62
" Bent double, like old beggars under sacks,
Knock-kneed, coughing like hags, we cursed through sludge,
Till on the haunting flares we turned our backs
And towards our distant rest began to trudge.
Men marched asleep. Many had lost their boots
But limped on, blood-shod. All went lame; all blind;
Drunk with fatigue; deaf even to the hoots
Of disappointed shells that dropped behind.
GAS! Gas! Quick, boys!-- An ecstasy of fumbling,
Fitting the clumsy helmets just in time;
But someone still was yelling out and stumbling
And floundering like a man in fire or lime.--
Dim, through the misty panes and thick green light
As under a green sea, I saw him drowning.
In all my dreams, before my helpless sight,
He plunges at me, guttering, choking, drowning.
If in some smothering dreams you too could pace
Behind the wagon that we flung him in,
And watch the white eyes writhing in his face,
His hanging face, like a devil's sick of sin;
If you could hear, at every jolt, the blood
Come gargling from the froth-corrupted lungs,
Obscene as cancer, bitter as the cud
Of vile, incurable sores on innocent tongues,--
My friend, you would not tell with such high zest
To children ardent for some desperate glory,
The old Lie: Dulce et decorum est
Pro patria mori. "
― Wilfred Owen , The Collected Poems of Wilfred Owen
63
" A child said What is the grass? fetching it to me with full hands;
How could I answer the child? I do not know what it is any more
than he.
I guess it must be the flag of my disposition, out of hopeful green
stuff woven.
Or I guess it is the handkerchief of the Lord,
A scented gift and remembrancer designedly dropt,
Bearing the owner's name someway in the corners, that we may see
and remark, and say Whose?
Or I guess the grass is itself a child, the produced babe of the
vegetation.
Or I guess it is a uniform hieroglyphic,
And it means, Sprouting alike in broad zones and narrow zones,
Growing among black folks as among white,
Kanuck, Tuckahoe, Congressman, Cuff, I give them the same, I
receive them the same.
And now it seems to me the beautiful uncut hair of graves.
Tenderly will I use you curling grass,
It may be you transpire from the breasts of young men,
It may be if I had known them I would have loved them,
It may be you are from old people, or from offspring taken soon out
of their mothers' laps,
And here you are the mothers' laps.
This grass is very dark to be from the white heads of old mothers,
Darker than the colorless beards of old men,
Dark to come from under the faint red roofs of mouths.
O I perceive after all so many uttering tongues,
And I perceive they do not come from the roofs of mouths for
nothing.
...
What do you think has become of the young and old men?
And what do you think has become of the women and children?
They are alive and well somewhere,
The smallest sprout shows there is really no death,
And if ever there was it led forward life, and does not wait at the
end to arrest it,
And ceas'd the moment life appear'd.
All goes onward and outward, nothing collapses,
And to die is different from what any one supposed, and luckier. "
― Walt Whitman , Song of Myself
65
" Harry Potter," he said very softly. His voice might have been part of the spitting fire. " The Boy Who Lived." None of the Death Eaters moved. They were waiting. Everything was waiting. Hagrid was struggling, and Bellatrix was panting, and Harry thought inexplicably of Ginny, and her blazing look, and the feel of her lips on his--Voldemort had raised his wand. His head was still tilted to one side, like a curious child, wondering what would happen if he proceeded. Harry looked back into the red eyes, and wanted it to happen now, quickly, while he could still stand, before he lost control, before he betrayed fear--He saw the mouth move and a flash of green light, and everything was gone. "
67
" THE BARROW In this high field strewn with stones I walk by a green mound, Its edges sheared by the plough. Crumbs of animal bone Lie smashed and scattered round Under the clover leaves And slivers of flint seem to grow Like white leaves among green. In the wind, the chestnut heaves Where a man's grave has been. Whatever the barrow held Once, has been taken away: A hollow of nettles and dock Lies at the centre, filled With rain from a sky so grey It reflects nothing at all. I poke in the crumbled rock For something they left behind But after that funeral There is nothing at all to find. On the map in front of me The gothic letters pick out Dozens of tombs like this, Breached, plundered, left empty, No fragments littered about Of a dead and buried race In the margins of histories. No fragments: these splintered bones Construct no human face, These stones are simply stones. In museums their urns lie Behind glass, and their shaped flints Are labelled like butterflies. All that they did was die, And all that has happened since Means nothing to this place.Above long clouds, the skiesTurn to a brilliant redAnd show in the water's faceOne living, and not these dead." — Anthony Thwaite, from The Owl In The Tree "
