22
" Now, what am I to do with this creature when I get it home?" when it grunted again, so violently, that she looked down into its face in some alarm. This time there could be no mistake about it: it was neither more nor less than a pig, and she felt that it would be quite absurd for her to carry it any further. | So she set the little creature down, and felt quite relieved to see it trot away quietly into the wood. " If it had grown up," she said to herself, " it would have made a dreadfully ugly child: but it makes a rather handsome pig, I think." And she began thinking over other children she knew, who might do very well as pigs, and was just saying to herself, " if one only knew the right way to change them--" when she was a little startled by seeing the Cheshire Cat sitting on a bough of a tree a few yards off. "
25
" In the cage is the lion. She paces with her memories. Her body is a record of her past. As she moves back and forth, one may see it all: the lean frame, the muscular legs, the paw enclosing long sharp claws, the astonishing speed of her response. She was born in this garden. She has never in her life stretched those legs. Never darted farther than twenty yards at a time. Only once did she use her claws. Only once did she feel them sink into flesh. And it was her keeper's flesh. Her keeper whom she loves, who feeds her, who would never dream of harming her, who protects her. Who in his mercy forgave her mad attack, saying this was in her nature, to be cruel at a whim, to try to kill what she loves. He had come into her cage as he usually did early in the morning to change her water, always at the same time of day, in the same manner, speaking softly to her, careful to make no sudden movement, keeping his distance, when suddenly she sank down, deep down into herself, the way wild animals do before they spring, and then she had risen on all her strong legs, and swiped him in one long, powerful, graceful movement across the arm. How lucky for her he survived the blow. The keeper and his friends shot her with a gun to make her sleep. Through her half-open lids she knew they made movements around her. They fed her with tubes. They observed her. They wrote comments in notebooks. And finally they rendered a judgment. She was normal. She was a normal wild beast, whose power is dangerous, whose anger can kill, they had said. Be more careful of her, they advised. Allow her less excitement. Perhaps let her exercise more. She understood none of this. She understood only the look of fear in her keeper's eyes. And now she paces. Paces as if she were angry, as if she were on the edge of frenzy. The spectators imagine she is going through the movements of the hunt, or that she is readying her body for survival. But she knows no life outside the garden. She has no notion of anger over what she could have been, or might be. No idea of rebellion.
It is only her body that knows of these things, moving her, daily, hourly, back and forth, back and forth, before the bars of her cage. "
― Susan Griffin , Woman and Nature: The Roaring Inside Her
27
" A near half hour passed as Salvatore weaved his way through the winding tunnel, his steps slowing as he tilted back his head to sniff the air.
The scent of cur was still strong, but he was beginning to pick up the distant scent of other curs, and…pure-blood.
Female pureblood.
Coming to a sharp halt, Salvatore savored the rich vanilla aroma that filled his senses.
He loved the smell of women. Hell, he loved women.
But this was different.
It was intoxicating.
“Cristo,” he breathed, his blood racing, an odd tightness coiling through his body, slowly draining his strength.
Almost as if…
No. It wasn’t possible.
There hadn’t been a true Were mating for centuries.
“Curs,” Levet said, moving to his side. “And a female pureblood.”
“Si,” Salvatore muttered, distracted.
“You think it’s a trap?”
Salvatore swallowed a grim laugh. Hell, he hoped it was a trap. The alternative was enough to send any intelligent Were howling into the night.
“There’s only one way to find out.”
He moved forward, sensing the end of the tunnel just yards in front of him.
“Salvatore?” Levet tugged on his pants.
Salvatore shook him off. “What?”
“You smell funny. Mon Dieu, are you…”
With blinding speed, Salvatore grasped the gargoyle by one stunted horn and yanked him off his feet to glare into his ugly face. Until that moment, he hadn’t noticed the musky scent that clung to his skin.
Merda.
“One more word and you lose that tongue,” he snarled.
“But…”
“Do not screw with me.”
“I do not intend to screw with anyone.” The gargoyle curled his lips in a mocking smile. “I am not the one in heat. "
― Alexandra Ivy , Beyond the Darkness (Guardians of Eternity, #6)
33
" He got up and ran on, pitching himself down the hill, flying through the branches of the firs, leaping roots and rocks without seeing them. As he went, the hill got steeper and steeper, until it was really like falling. He was going too fast and he knew when he came to a stop, it would involve crashing into something, and shattering pain.Only as he went on, picking up speed all the time, until with each leap he seemed to sail through yards of darkness, he felt a giddy surge of emotion, a sensation that might have been panic but felt strangely like exhilaration. He felt as if at any moment his feet might leave the ground and never come back down. He knew this forest, this darkness, this night. He knew his chances: not good. He knew what was after him. It had been after him all his life. He knew where he was - in a story about to unfold an ending. He knew better than anyone how these stories went, and if anyone could find their way out of these woods, it was him.(" Best New Horror" ) "
37
" At the sight of the flag he tasted tears in his throat. In the Stars and Stripes all the passions of his life coalesced to produce the ache with which he loved the United States of America - with which he loved the dirty, plain, honest faces of GIs in the photographs of World War Two, with which he loved the sheets of rain rippling across the green playing field toward the end of the school year, with which he cherished the sense-memories of the summers in his childhood, the many Kansas summers, running the bases, falling harmlessly onto the grass, his head beating with heat, the stunned streets of breezeless afternoons, the thick, palpable shade of colossal elms, the muttering of radios beyond the windowsills, the whirring of redwing blackbirds, the sadness of the grown-ups at their incomprehensible pursuits, the voices carrying over the yards in the dusks that fell later and later, the trains moving through town into the sky. His love for his country, his homeland, was a love for the United States of America in the summertime. "
