to stereotypical churchy people droning on, I just thought that I had got the whole faith deal wrong.Maybe God wasn’t intimate and personal but was much more like chapel was … tedious, judgemental, boring and irrelevant.The irony was that if chapel was all of those things, a real faith is the opposite. But somehow, and without much thought, I had thrown the beautiful out with the boring. If church stinks, then faith must do, too.The precious, natural, instinctive faith I had known when I was younger was tossed out with this newly found delusion that because I was growing up, it was time to ‘believe’ like a grown-up.I mean, what does a child know about faith?It took a low point at school, when my godfather, Stephen, died, to shake me into searching a bit harder to re-find this faith I had once known.Life is like that. Sometimes it takes a jolt to make us sit and remember who and what we are really about.Stephen had been my father’s best friend in the world. And he was like a second father to me. He came on all our family holidays, and spent almost every weekend down with us in the Isle of Wight in the summer, sailing with Dad and me. He died very suddenly and without warning, of a heart attack in Johannesburg.I was devastated.I remember sitting up a tree one night at school on my own, and praying the simplest, most heartfelt prayer of my life.‘Please, God, comfort me.’Blow me down … He did.My journey ever since has been trying to make sure I don’t let life or vicars or church over-complicate that simple faith I had found. And the more of the Christian faith I discover, the more I realize that, at heart, it is simple. (What a relief it has been in later life to find that there are some great church communities out there, with honest, loving friendships that help me with all of this stuff.)To me, my Christian faith is all about being held, comforted, forgiven, strengthened and loved – yet somehow that message gets lost on most of us, and we tend only to remember the religious nutters or the God of endless school assemblies.This is no one’s fault, it is just life. Our job is to stay open and gentle, so we can hear the knocking on the door of our heart when it comes.The irony is that I never meet anyone who doesn’t want to be loved or held or forgiven. Yet I meet a lot of folk who hate religion. And I so sympathize. But so did Jesus. In fact, He didn’t just sympathize, He went much further. It seems more like this Jesus came to destroy religion and to bring life.This really is the heart of what I found as a young teenager: Christ comes to make us free, to bring us life in all its fullness. He is there to forgive us where we have messed up (and who hasn’t), and to be the backbone in our being.Faith in Christ has been the great empowering presence in my life, helping me walk strong when so often I feel so weak. It is no wonder I felt I had stumbled on something remarkable that night up that tree.I had found a calling for my life. "
― Bear Grylls , Mud, Sweat and Tears
67 " I write to find strength.I write to become the person that hides inside me.I write to light the way through the darkness for others.I write to be seen and heard.I write to be near those I love.I write by accident, promptings, purposefully and anywhere there is paper. I write because my heart speaks a different language that someone needs to hear.I write past the embarrassment of exposure.I write because hypocrisy doesn’t need answers, rather it needs questions to heal. I write myself out of nightmares.I write because I am nostalgic, romantic and demand happy endings.I write to remember.I write knowing conversations don’t always take place.I write because speaking can’t be reread.I write to sooth a mind that races.I write because you can play on the page like a child left alone in the sand.I write because my emotions belong to the moon; high tide, low tide.I write knowing I will fall on my words, but no one will say it was for very long.I write because I want to paint the world the way I see love should be.I write to provide a legacy.I write to make sense out of senselessness.I write knowing I will be killed by my own words, stabbed by critics, crucified by both misunderstanding and understanding. I write for the haters, the lovers, the lonely, the brokenhearted and the dreamers.I write because one day someone will tell me that my emotions were not a waste of time. I write because God loves stories.I write because one day I will be gone, but what I believed and felt will live on. "
― Shannon L. Alder
