3
" As a child, I read because books–violent and not, blasphemous and not, terrifying and not–were the most loving and trustworthy things in my life. I read widely, and loved plenty of the classics so, yes, I recognized the domestic terrors faced by Louisa May Alcott’s March sisters. But I became the kid chased by werewolves, vampires, and evil clowns in Stephen King’s books. I read books about monsters and monstrous things, often written with monstrous language, because they taught me how to battle the real monsters in my life.
And now I write books for teenagers because I vividly remember what it felt like to be a teen facing everyday and epic dangers. I don’t write to protect them. It’s far too late for that. I write to give them weapons–in the form of words and ideas-that will help them fight their monsters. I write in blood because I remember what it felt like to bleed. "
― Sherman Alexie
4
" Happy the writer who, passing by characters that are boring, disgusting, shocking in their mournful reality, approaches characters that manifest the lofty dignity of man, who from the great pool of daily whirling images has chosen only the rare exceptions, who has never once betrayed the exalted turning of his lyre, nor descended from his height to his poor, insignificant brethren, and, without touching the ground, has given the whole of himself to his elevated images so far removed from it. Twice enviable is his beautiful lot: he is among them as in his own family; and meanwhile his fame spreads loud and far. With entrancing smoke he has clouded people's eyes; he has flattered them wondrously, concealing what is mournful in life, showing them a beautiful man. Everything rushes after him, applauding, and flies off following his triumphal chariot. Great world poet they name him, soaring high above all other geniuses in the world, as the eagle soars above the other high fliers. At the mere mention of his name, young ardent hearts are filled with trembling, responsive tears shine in all eyes...No one equals him in power--he is God! But such is not the lot, and other is the destiny of the writer who has dared to call forth all that is before our eyes every moment and which our indifferent eyes do not see--all the stupendous mire of trivia in which our life in entangled, the whole depth of cold, fragmented, everyday characters that swarm over our often bitter and boring earthly path, and with the firm strength of his implacable chisel dares to present them roundly and vividly before the eyes of all people! It is not for him to win people's applause, not for him to behold the grateful tears and unanimous rapture of the souls he has stirred; no sixteen-year-old girl will come flying to meet him with her head in a whirl and heroic enthusiasm; it is not for him to forget himself in the sweet enchantment of sounds he himself has evoked; it is not for him, finally, to escape contemporary judgment, hypocritically callous contemporary judgment, which will call insignificant and mean the creations he has fostered, will allot him a contemptible corner in the ranks of writers who insult mankind, will ascribe to him the quality of the heroes he has portrayed, will deny him heart, and soul, and the divine flame of talent. For contemporary judgment does not recognize that equally wondrous are the glasses that observe the sun and those that look at the movement of inconspicuous insect; for contemporary judgment does not recognize that much depth of soul is needed to light up the picture drawn from contemptible life and elevate it into a pearl of creation; for contemporary judgment does not recognize that lofty ecstatic laughter is worthy to stand beside the lofty lyrical impulse, and that a whole abyss separates it from the antics of the street-fair clown! This contemporary judgment does not recognize; and will turn it all into a reproach and abuse of the unrecognized writer; with no sharing, no response, no sympathy, like a familyless wayfarer, he will be left alone in the middle of the road. Grim is his path, and bitterly he will feel his solitude. "
― Nikolai Gogol , Dead Souls
5
" I know a woman who gets tattoos all the time. She acquires new tattoos the way I might buy a new pair of earrings. She wakes up in the morning and announces, " I think I'll go get a new tattoo today." If you ask her what kind of tattoo she's planning on getting, she'll say casually, " I dunno….I'll figure it out when I get to the tattoo shop. Or I'll just let the artist surprise me." Now, this woman is not a teenager. She's a grown woman with adult children, and she runs a successful business. She's also really cool, uniquely beautiful, and one of the freest spirits I've ever met.When I asked her how she could mark up her body so casually and so permanently, she said, " Oh, but you misunderstand: It's not permanent! It's temporary." Confused, I asked, " You mean, all your tattoos are temporary?" She smiled like a sexy rock 'n roll Buddha and said, " No, honey. My tattoos are permanent — it's my BODY that's temporary. And so is yours. We're here on earth for a very short while. I just want to decorate my temporary self as playfully and beautifully as I can, while I still have time." I love this so much, I can't even tell you.I myself am not covered with tattoos. (Although I do have two of them. Before I went traveling for Eat, Pray, Love, I had two words written into my forearms in white ink: COURAGE and COMPASSION.) But I do want to live the most vividly decorated temporary life I can. I don't just mean physically. I mean emotionally, spiritual, intellectually. I don't want to be afraid of bright colors, or big love, or major decisions, or new experiences, or risky creative endeavors, or sudden changes, or even great failure. "
