22
" You don’t fucking get it, do you, Sparks?” Out of sheer frustration, Ben thwacked the wall with his hand. Hard. So hard his palm stung. “I love you. I am so goddamned, madly in love with you, I can’t see straight.” Ben’s voice resonated through the offices, echoed in his own ears. “You’re the first thing I think about in the morning and the last thing I imagine before I fall asleep. I dream about you. Every single night. I live to see you, at the office, at home, anywhere. I just need to see your face. Hold your body. Touch your skin. I need you, Mel. More than I need air. You can’t walk away from me. You can’t love someone else.” He gulped in a breath and almost choked on the emotion clogging his throat, so when he spoke again his voice was scratchy, and much, much softer. “I screwed up. I made you choose. And I’m sorry. So desperately, pathetically sorry for that. But I can’t let you go. I can’t let him have you, because you’re mine. You were made for me, like I was made for you. We’re two peas in a pod, sweetness. We’re the same, you and I. We’re meant to be together. "
― , Office Affair
23
" He cupped his hand around her cheek, and she marveled at how perfectly his palm fit her cheek. His fingers in her hair, she waited, maybe for an eternity, for his lips to meet hers. When they did it was like being inside an exploding star. Time and space became irrelevant. She slipped her arms under his, clinging to him, his body the only thing stopping her from drifting away, untethered in space. His hand on her back slipped under layers of clothes, finding her skin. He pulled her close, and she leaned into him, feeling like she could never be close enough to him. "
― Summer Hines , Some Things Stay With You: A Windswept Wyoming Romance
24
" She felt as wild and free as a little kid, running up the steps with Shane in hot pursuit, and when he grabbed her around the waist and spun her around into his room and kicked the door shut, she squealed in delight. And wiggled to fit herself against his warm, hard body as she kissed him again, breathless and flying.
He kissed like their lives depended on it. Like it was an Olympic event and he intended to earn a medal. Somewhere in the back of her head she was chattering to herself, warning that this was going to go too far, that she was just making things worse for both of them, but she couldn't help it. Before long they were stretched out together on Shane's bed, and his big, warm hands were teasing under the hem of her shirt, stroking the fluttering skin of her stomach and stealing her breath. She lost it all when he spread his fingers out, pressing his palm flat against her, and she felt an almost irresistible impulse to feel those hands all over. Everywhere. Her heart was hammering hard enough to make her dizzy, and it was all just so ...
Perfect. "
― Rachel Caine , Midnight Alley (The Morganville Vampires, #3)
28
" I moaned then, tilting my head back to give him better access. His hands clamped on my waist, then moved—one going to cup my rear, the other sliding between us.
This—this moment, when it was him and me and nothing between our bodies …
His tongue scraped the roof of my mouth as he dragged a finger down the center of me, and I gasped, my back arching. “Feyre,” he said against my lips, my name like a prayer more devout than any Ianthe had offered up to the Cauldron on that dark solstice morning.
His tongue swept my mouth again, in time to the finger that he slipped inside of me. My hips undulated, demanding more, craving the fullness of him, and his growl reverberated in my chest as he added another finger.
I moved on him. Lightning lashed through my veins, and my focus narrowed to his fingers, his mouth, his body on mine. His palm pushed against the bundle of nerves at the apex of my thighs, and I groaned his name as I shattered "
― Sarah J. Maas , A Court of Mist and Fury (A Court of Thorns and Roses, #2)
31
" For the liquor of Miss Amelia has a special quality of its own. It is clean and sharp on the tongue, but once down a man it glows inside him for a long time afterward. And that is not all. It is known that if a message is written with lemon juice on a clean sheet of paper there will be no sign of it. But if the paper is held for a moment to the fire then the letters turn brown and the meaning becomes clear. Imagine that the whisky is the fire and that the message is that which is known only in the soul of a man – then the worth of Miss Amelia's liquor can be understood. Things that have gone unnoticed, thoughts that have been harbored far back in the dark mind, are suddenly recognized and comprehended. A spinner who has thought only of the loom, the dinner pail, the bed, and then the loom again – this spinner might drink some on a Sunday and come across a marsh lily. And in his palm he might hold this flower, examining the golden dainty cup, and in him suddenly might come a sweetness keen as pain. A weaver might look up suddenly and see for the first time the cold, weird radiance of midnight January sky, and a deep fright at his own smallness stop his heart. Such things as these, then, happen when a man has drunk Miss Amelia's liquor. He may suffer, or he may be spent with joy – but the experience has shown the truth; he has warmed his soul and seen the message hidden there. "
― Carson McCullers , The Ballad of the Sad Café and Other Stories
36
" Grand Mage,” Ghastly said, as he put the map away, “did you know the sparrow flies south for the winter?”“What an odd thing to say,” Ravel said, and as he turned, he snapped his palm against the air and Paloma slammed into the wall.”…..“What do you know,” Ravel said, breathing a little faster, “Skulduggery’s silly little code actually works.”“Grand Mage,” Ghastly said, as he put the map away, “did you know the sparrow flies south for the winter?”“What an odd thing to say,” Ravel said, and as he turned, he snapped his palm against the air and Paloma slammed into the wall.”…..“What do you know,” Ravel said, breathing a little faster, “Skulduggery’s silly little code actually works. "