25
" Here, as long as you followed the rules, you were okay. As long as the conversation was polite, it didn’t matter what was being said. Of course, this led to a lot of boring conversation, a lot of dull iterations of the name game. You know how old houses always look good? Whether mansion or tenement or saltbox, if it was built more than a century ago, it has a certain air of elegance. But when you think about the small rooms, the outdated layouts, the bad electrical wiring, you realize you’d never actually want to live there.
That was like the world of the rich. From far away, it looks enchanting. Up close, you realize the elegance is just a product of stasis. It’s easy to be tricked into thinking something is beautiful. "
― Anna Pitoniak , Necessary People
26
" The demands were obvious to us—we knew exactly what people liked to watch, and what they didn’t. The ratings bore that out, every single week. The audience liked clean takeaways. They liked black-and-white, heroes and villains. They liked the truth, but only kind of; they liked the truth packaged in a way to make them feel better about their own lives. Too much murkiness, and they are reminded of their own murk: their own mistakes, their own shortcomings, the times they, too, misbehaved and mistreated others. Those stories didn’t rate well. If you wanted people to watch, if you wanted to win the demo and get the blockbuster numbers that your bosses demanded, you needed a story with a good ending. "
― Anna Pitoniak , Necessary People