13
" I gave her the world, the moon, the sun, the stars, the planets... I gave her my breath, my voice, my sight, my life... I gave her memories, dreams, happiness... I gave her care and compassion... I gave her everything... and with sickly curved words, venom dripping from her fingers, she whispered in a way that would shatter glass... between her poisonous lips and her barbed teeth, she told me a story of blackness and catastrophe... from her mind a story of corruption and infamy sprang, her first touch an eternal perversion of my vision of life, an absolute seduction from the face of unbearable desire herself... the chills of a dead soul are frosty, a clouded layer of ash fills my insides, specks of dust fill my veins, empty thoughts smother my mind... and in the final steps of our pitifully destructive dance, I will dip you low, caress you so closely, feel the softness of your neck with the skin of my lips and, for that single moment, lost in the promise in your eyes and the intoxicating scent of your taunt body, I saw a sort of perfection that in any other place and light I would only hopelessly attempt to imagine... a horribly curious vividly creative swirl of chaos and flesh eating light, a specter of glow, paint and sound whose first inhalation is the slow quiver of last exhale, my exhale, my final whisper... I only wish I could have done more... but so impossible was it to resist what made her, her... "
15
" What does
this F. — I.W. mean?”
“Initial-slang,” informed Baines. “Made correct
by common usage. It has become a worldwide
motto. You’ll see it all over the place if you haven’t
noticed it already.”
“I have seen it here and there but attached no importance
to it and thought nothing more about it. I
remember now that it was inscribed in several places
including Seth’s and the fire depot.”
“It was on the sides of that bus we couldn’t
empty,” put in Gleed. “It didn’t mean anything to
me.”
“It means plenty,” said Jeff. “Freedom — I
Won’t!”
“That kills me,” Gleed responded. “I’m stone
dead already. I’ve dropped in my tracks.” He
watched Harrison thoughtfully pocketing the plaque.
“A piece of abracadabra. What a weapon!”
“Ignorance is bliss,” asserted Baines, strangely
sure of himself. “Especially when you don’t know
that what you’re playing with is the safety catch of
something that goes bang.”
“All right,” challenged Gleed, taking him up on
that. “Tell us how it works.”
“I won’t.” Baines’ grin reappeared. He seemed to
be highly satisfied about something.
“That’s a fat lot of help.” Gleed felt let down, especially
over that momentary hoped-for reward.
“You brag and boast about a one-way weapon, toss
across a slip of stuff with three letters on it and then
go dumb. Any folly will do for braggarts and any
braggart can talk through the seat of his pants. How
about backing up your talk?”
“I won’t,” repeated Baines, his grin broader than
ever. He gave the onlooking Harrison a fat, significant
wink.
It made something spark vividly within Harrison’s
mind. His jaw dropped, he dragged the plaque from
his pocket and stared at it as if seeing it for the first
time.
“Give it back to me,” requested Baines, watching
him.
Replacing it in his pocket, Harrison said very
firmly, “I won’t.”
Baines chuckled.
“Some people catch on quicker than others. "
― Eric Frank Russell , . . . And Then There Were None
20
" If the gospel isn't good news for everybody, then it isn't good news for anybody. And this is because the most powerful things happen when the church surrenders its desire to convert people and convince them to join. It is when the church gives itself away in radical acts of service and compassion, expecting nothing in return, that the way of Jesus is most vividly put on display. To do this, the church must stop thinking about everybody primarily in categories of in or out, saved or not, believer or nonbeliever. Besides the fact that these terms are offensive to those who are the " un" and " non" , they work against Jesus' teachings about how we are to treat each other. Jesus commanded us to love our neighbor, and our neighbor can be anybody. We are all created in the image of God, and we are all sacred, valuable creations of God. Everybody matters. To treat people differently based on who believes what is to fail to respect the image of God in everyone. As the book of James says, " God shows no favoritism." So we don't either. "
