A Swim in a Pond in the Rain: In Which Four Russians Give a Master Class on Writing, Reading, and Life QUOTES

1 " Then do that again, over and over, until I'm pleased. "

― George Saunders , A Swim in a Pond in the Rain: In Which Four Russians Give a Master Class on Writing, Reading, and Life

2 " There’s a vast underground network for goodness at work in this world—a web of people who’ve put reading at the center of their lives because they know from experience that reading makes them more expansive, generous people… "

― George Saunders , A Swim in a Pond in the Rain: In Which Four Russians Give a Master Class on Writing, Reading, and Life

3 " We want to believe that love is singular and exclusive, and it unnerves us to think that it might actually be renewable and somewhat repetitive in its habits. Would your current partner ever call his or her new partner by the same pet name he/she uses for you, once you are dead and buried? Well, why not? There are only so many pet names. Why should that bother you? Well, because you believe it is you, in particular, who is loved (that is why dear Ed calls you “honey-bunny”), but no: love just is, and you happened to be in the path of it. When, dead and hovering above Ed, you hear him call that rat Beth, your former friend, “honey-bunny,” as she absentmindedly puts her traitorous finger into his belt loop, you, in spirit form, are going to think somewhat less of Ed, and of Beth, and maybe of love itself. Or will you?

Maybe you won’t.

Because don’t we all do some version of this, when in love? When your lover dies or leaves you, there you are, still yourself, with your particular way of loving. And there is the world, still full of people to love. "

― George Saunders , A Swim in a Pond in the Rain: In Which Four Russians Give a Master Class on Writing, Reading, and Life

4 " What transforms an anecdote into a story is escalation. Or, we might say: when escalation is suddenly felt to be occurring, it is a sign that our anecdote is transforming into a story. "

― George Saunders , A Swim in a Pond in the Rain: In Which Four Russians Give a Master Class on Writing, Reading, and Life

5 " To put it another way: having gone about as high up Hemingway Mountain as I could go, having realized that even at my best I could only ever hope to be an acolyte up there, resolving never again to commit the sin of being imitative, I stumbled back down into the valley and came upon a little shit-hill labeled “Saunders Mountain.”

“Hmm,” I thought. “It’s so little. And it’s a shit-hill.”

Then again, that was my name on it.

This is a big moment for any artist (this moment of combined triumph and disappointment), when we have to decide whether to accept a work of art that we have to admit we weren’t in control of as we made it and of which we’re not entirely sure we approve. It is less, less than we wanted it to be, and yet it’s more, too—it’s small and a bit pathetic, judged against the work of the great masters, but there it is, all ours.

What we have to do at that point, I think, is go over, sheepishly but boldly, and stand on our shit-hill, and hope it will grow. "

― George Saunders , A Swim in a Pond in the Rain: In Which Four Russians Give a Master Class on Writing, Reading, and Life

6 " Sometimes life feels a certain way that we call “absurd”: nothing matters, all efforts are for naught, everything seems random and perverse, positive intention is perpetually thwarted. This stance communicates darkness and edginess, which can feel like wisdom. But we don’t live as if life is absurd; we live as if it has meaning and makes sense. We live (or try to) by kindness, loyalty, friendship, aspiration to improvement, believing the best of other people. We assume causality and continuity of logic. And we find, through living, that our actions do matter, very much. We can be a good parent or a bad parent, we can drive safely or like a maniac. Our minds can feel clean and positive and clear or polluted and negative. To have an ambition and pursue it feels healthy. A life without earnest striving is a nightmare. (When desire vanishes from a normal life, that is called depression.) "

― George Saunders , A Swim in a Pond in the Rain: In Which Four Russians Give a Master Class on Writing, Reading, and Life

7 " That’s all poetry is, really: something odd, coming out. Normal speech, overflowed. A failed attempt to do justice to the world. The poet proves that language is inadequate by throwing herself at the fence of language and being bound by it. Poetry is the resultant bulging of the fence. "

― George Saunders , A Swim in a Pond in the Rain: In Which Four Russians Give a Master Class on Writing, Reading, and Life

8 " The Russians, when I found them a few years later, worked on me in the same way. They seemed to regard fiction not as something decorative but as a vital moral-ethical tool. They changed you when you read them, made the world seem to be telling a different, more interesting story, a story in which you might play a meaningful part, and in which you had responsibilities. "

