41
" WRITER'S NIGHTMARE" " I felt a grip on my arm that shook my body, forcefully pulling me toward a tunnel of darkness. The threat of consciousness stole my steady breath. For a moment I believed myself to be under siege; ripped from the sky in mid flight, my wings useless against the monstrous claws shredding my reality. I struggled to remain, to be left alone, aloft. Reaching with wings that through the power of imagination were suddenly feathered arms, I grabbed at the air. My hands clutched at something solid. Wooden. A desk. My head spun as I held the furniture, suffering the illusion of falling. " I was flying," I gasped, realizing suddenly that it had all been a dream. " My best fantasy ever." Lifting my head from its resting spot on the writing desk, I worked mentally to secure the fading images, hoping to capture their essence to memory before they faded away forever. Bitterness tainted my heart against the hand that had jerked me into sensibility. Why was I always so callously awakened while doing my best work? Why not let me dream? "
44
" A near half hour passed as Salvatore weaved his way through the winding tunnel, his steps slowing as he tilted back his head to sniff the air.
The scent of cur was still strong, but he was beginning to pick up the distant scent of other curs, and…pure-blood.
Female pureblood.
Coming to a sharp halt, Salvatore savored the rich vanilla aroma that filled his senses.
He loved the smell of women. Hell, he loved women.
But this was different.
It was intoxicating.
“Cristo,” he breathed, his blood racing, an odd tightness coiling through his body, slowly draining his strength.
Almost as if…
No. It wasn’t possible.
There hadn’t been a true Were mating for centuries.
“Curs,” Levet said, moving to his side. “And a female pureblood.”
“Si,” Salvatore muttered, distracted.
“You think it’s a trap?”
Salvatore swallowed a grim laugh. Hell, he hoped it was a trap. The alternative was enough to send any intelligent Were howling into the night.
“There’s only one way to find out.”
He moved forward, sensing the end of the tunnel just yards in front of him.
“Salvatore?” Levet tugged on his pants.
Salvatore shook him off. “What?”
“You smell funny. Mon Dieu, are you…”
With blinding speed, Salvatore grasped the gargoyle by one stunted horn and yanked him off his feet to glare into his ugly face. Until that moment, he hadn’t noticed the musky scent that clung to his skin.
Merda.
“One more word and you lose that tongue,” he snarled.
“But…”
“Do not screw with me.”
“I do not intend to screw with anyone.” The gargoyle curled his lips in a mocking smile. “I am not the one in heat. "
― Alexandra Ivy , Beyond the Darkness (Guardians of Eternity, #6)
46
" Rhythm becoming thought, thought becoming memory; memory, which tends to shuck itself, to peel away. You get older, look back through a child's tunnel vision, and realize you never knew the whole that tied the details together. You were just along for the ride, moving from experience to experience, a flat spectacle, some kind of guideless tour. You remember--or think you remember--what happened, but not where, or why. What you did, but not with who. Details fade. People's names get lost in the white noise. "
― Gemma Files , We Will All Go Down Together
47
" In any case, there was only one tunnel, dark and lonely, mine, the tunnel in which I had spent my childhood, my youth, my whole life. And in one of those transparent lengths of the stone wall I had seen this girl and had gullibly believed that she was traveling another tunnel parallel to mine, when in reality she belonged to the broad world, to the world without confines of those who do not live in tunnels; and perhaps she had peeped into one of my strange windows out of curiosity and had caught a glimpse of my doomed loneliness, or her fancy had been intrigued by the mute language, the clue of my painting.
And then, while I advanced always along my corridor, she lived her normal life outside, the exciting life of those people who live outside, that strange, absurd life in which there are dances and parties and gaiety and frivolity. And it happened at times that when I walked by one of my windows she was waiting for me, silent and longing (why was she waiting for me? why silent and longing?); but other times she did not get there on time, or she forgot about this poor creature hemmed in, and then I, with my face pressed against the glass wall, could see her in the distance, smiling or dancing carefree, or, what was worse, I could not see her at all and I imagined her in inaccessible or vile places. And then I felt my destiny a far lonelier one than I had imagined. "
― Ernesto Sabato , El túnel
56
" And I get it, okay? I mean, look at him. I’d bang that drum, too. All I’m saying is, if you don’t want your overprotective sister meddling in your business, find someone else to massage your lady bits.”
“I’m partial to massaging my own lady bits, actually. I have no problem getting my own kinks out.”
“Yes, well, more power to you then. But I, for one, am getting carpal tunnel syndrome with all the self-massaging I’ve been doing as of late. "
― Mia Sosa , One Night with the CEO (The Suits Undone, #2)