101
" Good is to be found neither in the sermons of religious teachers and prophets, nor in the teachings of sociologists and popular leaders, nor in the ethical systems of philosophers... And yet ordinary people bear love in their hearts, are naturally full of love and pity for any living thing. At the end of the day's work they prefer the warmth of the hearth to a bonfire in the public square.
Yes, as well as this terrible Good with a capital 'G', there is everyday human kindness. The kindness of an old woman carrying a piece of bread to a prisoner, the kindness of a soldier allowing a wounded enemy to drink from his water-flask, the kindness of youth towards age, the kindness of a peasant hiding an old Jew in his loft. The kindness of a prison guard who risks his own liberty to pass on letters written by a prisoner not to his ideological comrades, but to his wife and mother.
The private kindness of one individual towards another; a petty, thoughtless kindness; an unwitnessed kindness. Something we could call senseless kindness. A kindness outside any system of social or religious good.
But if we think about it, we realize that this private, senseless, incidental kindness is in fact eternal. It is extended to everything living, even to a mouse, even to a bent branch that a man straightens as he walks by.
Even at the most terrible times, through all the mad acts carried out in the name of Universal Good and the glory of States, times when people were tossed about like branches in the wind, filling ditches and gullies like stones in an avalanche – even then this senseless, pathetic kindness remained scattered throughout life like atoms of radium. "
― Vasily Grossman , Life and Fate
104
" . . . for a moment, perhaps an hour, they would wait, wait for something, and when that waiting was over, it was simply dismissed, goodbyes stated, reading materials closed, a momentary pause in the day that did not hold up to whatever came next.
Waiting was often a resented gift, imparted to those who accepted it grudgingly in the hopes that something better would come along when the gift was tossed aside, boxed away for the next recipient. "
― Gina Marinello-Sweeney , The Rose and the Sword (The Veritas Chronicles #2)
105
" There were worse things than death.There would be a leap and a moment suspended, then a long hopeless curve to the rocks and river below. They would fall like leaves between clouds of swifts and then be washed away by the thundering rapids. Bramble clung to that thought. If their bodies washed away then there could be no identification, no danger of reprisals on her family. She hung on tighter.The roan's hindquarters bunched under her and they were in the air. It was like she had imagined: the leap, and then the moment suspended in air that seemed to last forever.Below her the swifts boiled up through the river mist, swerving and swooping, while she and the roan seemed to stay frozen above them. Bramble felt, like a rush of air, the presence of the gods surround her. The shock made her lose her balance and begin to slide sideways.She felt herself falling. With an impossible flick of both legs, the roan shrugged her back onto his shoulders. Then the long curve downward and she braced herself to see the cliffs rushing past as they fell.Time to die.Instead she felt a thumping jolt that flung her from the roan's back and tossed her among the rocks at the cliff's edge on the other side.On the other side.Her sight cleared, although the light still seemed dim. Her hearing came back a little. On the other side of the abyss a jumble of men and hounds were milling, shouting, astonished and very angry. " You can't do that!" one yelled. " It's impossible!" " Well, he shagging did it!" another said. " Can't be impossible!" " Head for the bridge!" Beck shouted. " We can still get him! I want that horse! "
106
" The way in which art creates desire, I guess that’s everywhere. Is there anyone who hasn’t come out of a movie or a play or a concert filled with an unnameable hunger? … To stand in front of one of [Louis Sullivan’s] buildings and look up, or in front, say, of the facade of Notre Dame, is both to have a hunger satisfied that you maybe didn’t know you had, and also to have a new hunger awakened in you. I say “unnameable,” but there’s a certain kind of balance achieved in certain works of art that feels like satiety, a place to rest, and there are others that are like a tear in the cosmos, that open up something raw in us, wonder or terror or longing. I suppose that’s why people who write about aesthetics want to distinguish between the beautiful and sublime… Beauty sends out ripples, like a pebble tossed in a pond, and the ripples as they spread seem to evoke among other things a stirring of curiosity. The aesthetic effect of a Vermeer painting is a bit like that. Some paradox of stillness and motion. Desire appeased and awakened. "
