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1 " Never shall I forget that night, the first night in camp, that turned my life into one long night seven times sealed.Never shall I forget that smoke.Never shall I forget the small faces of the children whose bodies I saw transformed into smoke under a silent sky.Never shall I forget those flames that consumed my faith forever.Never shall I forget the nocturnal silence that deprived me for all eternity of the desire to live.Never shall I forget those moments that murdered my God and my soul and turned my dreams to ashes.Never shall I forget those things, even were I condemned to live as long as God Himself.Never. "
― Elie Wiesel , Night (The Night Trilogy, #1)
2 " In every age a general misdirection of what may be called sexual " taste" ... [is] produce[d by the devil and his angels]. This they do bu working through the small circle of artists, dressmakers, actresses, and advertisers who determine the fashionable type. The aim is to guide each sex away from those members of the other with whom spiritually helpful, happy, and fertile marriages are most likely. Thus [they] have now for many centuries triumphed over nature to the extent of making certain secondary characteristics of the male (such as the beard) disagreeable to nearly all the females-and there is more in that than you might suppose. As regards the male taste [they] have varied a good deal. At one time [they] have directed it to the statuesque and aristocratic type of beauty, mixing men's vanity with their desires and encouraging the race to breed chiefly from the most arrogant and prodigal women. At another, [they] have selected an exaggeratedly feminine type, faint and languishing, so that folly and cowardice, and all the general falseness and littleness of mind which go with them, shall be at a premium. At present [they] are on the opposite tack. The age of jazz has succeeded the age of the waltz, and [they] now teach men to like women whose bodies are scarcely distinguishable from those of boys. Since this is a kind of beauty even more transitory than most, [they] thus aggravate the female's chronic horror of growing old (with many [successful] results) and render her less willing and less able to bear children. And that is not all. [They] have engineered a great increase in the license which society allows to the representation of the apparent nude (not the real nude) in art, and its exhibition on the stage or the bathing beach. It is all a fake, or course; the figures in the popular art are falsely drawn; the real women in bathing suits or tights are actually pinched in and propped up to make them to appear firmer and more slender and more boyish than nature allows a full-grown woman to be. Yet at the same time, the modern world is taught to believe that it is being " frank" and " healthy" and getting back to nature. As a result [they] are more and more directing the desires of men to something which does not exist-making the role of the eye in sexuality more and more important and at the same time making its demands more and more impossible. "
3 " Excuse me while I throw this down, I’m old and cranky and tired of hearing the idiocy repeated by people who ought to know better.Real women do not have curves. Real women do not look like just one thing.Real women have curves, and not. They are tall, and not. They are brown-skinned, and olive-skinned, and not. They have small breasts, and big ones, and no breasts whatsoever.Real women start their lives as baby girls. And as baby boys. And as babies of indeterminate biological sex whose bodies terrify their doctors and families into making all kinds of very sudden decisions.Real women have big hands and small hands and long elegant fingers and short stubby fingers and manicures and broken nails with dirt under them.Real women have armpit hair and leg hair and pubic hair and facial hair and chest hair and sexy moustaches and full, luxuriant beards. Real women have none of these things, spontaneously or as the result of intentional change. Real women are bald as eggs, by chance and by choice and by chemo. Real women have hair so long they can sit on it. Real women wear wigs and weaves and extensions and kufi and do-rags and hairnets and hijab and headscarves and hats and yarmulkes and textured rubber swim caps with the plastic flowers on the sides.Real women wear high heels and skirts. Or not.Real women are feminine and smell good and they are masculine and smell good and they are androgynous and smell good, except when they don’t smell so good, but that can be changed if desired because real women change stuff when they want to.Real women have ovaries. Unless they don’t, and sometimes they don’t because they were born that way and sometimes they don’t because they had to have their ovaries removed. Real women have uteruses, unless they don’t, see above. Real women have vaginas and clitorises and XX sex chromosomes and high estrogen levels, they ovulate and menstruate and can get pregnant and have babies. Except sometimes not, for a rather spectacular array of reasons both spontaneous and induced.Real women are fat. And thin. And both, and neither, and otherwise. Doesn’t make them any less real.There is a phrase I wish I could engrave upon the hearts of every single person, everywhere in the world, and it is this sentence which comes from the genius lips of the grand and eloquent Mr. Glenn Marla: There is no wrong way to have a body.I’m going to say it again because it’s important: There is no wrong way to have a body.And if your moral compass points in any way, shape, or form to equality, you need to get this through your thick skull and stop with the “real women are like such-and-so” crap.You are not the authority on what “real” human beings are, and who qualifies as “real” and on what basis. All human beings are real.Yes, I know you’re tired of feeling disenfranchised. It is a tiresome and loathsome thing to be and to feel. But the tit-for-tat disenfranchisement of others is not going to solve that problem. Solidarity has to start somewhere and it might as well be with you and me "
― Hanne Blank
4 " What do you want with these special Jewish pains? I feel as close to the wretched victims of the rubber plantations in Putamayo and the blacks of Africa with whose bodies the Europeans play ball… I have no special corner in my heart for the ghetto: I am at home in the entire world, where there are clouds and birds and human tears. "
― Rosa Luxemburg
5 " We’re beings towards death, we’re featherless two-legged linguistically conscious creatures born between urine and feces whose bodies will one day be the culinary delight of terrestrial worms. That’s us. "
― Cornel West
6 " If we lack the proper antidotes of emptiness and bodhichitta, we will not be able to control our minds when frightening appearances manifest. It is considered a sign of progress in this practice if we go unconscious, and then, when we wake up, have forgotten our names and whose bodies we have! This is the ceasing of clinging to the body. "
― , Chöd in the Ganden Tradition: The Oral Instructions of Kyabje Zong Rinpoche
7 " From other stories that have been handed down to me I know that my people, like many others in the slave states, went to church with their slaves, were baptized with them, and presumably expected to associate with them in heaven. Again, I have been years realizing what this means, and what it has cost. First, consider the moral predicament of the master who sat in church with his slaves, thus attesting his belief in the immortality of the souls of people whose bodies he owned and used. He thus placed his body, if not his mind, at the very crux of the deepest contradiction of his life. How could he presume to own the body of a man whose soul he considered as worthy of salvation as his own? To keep this question from articulating itself in his thoughts and demanding an answer, he had to perfect an empty space in his mind, a silence, between heavenly concerns and earthly concerns, between body and spirit. If there had ever opened a conscious connection between the two claims, if the two sides of his mind had ever touched, it would have been like building a fire in a house full of gunpowder: somewhere down deep in his mind he always knew of the danger, and his nerves were always alert to it. "
― Wendell Berry , The Hidden Wound
8 " Do you think there's such a thing as a ghost who masquerades as a person? Do you believe that there are people whose bodies are still alive here on earth but whose souls are already in hell? "
― Ann-Marie MacDonald , Fall on Your Knees