68 " When writing a novel a writer should create living people; people not characters. A character is a caricature. If a writer can make people live there may be no great characters in his book, but it is possible that his book will remain as a whole; as an entity; as a novel. If the people the writer is making talk of old masters; of music; of modern painting; of letters; or of science then they should talk of those subjects in the novel. If they do not talk of these subjects and the writer makes them talk of them he is a faker, and if he talks about them himself to show how much he knows then he is showing off. No matter how good a phrase or a simile he may have if he puts it in where it is not absolutely necessary and irreplaceable he is spoiling his work for egotism. Prose is architecture, not interior decoration, and the Baroque is over. For a writer to put his own intellectual musings, which he might sell for a low price as essays, into the mouths of artificially constructed characters which are more remunerative when issued as people in a novel is good economics, perhaps, but does not make literature. People in a novel, not skillfully constructed characters, must be projected from the writer’s assimilated experience, from his knowledge, from his head, from his heart and from all there is of him. If he ever has luck as well as seriousness and gets them out entire they will have more than one dimension and they will last a long time. A good writer should know as near everything as possible. Naturally he will not. A great enough writer seems to be born with knowledge. But he really is not; he has only been born with the ability to learn in a quicker ratio to the passage of time than other men and without conscious application, and with an intelligence to accept or reject what is already presented as knowledge. There are some things which cannot be learned quickly and time, which is all we have, must be paid heavily for their acquiring. They are the very simplest things and because it takes a man’s life to know them the little new that each man gets from life is very costly and the only heritage he has to leave. Every novel which is truly written contributes to the total of knowledge which is there at the disposal of the next writer who comes, but the next writer must pay, always, a certain nominal percentage in experience to be able to understand and assimilate what is available as his birthright and what he must, in turn, take his departure from. If a writer of prose knows enough about what he is writing about he may omit things that he knows and the reader, if the writer is writing truly enough, will have a feeling of those things as strongly as though the writer had stated them. The dignity of movement of an ice-berg is due to only one-eighth of it being above water. A writer who omits things because he does not know them only makes hollow places in his writing. A writer who appreciates the seriousness of writing so little that he is anxious to make people see he is formally educated, cultured or well-bred is merely a popinjay. And this too remember; a serious writer is not to be confounded with a solemn writer. A serious writer may be a hawk or a buzzard or even a popinjay, but a solemn writer is always a bloody owl. "
― Ernest Hemingway , Death in the Afternoon
69 " The only thing you should have to do is find work you love to do. And I can't imagine living without having loved a person. A man, in my case. It could be a woman, but whatever. I think, what I always tell kids when they get out of class and ask, 'What should I do now?' I always say, 'Keep a low overhead. You're not going to make a lot of money.' And the next thing I say: 'Don't live with a person who doesn't respect your work.' That's the most important thing—that's more important than the money thing. I think those two things are very valuable pieces of information. "
― Grace Paley
70 " Literature was not promulgated by a pale and emasculated critical priesthood singing their litanies in empty churches - nor is it a game for the cloistered elect, the tinhorn mendicants of low calorie despair.Literature is as old as speech. It grew out of human need for it, and it has not changed except to become more needed.The skalds, the bards, the writers are not separate and exclusive. From the beginning, their functions, their duties, their responsibilities have been decreed by our species.--speech at the Nobel Banquet at the City Hall in Stockholm, December 10, 1962 "
― John Steinbeck
71 " I have eavesdropped with impunity on the lives of people who do not exist. I have peeped shamelessly into hearts and bathroom closets. I have leaned over shoulders to follow the movements of quills as they write love letters, wills and confessions. I have watched as lovers love, murderers murder and children play their make-believe. Prisons and brothels have opened their doors to me; galleons and camel trains have transported me across sea and sand; centuries and continents have fallen away at my bidding. I have spied upon the misdeeds of the mighty and witnessed the nobility of the meek. I have bent so low over sleepers in their beds that they might have felt my breath on their faces. I have seen their dreams. "
