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41 " I don't know how this can be but it can: A painting is both exactly rhe same and entirely different every single time you look at it. "
― Jandy Nelson , I'll Give You the Sun
42 " That autumn, I kept coming back to Hopper’s images, drawn to them as if they were blueprints and I was a prisoner; as if they contained some vital clue about my state. Though I went with my eyes over dozens of rooms, I always returned to the same place: to the New York diner of Nighthawks, a painting that Joyce Carol Oates once described as “our most poignant, ceaselessly replicated romantic image of American loneliness”...Green shadows were falling in spikes and diamonds on the sidewalk. There is no colour in existence that so powerfully communicates urban alienation, the atomisation of human beings inside the edifices they create, as this noxious pallid green, which only came into being with the advent of electricity, and which is inextricably associated with the nocturnal city, the city of glass towers, of empty illuminated offices and neon signs. "
― Olivia Laing
43 " I imagined the lies the valedictorian was telling them right now. About the exciting future that lies ahead. I wish she'd tell them the truth: Half of you have gone as far in life as you're ever going to. Look around. It's all downhill from here. The rest of us will go a bit further, a steady job, a trip to Hawaii, or a move to Phoenix, Arizona, but out of fifteen hundred how many will do anything truly worthwhile, write a play, paint a painting that will hang in a gallery, find a cure for herpes? Two of us, maybe three? And how many will find true love? About the same. And enlightenment? Maybe one. The rest of us will make compromises, find excuses, someone or something to blame, and hold that over our hearts like a pendant on a chain. "
― Janet Fitch , White Oleander
44 " That is the thing about films. They don't change. You change. The immutability of the film (or a book or a painting or a piece of music) is something to measure yourself against. That is one of the things a great work of art does. It stays there waiting for you to come back to it, and it shows you who you are now, each time a little different. "
― Dana Spiotta , Innocents and Others
45 " …and yet, at the end of it all, a few very broad lines did seem to stick out, like the primary colors in a painting that explain all the confusing blends. And once I had understood my artificial convention, as one understands a convention of the theatre, it was surprising how many adventures did, with a squeeze, fit in their compartments- provided that I chuckled as I did the squeezing and reminded myself that it was all a game anyway. "
― Joseph J. Thorndike Jr.
46 " Perception is like painting a scenery - no matter how beautifully you paint, it will still be a painting of the scenery, not the scenery itself. "
― Abhijit Naskar , Human Making is Our Mission: A Treatise on Parenting (Humanism Series)
47 " You don't have to own something for it to be you. Haven't you ever gone into a gallery and seen a painting and said 'that's me'. Or had a piece of music capture something deep down you didn't even know was there? You realize it's always been part of youl you've just never heard it before. "
48 " Saturday evening, on a quiet lazy afternoon, I went to watch a bullfight in Las Ventas, one of Madrid's most famous bullrings. I went there out of curiosity. I had long been haunted by the image of the matador with its custom made torero suit, embroidered with golden threads, looking spectacular in his " suit of light" or traje de luces as they call it in Spain. I was curious to see the dance of death unfold in front of me, to test my humanity in the midst of blood and gold, and to see in which state my soul will come out of the arena, whether it will be shaken and stirred, furious and angry, or a little bit aware of the life embedded in every death. Being an avid fan of Hemingway, and a proponent of his famous sentence " About morals, I know only that what is moral is what you feel good after and what is immoral is what you feel bad after,” I went there willingly to test myself. I had heard atrocities about bullfighting yet I had this immense desire to be part of what I partially had an inclination to call a bloody piece of cultural experience. As I sat there, in front of the empty arena, I felt a grandiose feeling of belonging to something bigger than anything I experienced during my stay in Spain. Few minutes and I'll be witnessing a painting being carefully drawn in front of me, few minutes and I will be part of an art form deeply entrenched in the Spanish cultural heritage: the art of defying death. But to sit there, and to watch the bull enter the arena… To watch one bull surrounded by a matador and his six assistants. To watch the matador confronting the bull with the capote, performing a series of passes, just before the picador on a horse stabs the bull's neck, weakening the neck muscles and leading to the animal's first loss of blood... Starting a game with only one side having decided fully to engage in while making sure all the odds will be in the favor of him being a predetermined winner. It was this moment precisely that made me feel part of something immoral. The unfair rules of the game. The indifferent bull being begged to react, being pushed to the edge of fury. The bull, tired and peaceful. The bull, being teased relentlessly. The bull being pushed to a game he isn't interested in. And the matador getting credits for an unfair game he set. As I left the arena, people looked at me with mocking eyes. Yes, I went to watch a bull fight and yes the play of colors is marvelous. The matador’s costume is breathtaking and to be sitting in an arena fills your lungs with the sands of time. But to see the amount of claps the spill of blood is getting was beyond what I can endure. To hear the amount of claps injustice brings is astonishing. You understand a lot about human nature, about the wars taking place every day, about poverty and starvation. You understand a lot about racial discrimination and abuse (verbal and physical), sex trafficking, and everything that stirs the wounds of this world wide open. You understand a lot about humans’ thirst for injustice and violence as a way to empower hidden insecurities. Replace the bull and replace the matador. And the arena will still be there. And you'll hear the claps. You've been hearing them ever since you opened your eyes. "
