41
" He murmured her name, tenderly taking her face in his hands. “I love you,” he said, his voice low and fervent. “I love you with everything I am, everything I’ve been, and everything I hope to be.”
“I love you with my past, and I love you for my future.” He bent forward and kissed her, once, softly, on the lips. “I love you for the children we’ll have and for the years we’ll have together. I love you for every one of my smiles, and even more, for every one of your smiles. "
― Julia Quinn , Romancing Mister Bridgerton (Bridgertons, #4)
43
" You'll want all your strength for the wedding night." I cannot think why I should need strength," she said, ignoring a host of spine-tingling images rising in her mind's eye. " All I have to do is lie there." " Naked," he said grimly. " Truly?" She shot him a glance from under her lashes. " Well, if I must, I must, for you have the advantage of experience in these matters. Still, I do wish you'd told me sooner. I should not have put the modiste to so much trouble about the negligee." " The what?" " It was ghastly expensive," she said, " but the silk is as fine as gossamer, and the eyelet work about the neckline is exquisite. Aunt Louisa was horrified. She said only Cyprians wear such things, and it leaves nothing to the imagination." Jessica heard him suck in his breath, felt the muscular thigh tense against hers. " But if it were left to Aunt Louisa," she went on," I should be covered from my chin to my toes in thick cotton ruffled with monstrosities with little bows and rosebuds. Which is absurd, when an evening gown reveals far more, not to mention--" " What color?" he asked. His low voice had roughened. " Wine red," she said, " With narrow black ribbons threaded through the neckline. Here." She traced a plunging U over her bosom. " And there's the loveliest openwork over my...well, here." She drew her finger over the curve of her breast a bare inch above the nipple. " And openwork on the right side of the skirt. From here" --she pointed to her hip--" down to the hem. And I bought---" " Jess." Her name was a strangled whisper. " --slippers to match," she continued." Black mules with--" " Jess." In one furious flurry of motion he threw down the reins and hauled her into his lap. "
46
" He dropped his voice, so low that Tessa wasn’t sure if what he said next was real or part of the dream darkness rising to claim her, though she
fought against it.
“I’ve never minded it,” he went on. “Being lost, that is. I had always thought one could not be truly lost if one knew one’s own heart. But I fear I may
be lost without knowing yours.” He closed his eyes as if he were bone-weary, and she saw how thin his eyelids were, like parchment paper, and
how tired he looked. “Wo ai ni, Tessa,” he whispered. “Wo bu xiang shi qu ni.”
She knew, without knowing how she knew, what the words meant.
I love you.
And I don’t want to lose you. "
― Cassandra Clare
50
" My mom believed that you make your own luck. Over the stove she had hung these old, maroon painted letters that spell out, “MANIFEST.” The idea being if you thought and dreamed about the way you wanted your life to be -- if you just envisioned it long enough, it would come into being.
But as hard as I had manifested Astrid Heyman with her hand in mine, her blue eyes gazing into mine, her lips whispering something wild and funny and outrageous in my ear, she had remained totally unaware of my existence. Truly, to even dream of dreaming about Astrid, for a guy like me, in my relatively low position on the social ladder of Cheyenne Mountain High, was idiotic. And with her a senior and me a junior? Forget it.
Astrid was just lit up with beauty: shining blonde ringlets, June sky blue eyes, slightly furrowed brow, always biting back a smile, champion diver on the swim team. Olympic level.
Hell, Astrid was Olympic level in every possible way. "
― Emmy Laybourne
55
" MortalityOh, why should the spirit of mortal be proud?Like a swift-fleeting meteor, a fast-flying cloud,A flash of the lightning, a break of the wave,He passes from life to his rest in the grave.The leaves of the oak and the willow shall fade,Be scattered around, and together be laid;And the young and the old, the low and the high,Shall molder to dust, and together shall lie.Yea, hope and despondency, pleasure and pain,Are mingled together in sunshine and rain;And the smile and the tear, the song and the dirge,Still follow each other, like surge upon surge.'Tis the wink of an eye - 'tis the draught of a breath -From the blossom of health to the paleness of death,From the gilded saloon to the bier and the shroudOh, why should the spirit of mortal be proud? "
59
" Far over the misty mountains cold
To dungeons deep and caverns old
We must away ere break of day
To seek the pale enchanted gold.
The dwarves of yore made mighty spells,
While hammers fell like ringing bells
In places deep, where dark things sleep,
In hollow halls beneath the fells.
For ancient king and elvish lord
There many a gleaming golden hoard
They shaped and wrought, and light they caught
To hide in gems on hilt of sword.
On silver necklaces they strung
The flowering stars, on crowns they hung
The dragon-fire, in twisted wire
They meshed the light of moon and sun.
Far over the misty mountains cold
To dungeons deep and caverns old
We must away, ere break of day,
To claim our long-forgotten gold.
Goblets they carved there for themselves
And harps of gold; where no man delves
There lay they long, and many a song
Was sung unheard by men or elves.
The pines were roaring on the height,
The wind was moaning in the night.
The fire was red, it flaming spread;
The trees like torches blazed with light.
The bells were ringing in the dale
And men looked up with faces pale;
The dragon's ire more fierce than fire
Laid low their towers and houses frail.
The mountain smoked beneath the moon;
The dwarves, they heard the tramp of doom.
They fled their hall to dying fall
Beneath his feet, beneath the moon.
Far over the misty mountains grim
To dungeons deep and caverns dim
We must away, ere break of day,
To win our harps and gold from him! "
― J.R.R. Tolkien , The Hobbit
60
" Fuck You Poem #45Fuck you in slang and conventional English.Fuck you in lost and neglected lingoes.Fuck you hungry and sated; faded, pock marked, and defaced.Fuck you with orange rind, fennel and anchovy paste.Fuck you with rosemary and thyme, and fried green olives on the side.Fuck you humidly and icily.Fuck you farsightedly and blindly.Fuck you nude and draped in stolen finery.Fuck you while cells divide wildly and birds trill.Thank you for barring me from his bedside while he was ill.Fuck you puce and chartreuse.Fuck you postmodern and prehistoric.Fuck you under the influence of opiun, codeine, laudanum, and paregoric.Fuck every real and imagined country you fancied yourself princess of.Fuck you on feast days and fast days, below and above.Fuck you sleepless and shaking for nineteen nights running.Fuck you ugly and fuck you stunning.Fuck you shipwrecked on the barren island of your bed.Fuck you marching in lockstep in the ranks of the dead.Fuck you at low and high tide.And fuck you astride anyone who has the bad luck to fuck you, in dank hallways, bathrooms, or kitchens.Fuck you in gasps and whispered benedictions.And fuck these curses, however heartfelt and true,that bind me, till I forgive you, to you. "