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cultural QUOTES

cultural QUOTES

161 " As Dalla Costa put it, women's unpaidlabor in the home has been the pillar upon which the exploitation of the waged workers, " wage slavery," has been built, and the secret of ies productivity (1972:31). Thus, the power differential between women and men in capitalist societry cannot be attributed to the irrelevance of housework for capitalist accumulation - an irrelevance belied by the strict rules that have governed women's lives - nor CO the survival of timeless cultural schemes. Rather, it should be interpreted as the effect of a social system of production that does not recognize the production and reproduction of the worker as a social-economic activity. and a source of capital accumulation, but mystifies it instead as a natural resource or a personal service, willie profiting from the wageless conclition of the labor involved. "

162 " Don't underestimate him, Morgan. Many, especially men, see the rise of minorities as a threat to their cultural and economic dominance. White men are losing their jobs to women, minorities and people at the other end of the supply chain in third world countries. Beleaguered voters will support him in the hope that he will restore their vanished status." " People won't take him seriously. This is the man that said on national TV that a woman's place is in the kitchen." " That may indeed be his biggest strength. "

163 " Democracy does not speak in unison; its tunes are dissonant, and necessarily so. It is not a predictable process; it must be undergone, as a passion must be undergone. It may also be that life itself becomes foreclosed when the right way is decided in advance, or when we impose what is right for everyone, without finding a way to enter into community and discover the " right" in the midst of cultural translation. It may be that what is " right" and what is " good" consist in staying open to the tensions that beset the most fundamental categories we require, to know unknowingness at the core of what we know. "

164 " In many ways, likability is a very elaborate lie, a performance, a code of conduct dictating the proper way to be. Characters who don't follow this code become unlikable. Critics who criticize a character's unlikability cannot necessarily be faulted. They are merely expressing a wider cultural malaise with all things unpleasant, all things that dare to breach the norm of social acceptability. "

― Roxane Gay

165 " Today we tell girls to grow up to be or do whatever they want. But the cultural pressure to become a mother remains very strong; rare is she who doesn’t at least occasionally succumb to the nagging fear that if she remains childless, she’ll live to regret it. "

― Kate Bolick , Spinster: Making a Life of One's Own

166 " So was it cultural imperialism for Westerners to criticize foot-binding and female infanticide? Perhaps. But it was also the right thing to do. If we believe firmly in certain values, such as the equality of all human beings regardless of color or gender, then we should not be afraid to stand up for them; it would be feckless to defer slavery, torture, foot-binding, honor killings, or genital cutting just because we believe in respecting other faiths or cultures. "

― Nicholas D. Kristof and Sheryl WuDunn

167 " That the power regimes of heterosexism and phallogocentrism seek to augment themselves through a constant repetition of their logic, their metaphysic, and their naturalized ontologies does not imply that repetition itself ought to be stopped—as if it could be. If repetition is bound to persist as the mechanism of the cultural reproduction of identities, then the crucial question emerges: What kind of subversive repetition might call into question the regulatory practice of identity itself? "

― Judith Butler , Gender Trouble: Feminism and the Subversion of Identity

168 " Secondly, you can spend your whole life being a story that happens to somebody else. You can twist and cram and shave down every aspect of your personality that doesn’t quite fit into the story boys have grown up expecting, but eventually, one day, you’ll wake up and want something else, and you’ll have to choose.
Because the other thing about stories is that they end. The book closes, and you’re left with yourself, a grown fucking woman with no more pieces of cultural detritus from which to construct a personality. I tried and failed to be a character in a story somebody else had written for me. What concerns me now is the creation of new narratives, the opening of space in the collective imagination for women who have not been permitted such space before, for women who don’t exist to please, to delight, to attract men, for women who have more on our minds. Writing is a different kind of magic, and everyone knows what happens to women who do their own magic - but it’s a risk you have to take. "

― Laurie Penny

169 " Almost every time I speak to teenagers, particularly young female students who want to talk to me about feminism, I find myself staggered by how much they have read, how creatively they think and how curiously bullshit-resistant they are. Because of the subjects I write about, I am often contacted by young people and I see it as a part of my job to reply to all of them - and doing so has confirmed a suspicions I’ve had for some time. I think that the generation about to hit adulthood is going to be rather brilliant.

Young people getting older is not, in itself, a fascinating new cultural trend. Nonetheless the encroaching adulthood and the people who grew up in a world where expanding technological access collided with the collapse of the neoliberal economic consensus is worth paying attention to. Because these kids are smart, cynical and resilient, and I don’t mind saying that they scare me a little. "

― Laurie Penny