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21 " A work of art is somehow organic, and to slash a painting or smash a statue is not just an offence against property: it is an offence against life. "
― Anthony Burgess , A Clockwork Orange
22 " She was a poem and a painting too. Everything she said sounded like a song, every silence was the music too. "
― Akshay Vasu
23 " She puts away four small plastic cups of red wine and then stares at a painting of a topless girl with a large silver sword for a half hour and then she begins to think: You call this art? This isn’t art! This is a joke! All of you are a joke! Fuck you and fuck Jeff Koons and the rest of those ‘80s art-star wannabes. Where’s the art that makes people weep? Where’s the art that makes people want to go to church? None of this is the least bit interesting. All of this stuff, all of this is so self-aware. It’s for ironic art snobs. I want something brilliant. I want something stunning. I want something that makes me look in wonder… "
― Joe Meno , Office Girl
24 " People are fond of spouting out the old cliché about how Van Gogh never sold a painting in his lifetime. Somehow his example serves to justify to us, decades later, that there is merit in utter failure.Perhaps, but the man did commit suicide. The market for his work took off big-time shortly after his death. Had he decided to stick around another few decades he most likely would’ve entered old age quite prosperous. And sadly for failures everywhere, the cliché would have lost a lot of its power.The fact is, the old clichés work for us in abstract terms, but they never work out in real life quite the same way. Life is messy; clichés are clean and tidy. "
― Hugh MacLeod , Ignore Everybody: and 39 Other Keys to Creativity
25 " This is the second Old Master I have encountered that has the signatures of another artist forged over it. A painting that has been created by another artist entirely. It's like they played mix and match. "
― Dayna S. Rubin , Code of Siman: All is Not Lost
26 " It's like a nesting doll of imagination! It's like a painting of a painting! It's like the wind catching a chill from the wind, or a wave taking a dip in the ocean. It's like reading a novel that merely describes another novel. It's like music tapping its foot to a tune and saying 'Oh! I love this song! "
― Michelle Cuevas , Confessions of an Imaginary Friend
27 " [The Creator] shines in the cosmic consciousness as a painting in the mind of an artist. "
― Venkatesananda
28 " A poem is a painting with imagery and words "
29 " The world we see is a painting colored by our fears and desires. "
― Tim Fargo
30 " I think that one of the worst things you can do to a person, is cast them in a negative light and paint them in negative hues, by using the malicious thoughts that are in your mind. We all have some kind of tape recorder in the back of our minds, a film strip, and there are lots of negative thoughts embedded onto that filstrip, and our minds act like projectors; projecting all of those images onto the new canvas that stands in front of us! It is a dark and harmful art that one engages in, when one paints the new canvas in old colours! We have to let it go, we just have to let it go. A person isn't all the other things that have happened to you; a person is a beautiful canvas with a painting that's already there and you need to sit still and see clearly and look at that painting. Then you need to be very careful what colours you dip your paintbrush into before making any new marks on what stands in front of you. Don't make the mistake of harming others and yourself, by painting them in colours that are not their own. "
― C. JoyBell C.
31 " I never look at a painting and ask, " Is this painting fictional or non-fictional?" It's just a painting. "
32 " Vladimir Nabokov“... one cannot read a book: one can only reread it. A good reader, a major reader, an active and creative reader is a rereader. And I shall tell you why. When we read a book for the first time the very process of laboriously moving our eyes from left to right, line after line, page after page, this complicated physical work upon the book, the very process of learning in terms of space and time what the book is about, this stands between us and artistic appreciation. When we look at a painting we do no have to move our eyes in a special way even if, as in a book, the picture contains elements of depth and development. The element of time does not really enter in a first contact with a painting. In reading a book, we must have time to acquaint ourselves with it. We have no physical organ (as we have the eye in regard to a painting) that takes in the whole picture and can enjoy its details. But at a second, or third, or fourth reading we do, in a sense, behave towards a book as we do towards a painting. However, let us not confuse the physical eye, that monstrous achievement of evolution, with the mind, an even more monstrous achievement. A book, no matter what it is - a work of fiction or a work of science (the boundary line between the two is not as clear as is generally believed) - a book of fiction appeals first of all to the mind. The mind, the brain, the top of the tingling spine, is, or should be, the only instrument used upon a book.” ― Vladimir Nabokov, Lectures on Literature "
― Vladimir Nabokov , Lectures on Literature
33 " Just as music is noise that makes sense, a painting is color that makes sense, so a story is life that makes sense. "
― Yann Martel , Beatrice and Virgil
