2
" Tomas led a young woman by the hand and walked up into the foothills. Millian, the miner from Rosario, had introduced her to the patron, already buying points for himself. He was no fool. And the girl, no fool either, lifted her skirts for Tomas as he knelt before her, licking his way up her thighs -brown and sweet as candy, at the same time, tart and salty, musky, silken and cold in the warm air, refreshing as the sorbet he licked in Culiacan back when he was a student. She was amazed that this bit of her body could the great master to his knees before her. She was perhaps the most beautiful girl on that whole plain, but he did not her name and felt no need to ask. He pressed his face to her underwear, redolent with the burning scent of her, and he pulled the cotton down, over the bright points of her hips , the shadowy curve of her belly, until the fog of dark hair came into his sight, soft in the moonlight, tickling his face as he bent down to her again. He pressed his lips on the mound of her, breathing her in, tasting her like a dog, as her skirts fell over his head and her fingers pulled his head tighter to her, her legs moving apart in the dark, her beauty falling around him, his greatest gift to him, this flavor, this smell, her scent. "
― Luis Alberto Urrea , The Hummingbird's Daughter
14
" All these women, Huila thought: Mothers of God. These skinny, these dirty and toothless, these pregnant and shoeless. These with an issue of blood, and these with unsuckled breasts and children cold in the grave. These old forgotten ones too weak to work. These fat ones who milked all day. These twisted ones tied to their pallets, these barren ones, these married ones, these abandoned ones, these whores, these hungry ones, these thieves, these drunks, these mestizas, these lovers of other women, these Indians, and these littlest ones who faced unknowable tomorrows. Mothers of God. If it was a sin to think so, she would face God and ask Him why. “The "
― Luis Alberto Urrea , The Hummingbird's Daughter
16
" He couldn't believe she was real. She was like some dream, some story old men told youngsters. She made a fool out of him with the slightest grin or pout. She slept in his bed, not beside him, but around him, her aromatic legs and arms wrapped around him, her mouth against his throat, her beautiful thundercloud hair over his face, his chest. He kissed her hair. Took it to his fist and kissed it, breathed it...Oh my God, he thought. He didn't know what it was about her that made him more insane: her belly, or the pale friction of her thighs; the small of her back, or her armpits. "
― Luis Alberto Urrea , The Hummingbird's Daughter
