88
" An overwhelming curiosity makes me ask myself what their lives might be like. I want to know what they do, where they're from, their names, what they're thinking about at that moment, what they regret, what they hope for, their past loves, their current dreams ... and if they happen to be women (especially the young ones) then the urge becomes intense.
How quickly would you want to see her naked, admit it, and naked through to her heart. How you try to learn where she comes from, where she's going, why she's here and not elsewhere!
While letting your eyes wander all over her, you imagine love affairs for her, you ascribe her deep feelings. You think of the bedroom she must have, and a thousand things besides ... right down to the battered slippers into which she must slip her feet when she gets out of bed. "
― Gustave Flaubert
89
" Witnessing the panoply of beauty in all of nature takes us out of our shell of self-absorption and makes us realize that we are merely bit players in the game of life. Witnessing the majesty of beauty confirms that the real show lies outside us to observe and appreciate and not inside us to transfix us. True beauty charms us into seeing the grandeur of goodness that surrounds us and by doing so, the pristine splendor of nature releases us from wallowing in the poverty of our self-idealization. The bewitching spell cast by the exquisiteness of nature levitates our souls and transforms our psyche. When we see, hear, taste, smell, or touch what is beautiful, we cannot suppress the urge to replicate its baffling texture by singing, dancing, painting, or writing. Opening our eye to the loveliness of a single flower is how we stay in touch with the glorious pageantry of living. "
― , Dead Toad Scrolls
91
" But I was immobilized—less by another’s static imposition than by my own static will. For the enemy had in thrall my power to choose, which he had used to make a chain for binding me. From bad choices an urge arises; and the urge, yielded to, becomes a compulsion; and the compulsion, unresisted, becomes a slavery—each link in this process connected with the others, which is why I call it a chain—and that chain had a tyrannical grip around me. The new will I felt stirring in me, a will to 'give you free worship' and enjoy what I yearned for, my God, my only reliable happiness, could not break away from the will made strong by long dominance. Two wills were mine, old and new, of the flesh, of the spirit, each warring on the other, and between their dissonances was my soul disintegrating. "
― Augustine of Hippo , Confessions
94
" Souls spread over the planet and leave no mountain unclimbed, no valley undiscovered, no sea unsailed, ventured even into outer space.
Souls mingle and leave no relationship unattempted, no emotion unfelt, no pleasure and pain unexplored.
Souls plunge into their minds and leave no tale untold, no image unpainted, no melody unheard.
Souls transcend their fantasies and leave no idea unthought, no natural law undescribed, no wisdom undefined.
Souls even pass over the thinkeable and witness ineffable realms of other worlds and their inhabitants.
Curiosity, the drive to experience, the urge of urges, the world's innermost desire. We, souls, are its foremost scouts. We are the embodiment of the purpose of existence. "
― Stefan Emunds
98
" But now, inside the gallery, something happens to him. He finds his emotions gripped by the paintings, the huge, colorful canvases by Diego Rivera, the tiny, agonized self-portraits by Frida Kahlo, the woman Rivera loved. Fabien barely notices the crowds that cluster in front of the pictures.
He stops before a perfect little painting in which she has pictured her spine as a cracked column. There is something about the grief in her eyes that won't let him look away. That is suffering, he thinks. He thinks about how long he's been moping about Sandrine, and it makes him feel embarrassed, self-indulgent. Theirs, he suspects, was not an epic love story like Diego and Frida's.
He finds himself coming back again and again to stand in front of the same pictures, reading about the couple's life, the passion they shared for their art, for workers' rights, for each other. He feels an appetite growing within him for something bigger, better, more meaningful. He wants to live like these people. He has to make his writing better, to keep going. He has to.
He is filled with an urge to go home and write something that is fresh and new and has in it the honesty of these pictures. Most of all he just wants to write. But what? "
― Jojo Moyes , Paris for One