83
" The food is ready,” Zil announced to loud cheers.
“But we have something more important to do, first, before we can eat.”
Groans.
“We have to carry out some justice.”
That earned a silent stare until Turk and Hank started raising their hands and yelling, showing the crowd how to act.
“This mutant, this nonhuman scum here, this freak Hunter…” Zil pointed, arm stretched out, at his captive. “This chud deliberately murdered my best friend, Harry.”
“Na troo,” Hunter said. His mouth still didn’t work right. Brain damage, Zil supposed, from the little knock on his head. Half of Hunter’s face drooped like it wasn’t quite attached right. It made it easier for the crowd of kids to sneer at him, and Hunter, yelling in his drooling retard voice, wasn’t helping his case.
“He’s a killer!” Zil cried suddenly, smacking his fist into his palm.
“A freak! A mutant!” he cried. “And we know what they’re like, right? They always have enough food. They run everything. They’re in charge and we’re all starving. Is that some kind of coincidence? No way.”
“Na troo,” Hunter moaned again.
“Take him!” Zil cried to Antoine and Hank. “Take him, the murdering mutant scum!”
They seized Hunter by the arms. He could walk, but only by dragging one leg. They half carried, half marched him across the plaza. They dragged him up the church steps.
“Now,” Zil said, “here is how we’re going to do this.” He waved his hand toward the rope that Lance was unspooling back through the plaza.
An expectant pause. A dangerous, giddy feeling. The smell of the meat had them all crazy. Zil could feel it.
“You all want some of this delicious venison?”
They roared their assent.
“Then you’ll all grab on to the rope. "
― Michael Grant , Hunger (Gone, #2)
84
" But I've still better things about children. I've collected a great, great deal about Russian children, Alyosha. There was a little girl of five who was hated by her father and mother, 'most worthy and respectable people, of good education and breeding.' You see, I must repeat again, it is a peculiar characteristic of many people, this love of torturing children, and children only. To all other types of humanity these torturers behave mildly and benevolently, like cultivated and humane Europeans; but they are very fond of tormenting children, even fond of children themselves in that sense. it's just their defencelessness that tempts the tormentor, just the angelic confidence of the child who has no refuge and no appeal, that sets his vile blood on fire. In every man, of course, a demon lies hidden- the demon of rage, the demon of lustful heat at the screams of the tortured victim, the demon of lawlessness let off the chain, the demon of diseases that follow on vice, gout, kidney disease, and so on." This poor child of five was subjected to every possible torture by those cultivated parents. They beat her, thrashed her, kicked her for no reason till her body was one bruise. Then, they went to greater refinements of cruelty- shut her up all night in the cold and frost in a privy, and because she didn't ask to be taken up at night (as though a child of five sleeping its angelic, sound sleep could be trained to wake and ask), they smeared her face and filled her mouth with excrement, and it was her mother, her mother did this. And that mother could sleep, hearing the poor child's groans! Can you understand why a little creature, who can't even understand what's done to her, should beat her little aching heart with her tiny fist in the dark and the cold, and weep her meek unresentful tears to dear, kind God to protect her? Do you understand that, friend and brother, you pious and humble novice? Do you understand why this infamy must be and is permitted? Without it, I am told, man could not have existed on earth, for he could not have known good and evil. Why should he know that diabolical good and evil when it costs so much? Why, the whole world of knowledge is not worth that child's prayer to dear, kind God'! I say nothing of the sufferings of grown-up people, they have eaten the apple, damn them, and the devil take them all! But these little ones! I am making you suffer, Alyosha, you are not yourself. I'll leave off if you like "
85
" She swung her fist at Nicolae’s head. He raised an arm to block the blow, and she delivered a killing stab with her wooden dagger.
Nicolae laughed, staggering dramatically to the ground. “Dead, again, at the hands of the ugliest girl in creation.” He stuck out his tongue, face contorted in a grimace.
Lada kicked him in the stomach. “I am no girl. Who is next?”