107
" When was the last time you were kissed?" he went on easily. " And I'm not talking about the dry, noncommittal, meaningless kiss you forget about as soon as it's over." I scrambled out of my stupor long enough to quip, " Like last night's kiss?" He cocked an eyebrow. " That so? I wonder, then, why you moaned my name after you drifted to sleep." " I did not!" " If only I'd had a video recorder. When was the last time you were really kissed?" he repeated." You seriously think I'm going to tell you?" " Your ex?" he guessed. " And if he was?" " Was it your ex who taught you to be ashamed and uncomfortable with intimacy? He took from you what he wanted, but never seemed to be around when you wanted something back, isn't that right? What do you want, Britt?" he asked me point-blank. " Do you really want to pretend like last night never happened?" " Whatever happened between me and Calvin isn't your business,” I fired back." For your information, he was a really great boyfriend. I-I wish I was with him right now!" I exclaimed untruthfully. My careless comment made him flinch, but he recovered quickly." Does he love you?" " What?" I said, flustered. " If you know him so well, it shouldn't be a hard question. Is he in love with you? Was he ever in love with you?" I tossed my head back haughtily. " I know what you're doing. You're trying to cut him down because you're-you're jealous of him!" " You're damn right I'm jealous,” he growled. " When I kiss a girl, I like to know she's thinking about me, not the fool who gave her up. "
117
" Lindsay strode to the door and picked up his overcoat from the back of the couch, where he'd tossed it when they came in. She wheeled around to hand him his coat; once again, as expected, Fred was standing right behind her. But this time he wasn't looking at her. He was looking up. At the mistletoe, directly over their heads. He met her eyes with a look that glimmered with promise. Then he took the overcoat from her hand and tossed it, lightly, onto the back of the sofa once again. Everything seemed to slow. His intentions were clear, and she had plenty of time to step back. Yet Lindsay did nothing to stop him when he took her chin in his hand, tipped it upward, and brought his lips down to hers, as purposefully as if he'd meant to do it all along. Lindsay could have sworn she heard bells.... Still dazed, she followed his eyes upward. " And what's the penalty for ignoring mistletoe?" " Struck by lightning, I think. "
118
" With her hands still fisted in his shirt, she gave a gentle tug until he bent enough that she could kiss him softly. And then not so softly.
“What was that for?” he asked when she pulled free, his voice sexy low and gruff now.
“For being the kind of guy who can admit he has emotions.”
He cupped her face. “We don’t have to tell anyone, right?”
She smiled. “It’ll be our secret.” But then her smile faded because she wasn’t good at secrets.
Or maybe she was too good at them . . . “I’m not helpless,” she said. “I want you to know that.”
“I do know it.” He paused, looking a little irritated again. “Mostly.”
“Good,” she said. “Now that’s settled, you should know, the caveman thing you just pulled . . . it turned me on a little bit.”
He slid her a look. “Yeah?”
“Yeah.”
Looking a little less like he was spoiling for a fight, his hands went to her hips and he pulled her in tighter.
What the hell was she doing? Clearly, she wasn’t equipped to stay strong, and who could? The guy was just too damn potent. Too visceral. Testosterone and pheromones leaked off of him. She dropped her head to his chest. “Ugh. You’re being . . . you.”
“Was that in English?”
“This is all your fault.”
“Nope. Definitely not English.”
“You’re being all hot and sexy, dammit,” she said. She banged her head on his chest a few times. “And I can’t seem to . . . not notice said hotness and sexiness.”
He smiled. “You want me again.”
Again. Still . . . She tossed up her hands. “You wear your stupid sexiness on your sleeve and you don’t even know it. "
― Jill Shalvis , Sweet Little Lies (Heartbreaker Bay, #1)
