127
" The intruders spoke no words as they rushed in. Five boys carrying baseball bats and tire irons. They wore an assortment of Halloween masks and stocking masks.
But Derek knew who they were.
“No! No!” he cried.
All five boys wore bulky shooter’s earmuffs. They couldn’t hear him. But more importantly, they couldn’t hear Jill.
One of the boys stayed in the doorway. He was in charge. A runty kid named Hank. The stocking pulled down over his face smashed his features into Play-Doh, but it could only be Hank.
One of the boys, fat but fast-moving and wearing an Easter Bunny mask, stepped to Derek and hit him in the stomach with his aluminum baseball bat.
Derek dropped to his knees.
Another boy grabbed Jill. He put his hand over her mouth. Someone produced a roll of duct tape.
Jill screamed. Derek tried to stand, but the blow to his stomach had winded him. He tried to stand up, but the fat boy pushed him back down.
“Don’t be stupid, Derek. We’re not after you.”
The duct tape went around and around Jill’s mouth. They worked by flashlight. Derek could see Jill’s eyes, wild with terror. Pleading silently with her big brother to save her.
When her mouth was sealed, the thugs pulled off their shooter’s earmuffs.
Hank stepped forward. “Derek, Derek, Derek,” Hank said, shaking his head slowly, regretfully. “You know better than this.”
“Leave her alone,” Derek managed to gasp, clutching his stomach, fighting the urge to vomit.
“She’s a freak,” Hank said.
“She’s my little sister. This is our home.”
“She’s a freak,” Hank said. “And this house is east of First Avenue. This is a no-freak zone.”
“Man, come on,” Derek pleaded. “She’s not hurting anyone.”
“It’s not about that,” a boy named Turk said. He had a weak leg, a limp that made it impossible not to recognize him. “Freaks with freaks, normals with normals. That’s the way it has to be.”
“All she does is—”
Hank’s slap stung. “Shut up. Traitor. A normal who stands up for a freak gets treated like a freak. Is that what you want?”
“Besides,” the fat boy said with a giggle, “we’re taking it easy on her. We were going to fix her so she could never sing again. Or talk. If you know what I mean.”
He pulled a knife from a sheath in the small of his back. “Do you, Derek? Do you understand?”
Derek’s resistance died.
“The Leader showed mercy,” Turk said. “But the Leader isn’t weak. So this freak either goes west, over the border right now. Or…” He let the threat hang there.
Jill’s tears flowed freely. She could barely breathe because her nose was running. Derek could see that by the way she sucked tape into her mouth, trying for air. She would suffocate if they didn’t let her go soon.
“Let me at least get her doll. "
― Michael Grant , Lies (Gone, #3)
130
" There is a restlessness unspoken unfelt before, restlessness to throw myself into something significant, I can only imagine and I wish I could feel the claim, the passion of being owned, desire of being wanted, urge to b lost controllably, it is being vulnerable and there is no denying to it, but go ahead with it anyway; till the time it makes you feel alive, taste passion, taste emotion and make love. "
― Pushpa Rana ,
132
" The funny thing about games and fictions is that they have a weird way of bleeding into reality. Whatever else it is, the world that humans experience is animated with narratives, rituals, and roles that organize psychological experience, social relations, and our imaginative grasp of the material cosmos. The world, then, is in many ways a webwork of fictions, or, better yet, of stories. The contemporary urge to “gamify” our social and technological interactions is, in this sense, simply an extension of the existing games of subculture, of folklore, even of belief. This is the secret truth of the history of religions: not that religions are “nothing more” than fictions, crafted out of sociobiological need or wielded by evil priests to control ignorant populations, but that human reality possesses an inherently fictional or fantastic dimension whose “game engine” can — and will — be organized along variously visionary, banal, and sinister lines. Part of our obsession with counterfactual genres like sci-fi or fantasy is not that they offer escape from reality — most of these genres are glum or dystopian a lot of the time anyway — but because, in reflecting the “as if” character of the world, they are actually realer than they appear. "
133
" God, you're so sweet.” He holds my face in his hands and kisses me deeply. I slowly unzip his hoodie and touch a hand to his bare chest. I relish in the feel of it. Barely an hour ago I was admiring it from afar, and now it's no longer just a tease. When I slide my hand down to his stomach, he groans and his hands slip just under my shirt. “So that's why you didn't want to change.” I can feel his smile against my lips. “You just wanted me to take your clothes off for you.”
“Guilty.” I lift my arms for him to pull it off. Instead of returning to kissing me, his eyes roam down my body. I fight the urge to cover myself; even though my bra is still on, I feel exposed. His hands lightly touch each side along the seam. My breath catches in my throat.
Meeting my eyes, he says, “You're so damn beautiful.” He leans forward, pressing a soft kiss in between my breasts. I shiver at the light touch of his lips to my sensitive skin. If this is how he makes me feel with such little contact, then how will the rest of this feel? The need is building inside like a spark starting a fire. "
― Lilly Avalon , Here All Along
134
" Just the minute another person is drawn into some one's life, there begin to arise undreamed-of complexities, and from such a simple beginning as sexual desire we find built up such alarming yet familiar phenomena as fetes, divertissements, telephone conversations, arrangements, plans, sacrifices, train arrivals, meetings, appointments, tardiness, delays, marriages, dinners, small pets and animals, calumny, children, music lessons, yellow shades for the windows, evasions, lethargy, cigarettes, candies, repetition of stories and anecdotes, infidelity, ineptitude, incompatibility, bronchial trouble, and many others, all of which are entirely foreign to the original urge and way off the subject. "
― James Thurber , Is Sex Necessary? or Why You Feel the Way You Do