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1 " When forced to leave my house for an extended period of time, I take my typewriter with me, and together we endure the wretchedness of passing through the X-ray scanner. The laptops roll merrily down the belt, while I’m instructed to stand aside and open my bag. To me it seems like a normal enough thing to be carrying, but the typewriter’s declining popularity arouses suspicion and I wind up eliciting the sort of reaction one might expect when traveling with a cannon.It’s a typewriter,’ I say. ‘You use it to write angry letters to airport security. "
― David Sedaris
2 " Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy!Holy! Holy! Holy! Holy! Holy! Holy!The world is holy! The soul is holy! The skin is holy!The nose is holy! The tongue and cock and handand asshole holy!Everything is holy! everybody's holy! everywhere isholy! everyday is in eternity! Everyman's anangel!The bum's as holy as the seraphim! the madman isholy as you my soul are holy!The typewriter is holy the poem is holy the voice isholy the hearers are holy the ecstasy is holy!Holy Peter holy Allen holy Solomon holy Lucien holyKerouac holy Huncke holy Burroughs holy Cas-sady holy the unknown buggered and sufferingbeggars holy the hideous human angels!Holy my mother in the insane asylum! Holy the cocksof the grandfathers of Kansas!Holy the groaning saxophone! Holy the bopapocalypse! Holy the jazzbands marijuanahipsters peace & junk & drums!Holy the solitudes of skyscrapers and pavements! Holythe cafeterias filled with the millions! Holy themysterious rivers of tears under the streets!Holy the lone juggernaut! Holy the vast lamb of themiddle class! Holy the crazy shepherds of rebell-ion! Who digs Los Angeles IS Los Angeles!Holy New York Holy San Francisco Holy Peoria &Seattle Holy Paris Holy Tangiers Holy MoscowHoly Istanbul!Holy time in eternity holy eternity in time holy theclocks in space holy the fourth dimension holythe fifth International holy the Angel in Moloch!Holy the sea holy the desert holy the railroad holy thelocomotive holy the visions holy the hallucina-tions holy the miracles holy the eyeball holy theabyss!Holy forgiveness! mercy! charity! faith! Holy! Ours!bodies! suffering! magnanimity!Holy the supernatural extra brilliant intelligentkindness of the soul! "
― Allen Ginsberg , Howl and Other Poems
3 " Live or die, but don't poison everything...Well, death's been herefor a long time --it has a hell of a lotto do with helland suspicion of the eyeand the religious objectsand how I mourned themwhen they were made obsceneby my dwarf-heart's doodle.The chief ingredientis mutilation.And mud, day after day,mud like a ritual,and the baby on the platter,cooked but still human,cooked also with little maggots,sewn onto it maybe by somebody's mother,the damn bitch!Even so,I kept right on going on,a sort of human statement,lugging myself as ifI were a sawed-off bodyin the trunk, the steamer trunk.This became perjury of the soul.It became an outright lieand even though I dressed the bodyit was still naked, still killed.It was caughtin the first place at birth,like a fish.But I play it, dressed it up,dressed it up like somebody's doll.Is life something you play?And all the time wanting to get rid of it?And further, everyone yelling at youto shut up. And no wonder!People don't like to be toldthat you're sickand then be forcedto watchyoucomedown with the hammer.Today life opened inside me like an eggand there insideafter considerable diggingI found the answer.What a bargain!There was the sun,her yolk moving feverishly,tumbling her prize --and you realize she does this daily!I'd known she was a purifierbut I hadn't thoughtshe was solid,hadn't known she was an answer.God! It's a dream,lovers sprouting in the yardlike celery stalksand better,a husband straight as a redwood,two daughters, two sea urchings,picking roses off my hackles.If I'm on fire they dance around itand cook marshmallows.And if I'm icethey simply skate on mein little ballet costumes.Here,all along,thinking I was a killer,anointing myself dailywith my little poisons.But no.I'm an empress.I wear an apron.My typewriter writes.It didn't break the way it warned.Even crazy, I'm as niceas a chocolate bar.Even with the witches' gymnasticsthey trust my incalculable city,my corruptible bed.O dearest three,I make a soft reply.The witch comes onand you paint her pink.I come with kisses in my hoodand the sun, the smart one,rolling in my arms.So I say Liveand turn my shadow three times roundto feed our puppies as they come,the eight Dalmatians we didn't drown,despite the warnings: The abort! The destroy!Despite the pails of water that waited,to drown them, to pull them down like stones,they came, each one headfirst, blowing bubbles the color of cataract-blueand fumbling for the tiny tits.Just last week, eight Dalmatians,3/4 of a lb., lined up like cord woodeachlike abirch tree.I promise to love more if they come,because in spite of crueltyand the stuffed railroad cars for the ovens,I am not what I expected. Not an Eichmann.The poison just didn't take.So I won't hang around in my hospital shift,repeating The Black Mass and all of it.I say Live, Live because of the sun,the dream, the excitable gift. "
― Anne Sexton , The Complete Poems
4 " I,” I’ll type. And that will be enough.Then there are the other days, when nothing is enough. The poem grins. It grins because it knows it is a terrible poem. It grins in embarrassment. It grins in pity. It grins in superiority. I may be a terrible poem, it grins, but at least I have one comfort. At least I’m not a terrible poet. At least I’m not the guy who sat in front of a typewriter for two hours coming up with the likes of me. "
― Lynn Coady , Mean Boy
