26
" As is so often the way, what we have suppressed and overlooked issomething startlingly obvious. The difficulty is that it is so obvious andbasic that one can hardly find the words for it. The Germans call it aHintergedanke, an apprehension lying tacitly in the back of our mindswhich we cannot easily admit, even to ourselves. The sensation of " I" asa lonely and isolated center of being is so powerful andcommonsensical, and so fundamental to our modes of speech andthought, to our laws and social institutions, that we cannot experienceselfhood except as something superficial in the scheme of the universe. Iseem to be a brief light that flashes but once in all the aeons of time—arare, complicated, and all-too-delicate organism on the fringe ofbiological evolution, where the wave of life bursts into individual,sparkling, and multicolored drops that gleam for a moment only tovanish forever. Under such conditioning it seems impossible and evenabsurd to realize that myself does not reside in the drop alone, but in thewhole surge of energy which ranges from the galaxies to the nuclearfields in my body. At this level of existence " I" am immeasurably old;my forms are infinite and their comings and goings are simply thepulses or vibrations of a single and eternal flow of energy. "
33
" The shock which the Nazi horrors produced was so great, because they came after two hundred years of Roussellian propaganda about the goodness of human nature and also because the Germans were literate, clean, technologically progressive, hard working, “modern,” sober, “orderly,” and so forth. Yet about human nature we get more concrete and more pertinent information from the Bible than from statistics dealing with secondary education, the frequency of bathtubs or the mileage of superhighways. "
― Erik von Kuehnelt-Leddihn , Leftism Revisited: from de Sade and Marx to Hitler and Pol Pot
35
" As I finished my rice, I sketched out the plot of a pornographic adventure film called The Massage Room. Sirien, a young girl from northern Thailand, falls hopelessly in love with Bob, an American student who winds up in the massage parlor by accident, dragged there by his buddies after a fatefully boozy evening. Bob doesn't touch her, he's happy just to look at her with his lovely, pale-blue eyes and tell her about his hometown - in North Carolina, or somewhere like that. They see each other several more times, whenever Sirien isn't working, but, sadly, Bob must leave to finish his senior year at Yale. Ellipsis. Sirien waits expectantly while continuing to satisfy the needs of her numerous clients. Though pure at heart, she fervently jerks off and sucks paunchy, mustached Frenchmen (supporting role for Gerard Jugnot), corpulent, bald Germans (supporting role for some German actor). Finally, Bob returns and tries to free her from her hell - but the Chinese mafia doesn't see things in quite the same light. Bob persuades the American ambassador and the president of some humanitarian organization opposed to the exploitation of young girls to intervene (supporting role for Jane Fonda). What with the Chinese mafia (hint at the Triads) and the collusion of Thai generals (political angle, appeal to democratic values), there would be a lot of fight scenes and chase sequences through the streets of Bangkok. At the end of the day, Bob carries her off. But in the penultimate scene, Sirien gives, for the first time, an honest account of the extent of her sexual experience. All the cocks she has sucked as a humble massage parlor employee, she has sucked in the anticipation, in the hope of sucking Bob's cock, into which all the others were subsumed - well, I'd have to work on the dialogue. Cross fade between the two rivers (the Chao Phraya, the Delaware). Closing credits. For the European market, I already had line in mind, along the lines of " If you liked The Music Room, you'll love The Massage Room. "
38
" In our humble12 opinion, the South in general’s attitude regarding the war and everything that came after needs a major paradigm shift. Put simply: we need to be more like Germany. Ya see, after World War II, Germany as a nation took responsibility for its crimes, owned up to them, and has refused to make excuses for the atrocities that occurred. Germans own it. That’s just the way it is. (Or at least the perception of the way it is, and as we keep reiterating, the perception can be just as important as the reality.) How many people in the South could stomach the idea of Nazi statues existing in Germany in order to “honor the past” but “not meant to offend the Jews, of course?” Because y’all do realize that’s what most of these Civil War monuments are, right? "
― , The Liberal Redneck Manifesto: Draggin' Dixie Outta the Dark