34 " Elodin pointed down the street. " What color is that boy's shirt?" " Blue." " What do you mean by blue? Describe it." I struggled for a moment, failed. " So blue is a name?" " It is a word. Words are pale shadows of forgotten names. As names have power, words have power. Words can light fires in the minds of men. Words can wring tears from the hardest hearts. There are seven words that will make a person love you. There are ten words that will break a strong man's will. But a word is nothing but a painting of a fire. A name is the fire itself." My head was swimming by this point. " I still don't understand." He laid a hand on my shoulder. " Using words to talk of words is like using a pencil to draw a picture of itself, on itself. Impossible. Confusing. Frustrating." He lifted his hands high above his head as if stretching for the sky. " But there are other ways to understanding!" he shouted, laughing like a child. He threw both arms to the cloudless arch of sky above us, still laughing. " Look!" he shouted tilting his head back. " Blue! Blue! Blue! "
35 " So blue is a name?''It is a word. Words are pale shadows of forgotten names. As humans have power, words have power. Words can light fires in the minds of men. Words can wring tears from the hardest of hearts. There are seven words that will make a person love you. There are ten words tat will break a strong man's will. But a word is nothing but a painting of a fire. A name is te fire itself.'My head was swimming at this point. 'I still don't understand.'He laid a hand on my shoulder. 'Using words to talk of words is like using a pencil to draw a picture of itself, on itself. Impossible. Confusing. Frustrating.' He lifted his hands high above his head as if stretching for the sky. 'But there are other ways of understanding!' he shouted, laughing like a child. He threw both arms to the cloudless arch of sky above us, still lauging. 'Look!' he shouted tilting his head back. 'Blue! Blue! Blue! "
― Patrick Rothfuss , The Name of the Wind (The Kingkiller Chronicle, #1)
36 " As one might gather from a painting of him scowling in a tall stovepipe hat, Day saw himself as a businessman, not a journalist. ''He needed a newspaper not to reform, not to arouse, but to push the printing business of Benjamin H. Day.''Day's idea was to try selling a paper for a penny - the going price for many everyday items, like soap or brushes. At that price, he felt sure he could capture a much larger audience than his 6-cent rivals. But what made the prospect risky, potentially even suicidal, was that Day would then be selling his paper at a loss. What day was contemplating was a break with the traditional strategy for making profit: selling at a price higher than the cost of production. He would instead rely on a different but historically significant business model: reselling the attention of his audience, or advertising. What Day understood-more firmly, more clearly than anyone before him-was that while his readers may have thought themselves his customers, they were in fact his product. "
― Tim Wu , The Attention Merchants: The Epic Scramble to Get Inside Our Heads
37 " Looking at things is never time wasted. If your children want to stand and stare, let them. When I was marvelling at the beauty of a painting or enjoying a great view it did not occur to me that the experience, however intense, would be of value many years later. But there it has remained, tucked away in hidden bits of my mind and now it comes, shouldering aside even the most passionate love affairs. "
― Diana Athill
38 " Everyone must leave something behind when he dies, my grandfather said. A child or a book or a painting or a house or a wall built or a pair of shoes made. Or a garden planted. Something your hand touched some way so your soul has somewhere to go when you die, and when people look at that tree or that flower you planted, you’re there. "
39 " Not only do we all have magic, it's all around us as well. We just don't pay attention to it. Every time we make something out of nothing, that's an act of magic. It doesn't matter if it's a painting or a garden, or an abuelo telling his grandchildren some tall tale. Every time we fix something that's broken, whether it's a car engine or a broken heart, that's an act of magic.And what makes it magic is that we *choose* to create or help, just as we can choose to harm. But it's so easy to destroy and so much harder to make things better. That's why doing the right thing makes you stronger.If we can only remember what we are and what we can do, nobody can bind us or control us. "
― Charles de Lint , The Mystery of Grace
40 " I made a painting that has holes in it. Why is there holes? Because God says to us, I cannot do all. I can create you, but I cannot do it all. You have to help Me fix the holes and put everything together. This is the learning from the Holocaust. That each of us is here to fix the holes.I don’t know how much you know about the Holocaust. What is your interest in it? What do you want to do with your life, where do you want to go? What is hurting in you? What are your holes to fix? What is now important in my life, and in your life also, is that after the Holocaust, we are shaking hands with each other, that we are nobody lesser than the other. That we understand the real meaning of what God created us for. You have the task. You have the task to better this world. There are holes in people also but those we create and can fix with love. God wants us whole. "