68
" Jillian had charged into the bathroom on seven, but she just shot straight to ten. Her nature may be reserved, but she didn’t take shit off anybody. “Don’t patronize me. And don’t you dare come down here and judge us!” She pointed her finger directly at AJ. “We’re the ones doing the heavy lifting, so people like you can come along at the very end and ride along on our coattails. You can act tough all you want, but it’s just an act, AJ. You, with your expensive suits and shiny shoes,” she sneered. “You wouldn’t survive one minute out there on those streets. You’re weak.” Before she realized what was about to happen, AJ seized her by the shoulders and threw her against the wall. Pinning her with her own body, she pressed her index finger over Jillian’s lips. “That’s enough.” Those glittering green eyes warned Jillian not to say another word. The impact had completely knocked the breath out of her. AJ pressed her body tighter into hers, preventing Jillian from taking a replenishing breath, so she breathed short shallow breaths through her nose. Her heart pounded. What was happening? She wasn’t in control of the situation, and oddly enough, for once she didn’t want to be. She had just been manhandled, yet she had no desire to fight back. Instead, she wanted to hook her leg around AJ’s waist and draw her closer to where AJ’s heat seared her core. "
― Kat Evans , The Domme Tamer
72
" Fuck You Poem #45Fuck you in slang and conventional English.Fuck you in lost and neglected lingoes.Fuck you hungry and sated; faded, pock marked, and defaced.Fuck you with orange rind, fennel and anchovy paste.Fuck you with rosemary and thyme, and fried green olives on the side.Fuck you humidly and icily.Fuck you farsightedly and blindly.Fuck you nude and draped in stolen finery.Fuck you while cells divide wildly and birds trill.Thank you for barring me from his bedside while he was ill.Fuck you puce and chartreuse.Fuck you postmodern and prehistoric.Fuck you under the influence of opiun, codeine, laudanum, and paregoric.Fuck every real and imagined country you fancied yourself princess of.Fuck you on feast days and fast days, below and above.Fuck you sleepless and shaking for nineteen nights running.Fuck you ugly and fuck you stunning.Fuck you shipwrecked on the barren island of your bed.Fuck you marching in lockstep in the ranks of the dead.Fuck you at low and high tide.And fuck you astride anyone who has the bad luck to fuck you, in dank hallways, bathrooms, or kitchens.Fuck you in gasps and whispered benedictions.And fuck these curses, however heartfelt and true,that bind me, till I forgive you, to you. "
76
" Lines Written In Early Spring
I heard a thousand blended notes,
While in a grove I sate reclined,
In that sweet mood when pleasant thoughts
Bring sad thoughts to the mind.
To her fair works did Nature link
The human soul that through me ran;
And much it grieved my heart to think
What man has made of man.
Through primrose tufts, in that green bower,
The periwinkle trailed its wreaths;
And 'tis my faith that every flower
Enjoys the air it breathes.
The birds around me hopped and played,
Their thoughts I cannot measure:--
But the least motion which they made
It seemed a thrill of pleasure.
The budding twigs spread out their fan,
To catch the breezy air;
And I must think, do all I can,
That there was pleasure there.
If this belief from heaven be sent,
If such be Nature's holy plan,
Have I not reason to lament
What man has made of man? "
― William Wordsworth
79
" Don’t write with a pen. Ink tends to give the impression the words shouldn’t be changed.
Write with what gives you the most sensual satisfaction.
Write in a hard-covered notebook with green lined pages. Green is easy on the eyes. Blank white pages seems to challenge you to create the world before you start writing. It may be true that you, the modern poet, must make the world as you go, but why be reminded of it before you even have one word on the page?
Don’t erase. Cross out rapidly and violently, never with slow consideration if you can help it.
Start, as some smarty once said, in the middle of things.
Play with syntax.
Never want to say anything so strongly that you have to give up the option of finding something better – if you have to say it, you will.
Read your poem aloud many times. If you don’t enjoy it every time, something may be wrong.
If you ask a question, don’t answer it, or answer a question not asked, or defer. (If you can answer the question, to ask it is to waste time).
Maximum sentence length: seventeen words.
Minimum: One.
Don’t be afraid to take emotional possession of words. If you don’t love a few words enough to own them, you will have to be very clever to write a good poem. "
― Richard Hugo , The Triggering Town: Lectures and Essays on Poetry and Writing