82
" Man, as we realize if we reflect for a moment, never perceives anything fully or comprehends anything completely. He can see, hear, touch, and taste; but how far he sees, how well he hears, what his touch tells him, and what he tastes depend upon the number and quality of his senses. These limit his perception of the world around him. By using scientific instruments he can partly compensate for the deficiencies of his senses. For example, he can extend the range of his vision by binoculars or of his hearing by electrical amplification. But the most elaborate apparatus cannot do more than bring distant or small objects within range of his eyes, or make faint sounds more audible. No matter what instruments he uses, at some point he reaches the edge of certainty beyond which conscious knowledge cannot pass. "
― C.G. Jung , Man and His Symbols
83
" No one can take a more or less rational thought, reached as a logical conclusion or by deliberate intent, and then give it “symbolic” form. No matter what fantastic trappings one may put upon an idea of this kind, it will still remain a sign, linked to the conscious thought behind it, not a symbol that hints at something not yet known. In dreams, symbols occur spontaneously, for dreams happen and are not invented; they are, therefore, the main source of all our knowledge about symbolism. "
― C.G. Jung , Man and His Symbols
95
" If, on the other hand, a man's experience of his mother has been positive, this can also affect his anima in typical but different ways, with the result that he either becomes effeminate or is preyed upon by women and thus is unable to cope with the hardships of life. An anima of this sort can turn men into sentimentalists, or they may become as touchy as old maids or as sensitive as the fairy-tale princess who could feel a pea under 30 mattresses. A still more subtle manifestation of a negative anima appears in some fairy tales in the form of a princess who asks her suitors to answer a series of riddles or, perhaps, to hide themselves under her nose. If they cannot give the answers, or if she can find them, they must die—and she invariably wins. The anima in this guise involves men in a destructive intellectual game. We can notice the effect of this anima trick in all those neurotic pseudo-intellectual dialogues that inhibit a man from getting into direct touch with life and its real decisions. He reflects about life so much that he cannot live it and loses all his spontaneity and outgoing feeling. "
― C.G. Jung , Man and His Symbols