49 " If she was beautiful at rest she was doubly so awake. Asleep she was a painting of a fire. Awake she was the fire itself. "
― Patrick Rothfuss , The Wise Man's Fear (The Kingkiller Chronicle, #2)
50 " Love is fragile at best and often a burden or something that blinds us. It's fodder for poets and song writers and they build it into something beyond human capacity. Falling in love means enrolling yourself in the school of disappointment. Being human means failing each other often, and no two people fail each other more than two people who pledge to do things for each other that they'll never do because they are just incapable of it...That's why art is enduring. The look of love or hope, or the look of compassion, bravery, whatever, is captured forever. We spend our lives trying to get someone to be as enduring as a painting or a sculpture and we can't because feelings crumble as quickly as the flesh. "
― V.C. Andrews , Heart Song (Logan, #2)
51 " Life is like a painting you reflect the image based on your feeling, emotion, character, attitude and how you made it. "
― Daniel Habil
52 " A veteran artist counsels a less experienced one to start a painting using colors in the middle range so that the painter can move to more extreme colors as the work progresses. "
― David McCullough , The Greater Journey: Americans in Paris
53 " Don’t fall in love with a woman who reads, a woman who feels too much, a woman who writes...Don’t fall in love with an educated, magical, delusional, crazy woman. Don’t fall in love with a woman who thinks, who knows what she knows and also knows how to fly; a woman sure of herself.Don’t fall in love with a woman who laughs or cries making love, knows how to turn her spirit into flesh; let alone one that loves poetry (these are the most dangerous), or spends half an hour contemplating a painting and isn't able to live without music.Don’t fall in love with a woman who is interested in politics and is rebellious and feel a huge horror from injustice. One who does not like to watch television at all. Or a woman who is beautiful no matter the features of her face or her body.Don’t fall in love with a woman who is intense, entertaining, lucid and irreverent. Don’t wish to fall in love with a woman like that. Because when you fall in love with a woman like that, whether she stays with you or not, whether she loves you or not, from a woman like that, you never come back. "
― Martha Rivera-Garrido
54 " You see, for me a painting is a dramatic action in the course of which the reality finds itself split apart. For me, that dramatic action takes precedence over all other considerations. The pure plastic act is only secondary as far as I'm concerned. What counts is the drama of that plastic art, the moment at which the universe comes out of itself and meets its own destruction. "
― Françoise Gilot , Life with Picasso
55 " I loved the idea that looking at a painting or listening to a concerto could make you somehow " transcend" the day-in, day-out bullshit that grinds you down: how in one instant of pure attention you could draw something inside that made you forever larger "
56 " Certainly a painting can be reductionistically described by its physical properties only: its shape, the paint, the design, and so forth. But every artwork that exists is both an individual thing, a whole unto itself, and simultaneously a part of the matrix of forces that brought it into being. "
57 " Not everyone with a painting brush is an artist, likewise not everyone with a camera is a photographer "
58 " Have I ever said that Turner once actually had himself lashed to the mast of a ship, to be able to later do a painting of a storm? Which has never failed to remind me of the scene in which Odysseus does the identical thing, of course, so that he can listen to the Sirens singing but will stay put. "
― David Markson , Wittgenstein's Mistress
59 " You’ve got to live right, too. It’s the way you live that predisposes you to avoid the traps and see the right facts. You want to know how to paint a perfect painting? It’s easy. Make yourself perfect and then just paint naturally. That’s the way all the experts do it. The making of a painting or the fixing of a motorcycle isn’t separate from the rest of your existence. If you’re a sloppy thinker the six days of the week you aren’t working on your machine, what trap avoidance, what gimmicks, can make you all of a sudden sharp on the seventh? It all goes together ... The real cycle you're working in is a cycle called yourself. The machine that appears to be " out there" and the person that appears to be " in here" are not two separate things. They grow toward Qaulity or fall away from Qaulity together. "
60 " The New Year is a painting not yet painted; a path not yet stepped on; a wing not yet taken off! Things haven’t happened as yet! Before the clock strikes twelve, remember that you are blessed with the ability to reshape your life! "
― Mehmet Murat ildan