The other Janissaries, gathered in a loose circle around Lada and Nicolae, shuffled their feet and avoided eye contact. Nicolae pushed himself up on an elbow. “Really? Cowards!”
“I still have bruises from the last time.”
“I cannot sit without pain.”
“She fights dirty.”
Ivan did not even respond, having never forgiven Lada for besting him when they were introduced. He refused to fight her and rarely acknowledged her presence.
Lada laughed, showing all her sharp teeth. “Because when you are on the battlefield, honor will mean so much. You will die with a blade between your ribs, secure in the knowledge that you fought with manners.” She picked up her dull practice sword, abandoned on the edge of the circle, and swung it through the air, sweeping it across the line of the Janissaries’ collective throats. "
― Kiersten White , And I Darken (The Conqueror's Saga, #1)
92
" ...imagine that you hold in one hand an oddly shaped stone. You keep this hand closed into a fist, but still you can feel the stone’s curvature and the pointed edges, the roughness—of course, you know the relative size and weight and might even have a mental image of the color of this stone, even if you have not yet laid eyes upon it. Imagine that stone in your hand. Imagine what it is like to know everything about the way it feels, but nothing of how it looks. Hold that in mind for a moment.
Now, imagine that there is a person standing next to you who tells you that she also holds a stone in her hand. You look down and see the clenched fist and she sees yours and you confess the same. Neither of you, it seems, has yet opened the hand and seen the stone. Still, you can only trust each other’s proclamations. Standing together with your stones in hand, the two of you theorize about whether or not your respective stones are similar to one another. You discuss mundane details about your stones (not the special ones—you hesitate to make mention of the sharp point in the northern hemisphere or the flat area on the bottom). Your neighbor finally notes similarities between her stone and yours and you nod with relief and acknowledge that your stones indeed share reasonable commonalities. Over the course of your discussion, you and your neighbor finally conclude, without bothering to open your hands, that the stones you hold must indeed be quite similar.
Are they? It is only suitable to say that they are.
At the same time, and in spite of your desire not to offend, there is no doubt in your mind that the stone you hold bespeaks a greater prominence than that of your neighbor. You are not sure how you know this to be true, but it must be so! And I do not mean that this stone simply holds a greater subjective prominence. It has something of the universal, for it is, indeed, an auspicious stone! Silently, you hypothesize in what ways it must be special. It is possibly different in shape, color, weight, size and texture from the other, but you cannot confirm this. Perhaps, it is special by substance? Still, you are unsure. The very fact of your uncertainty begins to bother you and unleashes within you a deep insecurity. What if you are wrong and your stone is actually inferior to the other…or inferior even to some third stone not yet encountered?
Meanwhile, your neighbor is silently suffering in the same agony. Both of you tacitly understand that, without comparing the two visually, it is absurd to proclaim the two stones similar. Yet, your fist remains clenched, as does your neighbor’s and so you find yourselves unable to hold out the stones before you and compare them side-by-side. Of course, this is possible, but the mutual curiosity is outstripped by an inveterate pride, and so you both become afraid of showing (and even seeing) what you have, for fear that your respective stones will be different in appearance from the model that you have each conceptualized in mind. Meekly your eyes meet and you smile to one another at your new comradeship, but, all the while, remain paralyzed by a simultaneous shame and vanity. "
― Ashim Shanker
93
" Yet she belongs, finally and truly, only to God. The hijab is a symbol of freedom from the male regard, but also, in our time, of freedom from subjugation by the iron fist of materialism, deterministic science, and the death of meaning. It denotes softness, otherness, inwardness. She is not only caught in a world of power relations, but she inhabits a world of love and sacrifice. This freedom, which is of the conscience, is hers to exercise as she will. "
― Abdal Hakim Murad , Commentary on the Eleventh Contentions
97