― Diane Setterfield , The Thirteenth Tale
72 " THE POLITICIANIf it wasn't for graft, you'd get a very low type of people in politics. Men without ambition. Jellyfish!CATHERINEEspecially since you can't rob the people anyway.THE POLITICIANSure...How was that?CATHERINEWhat you rob, you spend. And what you spend goes back to the people. So where's the robbery? I read that in one of my father's books.THE POLITICIANThat book should be in every home! "
73 " The greatest risk to man is not that he aims too high and misses, but that he aims too low and hits. "
74 " Christians often ask why God does not speak to them, as he is believed to have done in former days. When I hear such questions, it always makes me think of the rabbi who asked how it could be that God often showed himself to people in the olden days whereas nowadays nobody ever sees him. The rabbi replied: " Nowadays there is no longer anybody who can bow low enough." This answer hits the nail on the head. We are so captivated by and entangled in our subjective consciousness that we have forgotten the age-old fact that God speaks chiefly through dreams and visions. The Buddhist discards the world of unconscious fantasies as useless illusions; the Christian puts his Church and his Bible between himself and his unconscious; and the rational intellectual does not yet know that his consciousness is not his total psyche. "
75 " One night I dreamed I was walking along the beach with the Lord. Many scenes from my life flashed across the sky.In each scene I noticed footprints in the sand. Sometimes there were two sets of footprints, other times there was one only.This bothered me because I noticed that during the low periods of my life, when I was suffering from anguish, sorrow or defeat, I could see only one set of footprints, so I said to the Lord,You promised me Lord,that if I followed you, you would walk with me always. But I have noticed that during the most trying periods of my life there has only been one set of footprints in the sand. Why, when I needed you most, have you not been there for me?”The Lord replied, “The years when you have seen only one set of footprints, my child, is when I carried you. "
76 " I am amazed at the heart of man: It possesses the substance of wisdom as well as the opposites contrary to it ... for if hope arises in it, it is brought low by covetousness: and if covetousness is aroused in it, greed destroys it. If despair possesses it, self piety kills it: and if it is seized by anger, this is intensified by rage. If it is blessed with contentment, then it forgets to be careful; and if it is filled with fear, then it becomes preoccupied with being cautious. If it feels secure , then it is overcome by vain hopes; and if it is given wealth, then its independence makes it extravagant. If want strikes it, then it is smitten by anxiety. If it is weakened by hunger, then it gives way to exhaustion; and if it goes too far in satisfying its appetites, then its inner becomes clogged up. So all its shortcomings are harmful to it, and all its excesses corrupt it. "
― علي بن أبي طالب
77 " I know everything, you see,' the old voice wheedled. 'The beginning, the present, the end. Everything. You now, you see the past and the present, like other low creatures: no higher faculties than memory and perception. But dragons, my boy, have a whole different kind of mind.' He stretched his mouth in a kind of smile, no trace of pleasure in it. 'We are from the mountaintop: all time, all space. We see in one instant the passionate vision and the blowout. "
― John Gardner , Grendel
78 " Ignorance leads to low income. "
― , The Mountain of Ignorance
79 " The higher the proportion of adults with low literacy proficiency is, the slower the overall long-term GDP growth rate is. "
80 " Shall that be shut to man, which to the beast Is open? or will God incense his ire For such a petty trespass? and not praise Rather your dauntless virtue, whom the pain Of death denounced, whatever thing death be, Deterred not from achieving what might lead To happier life, knowledge of good and evil; Of good, how just? of evil, if what is evil Be real, why not known, since easier shunned? God therefore cannot hurt ye, and be just; Not just, not God: not feared then, nor obeyed: Your fear itself of death removes the fear. Why then was this forbid? Why, but to awe; Why, but to keep ye low and ignorant, His worshippers? He knows that in the day Ye eat thereof, your eyes, that seem so clear, Yet are but dim, shall perfectly be then Opened and cleared, and ye shall be as gods, Knowing both good and evil, as they know. "
― John Milton , Paradise Lost
