44
" Watching him, his hands buried in his pockets—to keep from circling her neck she supposed—she couldn't help but marvel at the curious mix of Southern courtesy and male arrogance, the natural assumption he shouldered of being lawfully in control. " Engaging in a moral battle isn't always hazardous to one's health, you know." " Doesn't look like it's doing wonders for yours." " Saints be praised, it can actually be rewarding." Looking over his shoulder, he halted in the middle of the room. " Irish." " I beg your pardon?" " You. Irish. The green eyes, the tiny bit of red in your hair. Is Connor your real name?" " Yes, why..." she said, stammering. Bloody hell. " Of course." " Liar." She felt the slow, hot roll of color cross her cheeks. " What could that possibly have to do with anything?" " I don't know, but I have a feeling it means something. It's the first I've heard come out of that sassy mouth of yours that didn't sound like some damned speech." He tapped his head, starting to pace again. " What I wonder is, where are you in there? "
46
" What I can make people do . . . it’s not what they want to do. It may sound corny, but I want people to like me for me, not because I can force them to or because of who my mom is or who I am in the Family. You know?”
He raised his green gaze to my blue one. “That’s one of the things I like about you, Lila. You don’t care about any of that.”
“Just one of the things?” I teased, trying to make him laugh a little, just so he’d forget his guilt and grief, if only for a few moments.
“Just one.” His voice took on a low, husky note. “I could list all the others, if you want.”
My gaze locked with his and my soulsight kicked in, showing me all of his emotions. And I felt them, too—more intensely than I ever had before. His heart still ached with that soul-crushing guilt, and it always would. But that hot spark I’d seen inside him that first day at the Razzle Dazzle had finally ignited into a roaring fire, burning as hot and bright as my own emotions were right now.
Devon hesitated, then leaned in, just a little. My breath caught in my throat.
He inched forward a little more. I wet my lips.
He came even closer, so close that his warm breath brushed my cheek and his scent flooded my nose, that sharp, fresh tang of pine. Clean and crisp, just like he was, inside and out. I sighed. Suddenly, my hands itched to touch him, to trace my fingers over the sharp planes of his face, and then slide them lower, over all of his warm, delicious muscles . . .
“Lila,” he whispered.
I shivered, loving the sound of my name on his lips—lips that were heartbreakingly close to mine— "
― Jennifer Estep , Cold Burn of Magic (Black Blade, #1)
48
" Oh heaven and hell, stop with the tears. Given the day Sarah had just had, the tears were logical. But watching her face crumple, hearing the gut-deep harsh sobs, filled Rukh with an irrational need to pull her into his arms, wrap her in a hug.
As soon as the urge had gelled into conscious thought, his essence hardened into visibility and his arms slid up around her shivering, wet body.
Sarah’s eyes popped open and she staggered back with a yell.
His arms tightened around her, steadying her, keeping her close. Well, shit. At least, she’d stopped
crying.
Fear-bright green eyes stared at him instead.
Given he was an assassin, sent to kill her, her response was natural, even intelligent. Yet, bitterness churned in his gut at the thought of her fearing him.
“It’s okay,” he whispered. “You’re safe.”
“Am I hallucinating?” Her question came out as a croak.
“Yes, yes you are.” That seemed a much better answer than the truth.
She pinned him with her dark, direct gaze. “You’re just a figment of my imagination. A fantasy?”
“Yes.” He didn’t dare move.
“Then why are you still wearing clothes? "
― Mina Khan
49
" He watched the newly arrived commuters as they stepped into the carriage, pushed their way down the tube, the odours from their damp clothes mingling, giving off varying degrees of mustiness: London grime, or smoke from airless offices. A woman wearing a blue swing coat glanced along the carriage, casting around for an empty seat. Her pale skin, the searching green eyes, reminded him of Emma. Briefly, he felt his breath catch; he stood, clambered back over his neighbour and indicated for her to take his seat. And so his mind stayed with Emma when he knew he should be working out a strategy for telling Dorothy of his news. But Emma was never far away; like the glitter balls in dance halls, she would slowly rotate in his memory, different facets reappearing, as the hues changed in her auburn hair. "
― Amanda Sington-Williams , The Eloquence of Desire
50
" A red-gold glow burst suddenly across the enchanted sky above them as an edge of dazzling sun appeared over the sill of the nearest window. The light hit both of their faces at the same time, so that Voldemort's was suddenly a flaming blur. Harry heard the high voice shriek as he too yelled his best hope to the heavens, pointing Draco's wand:" Avada Kedavra!" " Expelliarmus!" The bang was like a cannon blast, and the golden flames that erupted between them, at the dead center of the circle they had been treading, marked the point where the spells collided. Harry saw Voldemort's green jet meet his own spell, saw the Elder Wand fly high, dark against the sunrise, spinning across the enchanted ceiling, spinning through the air toward the master it would not kill, who had come to take full possession of it at last. "
51
" And then as the little plane climbed higher and Olive saw spread out below them fields of bright and tender green in this morning sun, farther out the coastline, the ocean shiny and almost flat, tiny white wakes behind a few lobster boats--then Olive felt something she had not expected to feel again: a sudden surging greediness for life. She leaned forward, peering out the window: sweet pale clouds, the sky as blue as your hat, the new green of the fields, the broad expanse of water--seen from up here it all appeared wondrous, amazing. She remembered what hope was, and this was it. That inner churning that moves you forward, plows you through life the way the boats below plowed the shiny water, the way the plane was plowing forward to a place new, and where she was needed. "
― Elizabeth Strout , Olive Kitteridge (Olive Kitteridge, #1)
57
" Mumbai is the sweet, sweaty smell of hope, which is the opposite of hate; and it's the sour, stifled smell of greed, which is the opposite of love. It's the smell of Gods, demons, empires, and civilizations in resurrection and decay. Its the blue skin-smell of the sea, no matter where you are in the island city, and the blood metal smell of machines. It smells of the stir and sleep and the waste of sixty million animals, more than half of them humans and rats. It smells of heartbreak, and the struggle to live, and of the crucial failures and love that produces courage. It smells of ten thousand restaurants, five thousand temples, shrines, churches and mosques, and of hunderd bazaar devoted exclusively to perfume, spices, incense, and freshly cut flowers. That smell, above all things - is that what welcomes me and tells me that I have come home.
Then there were people. Assamese, Jats, and Punjabis; people from Rajasthan, Bengal, and Tamil Nadu; from Pushkar, Cochin, and Konark; warrior caste, Brahmin, and untouchable; Hindi, Muslim, Christian, Buddhist, Jain, Parsee, Animist; fair skin and dark, green eyes and golden brown and black; every different face and form of that extravagant variety, that incoparable beauty, India. "
― Gregory David Roberts , Shantaram
58
" Do not go gentle into that good night,
Old age should burn and rage at close of day;
Rage, rage against the dying of the light.
Though wise men at their end know dark is right,
Because their words had forked no lightning they
Do not go gentle into that good night.
Good men, the last wave by, crying how bright
Their frail deeds might have danced in a green bay,
Rage, rage against the dying of the light.
Wild men who caught and sang the sun in flight,
And learn, too late, they grieved it on its way,
Do not go gentle into that good night.
Grave men, near death, who see with blinding sight
Blind eyes could blaze like meteors and be gay,
Rage, rage against the dying of the light.
And you, my father, there on the sad height,
Curse, bless me now with your fierce tears, I pray.
Do not go gentle into that good night.
Rage, rage against the dying of the light. "
― Dylan Thomas , Do Not Go Gentle Into That Good Night