5 " There is nothing to writing. All you do is sit down at a typewriter and bleed. "
― Ernest Hemingway
6 " Writing is something that you don't know how to do. You sit down and it's something that happens, or it may not happen. So, how can you teach anybody how to write? It's beyond me, because you yourself don't even know if you're going to be able to. I'm always worried, well, you know, every time I go upstairs with my wine bottle. Sometimes I'll sit at that typewriter for fifteen minutes, you know. I don't go up there to write. The typewriter's up there. If it doesn't start moving, I say, well this could be the night that I hit the dust. "
― Charles Bukowski
7 " Throw up into your typewriter every morning. Clean up every noon. "
― Raymond Chandler
8 " There's nothing to writing. All you do is sit down at a typewriter and open a vein. "
9 " I just sit at my typewriter and curse a bit. "
― P.G. Wodehouse
10 " I write description in longhand because that's hardest for me and you're closer to the paper when you work by hand, but I use the typewriter for dialogue because people speak like a typewriter works. "
11 " There is only one place to write and that is alone at a typewriter. The writer who has to go into the streets is a writer who does not know the streets. . . when you leave your typewriter you leave your machine gun and the rats come pouring through. "
― Charles Bukowski , Notes of a Dirty Old Man
12 " If this typewriter can't do it, then fuck it, it can't be done. "
― Tom Robbins , Still Life with Woodpecker
13 " I started writing because of a terrible feeling of powerlessness," the novelist Anita Brookner has said. The National Book Award winner Alice McDermott noted that the most difficult thing about becoming a writer was convincing herself that she had anything to say that people would want to read. " There's nothing to writing," the columnist Red Smith once commented. " All you do is sit down at a typewriter and open a vein. "
14 " An old racetrack joke reminds you that your program contains all the winners' names. I stare at my typewriter keys with the same thought. "
― Mignon McLaughlin
15 " I'm sitting in my office trying to squeeze a story from my head. It is that kind of morning when you feel like melting the typewriter into a bar of steel and clubbing yourself to death with it. (“Advance Notice”) "
― Richard Matheson , Collected Stories, Vol. 1
16 " On the second floor was the office in which Houston pounded an ancient typewriter with two fingers, always setting an example of unceasing hard work for his admiring students. They had no hint of the fact that their hard-driving dean had contracted tuberculosis while serving as a GI in France in Word War I. Houstan always seemed vibrant and impassioned in the chase for justice as he tried to expose his students to everything relating to the law that might give them an advantage.. . ." I never worked hard until I got to the Howard Law School and met Charlie Houston," Marshal told me. " I saw this man's dedication, his vision, his willingness to sacrifice, and I told myself, 'You either shape up or ship out.' When you are being challenged by a great human being, you know that you can't ship out." So Houston rescued Marshall and launched him into a career as one of the greatest lawyers in American history. "
17 " Working on a typewriter by touch, like riding a bicycle or strolling on a path, is best done by not giving it a glancing thought. Once you do, your fingers fumble and hit the wrong keys. To do things involving practiced skills, you need to turn loose the systems of muscles and nerves responsible for each maneuver, place them on their own, and stay out of it. There is no real loss of authority in this, since you get to decide whether to do the thing or not, and you can intervene and embellish the technique any time you like; if you want to ride a bicycle backward, or walk with an eccentric loping gait giving a little skip every fourth step, whistling at the same time, you can do that. But if you concentrate your attention on the details, keeping in touch with each muscle, thrusting yourself into a free fall with each step and catching yourself at the last moment by sticking out the other foot in time to break the fall, you will end up immobilized, vibrating with fatigue. It is a blessing to have options for choice and change in the learning of such unconsciously coordinated acts. If we were born with all these knacks inbuilt, automated like ants, we would surely miss the variety. It would be a less interesting world if we all walked and skipped alike, and never fell from bicycles. If we were all genetically programmed to play the piano deftly from birth, we might never learn to understand music. "
― Lewis Thomas , The Lives of a Cell: Notes of a Biology Watcher
18 " No matter how successful you are, you have to keep improving yourself. Otherwise, you will get stuck in what was once considered modern. Today, you can't solve iPad problems with typewriter knowledge and in the years to come, we shall look at the iPad and say how come we were so excited about that. "
― Damilola Oluwatoyinbo
19 " In my own experience, contacts with the big world outside the typewriter are puzzling and terrifying; I don’t think I like reality very much. Principally, I don’t understand people outside; people in books are sensible and reasonable, but outside there is no predicting what they will do. "
― Shirley Jackson , Let Me Tell You: New Stories, Essays, and Other Writings
20 " Words, to me, are the same as an instrument is to a musician. I never know where this typewriter is going to take me until I begin. I never know what I'm feeling until I read over what I have written. "
― Tessa Emily Hall , Unwritten Melody