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1 " How could something new and pure issue from this? It may be from the remotest regions of the spirit that words and figures will come, images and gestures, veiled and unveiled as in a dream. When they meet in their heady course, and the spark of the wonderful is born from the marriage of strange and most strange, then I will know I am facing the new radiance. It will give me a dubious look because, even though I have conjured it up, it exists beyond the concepts of my wakeful thinking; its light is not daylight; it is inhabited by figures which I do not recognize, but know at first sight. Its weight has a different heaviness; its colour speaks to the new eyes which my closed lids have given one another; my hearing has wandered into my fingertips and learns to see; my heart, now that it lives behind my forehead, tastes the laws of a new, unceasing, free motion. I follow my wandering senses into this new world of the spirit and come to know freedom. Here, where I am free, I can see what nasty lies the other side told me. "
― Paul Celan , Collected Prose
2 " A poem, being an instance of language, hence essentially dialogue, may be a letter in a bottle thrown out to sea… . In this way, too, poems are en route… . Toward what? Toward something open, inhabitable, an approachable you, perhaps, an approachable reality. "
3 " How could something new and pure issue from this? It may be from the remotest regions of the spirit that words and figures will come, images and gestures, veiled and unveiled as in a dream. When they meet in their heady course, and the spark of the wonderful is born from the marriage of strange and most strange, then I will know I am facing the new radiance. It will give me a dubious look because, even though I have conjured it up, it exists beyond the concepts of my wakeful thinking; its light is not daylight; it is inhabited by figures which I do not recognize, but know at first sight. Its weight has a different heaviness; its colour speaks to the new eyes which my closed lids have given one another; my hearing has wandered into my fingertips and learns to see; my heart, now that it lives behind my forehead, tastes the laws of a new, unceasing, free motion. "
4 " He always finds himself face to face with the incomprehensible, inaccessible, the "language of the stone". And his only recourse is talking. This cannot be "literature". Literature belongs to those who are at home in the world. He can only talk in a simple--deceptively simple--way: circular, repetitive, insisting on the very gap between him and the world, between him and nature. He can only hope that out of his insistence will come a new language which can fill the gap and include the other side. "