" It was getting difficult to see exactly what was going on in the pool and a fourth officer jumped in as one came up with the unconscious form of the first cop. While others pulled the half-drowned man from the pool, three more wrestled Skorzeny to the surface and dragged him to the steps at the shallow end of the pool. He wasn't struggling any longer. Nor was he breathing with any apparent difficulty. The biggest of the three cops later admitted to punching him as hard as he could in the stomach and Skorzey doubled over. Another half-dragged him, still on his feet, shirt torn, jacket ripped, out of the pool and put a handcuff on his left wrist.Skorzeny pulled his arm away from the cop and, suddenly straightening, elbow-jabbed him in the gut, sending him sprawling and rolling back into the pool. Skorzeny turned toward the back fence and was now between the pool and a small palm tree. Before him were two advancing officers, pistols leveled. Behind him two more circled the pool. Skorzeny lunged forward and all fired simultaneously. The noise was deafening. Lights in neighboring houses began to go on.Skorzeny's body twitched and bucked as the heavy slugs ripped through his body. His forward momentum carried him into the officers ahead of him and he half-crawled, half-staggered to the southeast corner of the yard where another gate was set into the fiberglass fencing. Two more officers, across the pool, cut loose with their pistols, emptying them into this writing body which danced like a puppet. Another cop fired two shots from his pump-action shotgun and Skorzeny was lifted clean off his feet and slammed against the gate, sagging to the ground.En masse from both ends of the pool they advanced, when he gave out with a terrible hissing snarl and started to rise once more. All movement ceased as the cops, to a man, stood frozen in their tracks. Skorzeny stood there like some hideous caricature, his shredding clothing and skin hanging like limp rags from his scarecrow form. His flesh was ripped in several places and he was oozing something that looked like watered-down blood. It was pinkish and transparent. He stood there like a living nightmare. Then he straightened and raised his fist with the cuff still dangling from it like a charm bracelet.'Fools!' he shrieked. 'You can't kill me. You can't even hurt me.'Overhead, the copter hovered, the copilot giving a blow-by-blow description of the fight over the radio. The police on the ground were paralyzed. Nearly thirty shots had been fired (the bullets later tallied in reports turned in by the participating officers) and their quarry was still as strong as ever. He'd been hit repeatedly in the head and legs, so a bulletproof vest wasn't the answer. And at distances sometimes as little as five feet, they could hardly have missed. They'd seen him hit.They stood frozen in an eerie tableau as the still roiling pool water threw weird reflections all over the yard.Then Skorzeny did the most frightening thing of all. He smiled. A red-rimmed, hideous grin revealing fangs that 'would have done justice to a Doberman Pinscher. "
98
" Unbidden, a growl escaped him just as his lips brushed that heavenly skin and with one bite he pierced right through it. When her blood hit his tongue, he shook.
It was nectar, hot and wild and sweet, like the fiery kiss of a demon. His fingers twisted up into the glossy knot of hair at her nape, pulling it free, wrapping his fist in that silky skein. Forcing her up as his mouth came down harder, his fangs sliding deeper.
Rissa made a soft sound; whether of pleasure, encouragement or pain, it didn't matter.
Nothing fucking mattered. "
― Heather R. Blair , Phoenix Fallen (Phoenix Inc. #2)
100
" Here, this is for you," the girl said, holding out one of the pages on which she'd been drawing." Oh, I... well, thank you." Meg reached out and took the sketch between her fingers.Gazing down, her eyes widened. Instead of the typical childish scribble she'd expected, she discovered two well-rendered figures. The style was a bit loose, and still immature with a tendency to distort the proportions. Even so, it was refined enough enough to have captured remarkably accurate likenesses of her and Cade seated side by side on the sofa. Esme might be only be nine years of age, but already she was an exceptional artist, better than many adults would ever hope to be." This is... extraordinary," Meg said." It's you and Cade," the girl offered, clutching a small fist against her yellow wool skirt. " Do you like it?" " I most certainly do. How could I not? You've drawn Cade and me so perfectly. It's beautiful." The girl's oval features came alive with a pleased smile. " Good night, Miss Amberley. I'm glad you're going to be my sister." At a sudden loss for what she knew would never be, Meg settled on the only honest reply she could offer." Sweet dreams, Esme. "