― George Saunders , A Swim in a Pond in the Rain: In Which Four Russians Give a Master Class on Writing, Reading, and Life

9 " Fiction helps us remember that everything remains to be seen. "

― George Saunders , A Swim in a Pond in the Rain: In Which Four Russians Give a Master Class on Writing, Reading, and Life

10 " These days, it’s easy to feel that we’ve fallen out of connection with one another and with the earth and with reason and with love. I mean: we have. But to read, to write, is to say that we still believe in, at least, the possibility of connection. "

― George Saunders , A Swim in a Pond in the Rain: In Which Four Russians Give a Master Class on Writing, Reading, and Life

11 " It really is true: doing what you please (i.e., what pleases you), with energy, will lead you to everything—to your particular obsessions and the ways in which you’ll indulge them, to your particular challenges and the forms in which they’ll convert into beauty, to your particular obstructions and your highly individualized obstruction breakers. We can’t know what our writing problems will be until we write our way into them, and then we can only write our way out. "

― George Saunders , A Swim in a Pond in the Rain: In Which Four Russians Give a Master Class on Writing, Reading, and Life

12 " Russian short story master Isaac Babel put it, “no iron spike can pierce a human heart as icily as a period in the right place. "

― George Saunders , A Swim in a Pond in the Rain: In Which Four Russians Give a Master Class on Writing, Reading, and Life

13 " It’s hard to get any beauty at all into a story. If and when we do, it might not be the type of beauty we’ve always dreamed of making. But we have to take whatever beauty we can get, however we can get it. "

― George Saunders , A Swim in a Pond in the Rain: In Which Four Russians Give a Master Class on Writing, Reading, and Life

14 " No worthy problem is ever solved in the plane of its original conception. "

― George Saunders , A Swim in a Pond in the Rain: In Which Four Russians Give a Master Class on Writing, Reading, and Life

15 " There is no world save the one we make with our minds, and the mind’s predisposition determines the type of world we see. "

― George Saunders , A Swim in a Pond in the Rain: In Which Four Russians Give a Master Class on Writing, Reading, and Life

16 " Every soul is vast and wants to express itself fully. If it’s denied an adequate instrument (and we’re all denied that, at birth, some more than others), out comes…poetry, i.e., truth forced out through a restricted opening. That’s all poetry is, really: something odd, coming out. Normal speech, overflowed. A failed attempt to do justice to the world. The poet proves that language is inadequate by throwing herself at the fence of language and being bound by it. Poetry is the resultant bulging of the fence. "

― George Saunders , A Swim in a Pond in the Rain: In Which Four Russians Give a Master Class on Writing, Reading, and Life

17 " (A linked pair of writing dictums: “Don’t make things happen for no reason” and “Having made something happen, make it matter.”) "

― George Saunders , A Swim in a Pond in the Rain: In Which Four Russians Give a Master Class on Writing, Reading, and Life

18 " We’re always rationally explaining and articulating things. But we’re at our most intelligent in the moment just before we start to explain or articulate. Great art occurs—or doesn’t—in that instant. What we turn to art for is precisely this moment, when we “know” something (we feel it) but can’t articulate it because it’s too complex and multiple. But the “knowing” at such moments, though happening without language, is real. I’d say this is what art is for: to remind us that this other sort of knowing is not only real, it’s superior to our usual (conceptual, reductive) way. "

― George Saunders , A Swim in a Pond in the Rain: In Which Four Russians Give a Master Class on Writing, Reading, and Life

19 " I feel about Olenka the way I think God might. I know so much about her. Nothing has been hidden from me. It’s rare, in the real world, that I get to know someone so completely. I’ve known her in so many modes: a happy young newlywed and a lonely old lady; a rosy, beloved darling and an overlooked, neglected piece of furniture, nearly a local joke; a nurturing wife and an overbearing false mother.

And look at that: the more I know about her, the less inclined I feel to pass a too-harsh or premature judgment. Some essential mercy in me has been switched on. What God has going for Him that we don’t is infinite information. Maybe that’s why He’s able to, supposedly, love us so much. "

― George Saunders , A Swim in a Pond in the Rain: In Which Four Russians Give a Master Class on Writing, Reading, and Life

20 " The writer is one who, embarking upon a task, does not know what to do. "

― George Saunders , A Swim in a Pond in the Rain: In Which Four Russians Give a Master Class on Writing, Reading, and Life