64
" Then, for no reason I could tell you, I tossed the spool again, even though Elaine had asked me not to. Maybe only because, in a way, him chasing a spool was like old people having their slow and careful version of sex - you might not want to watch it , you who are young and convinced that, when it comes to old age, an exception will be made in your case, but they still want to do it. "
― Stephen King , The Green Mile
67
" Lucinda might sneak from her own house at midnight to place a wager somewhere else, but she dared not touch the pack that lay in her own sideboard. She knew how passionate he had become about his 'weakness.' She dared not even ask him how it was he had reversed his opinions on the matter. But, oh, how she yearned to discuss it with him, how much she wished to deal a hand on a grey wool blanket. There would be no headaches then, only this sweet consummation of their comradeship.
But she said not a word. And although she might have her 'dainty' shoes tossed to the floor, have her bare toes quite visible through her stockings, have a draught of sherry in her hand, in short appear quite radical, she was too timid, she thought, too much a mouse, to reveal her gambler's heart to him. She did not like this mouselike quality. As usual, she found herself too careful, too held in.
Once she said: 'I wish I had ten sisters and a big kitchen to laugh in.'
Her lodger frowned and dusted his knees.
She thought: He is as near to a sister as I am likely to get, but he does not understand.
She would have had a woman friend so they could brush each other's hair, and just, please God, put aside this great clanking suit of ugly armor.
She kept her glass dreams from him, even whilst she appeared to talk about them. He was an admiring listener, but she only showed him the opaque skin of her dreams--window glass, the price of transporting it, the difficulties with builders who would not pay their bills inside six months. He imagined this was her business, and of course it was, but all the things she spoke of were a fog across its landscape which was filled with such soaring mountains she would be embarrassed to lay claim to them. Her true ambition, the one she would not confess to him, was to build something Extraordinary and Fine from glass and cast iron. A conservatory, but not a conservatory. Glass laced with steel, spun like a spider web--the idea danced around the periphery of her vision, never long enough to be clear. When she attempted to make a sketch, it became diminished, wooden, inelegant. Sometimes, in her dreams, she felt she had discovered its form, but if she had, it was like an improperly fixed photograph which fades when exposed to daylight. She was wise enough, or foolish enough, to believe this did not matter, that the form would present itself to her in the end. "
― Peter Carey , Oscar and Lucinda
68
" Gareth Miller grabbed the beer first, then the hotdog, because if there’s one thing you don’t want to be caught dead without at these sorts of events it’s beer. The hotdog was strictly for show, a prop, a way of blending in.
Burst of static in his right ear: “G-man, you read me? What’s yo’ twenty, dawg?”
Gareth departed the concession stand, stopped, looked down at his hands, and tossed the hotdog into the first trash receptacle he saw. Raising his wrist to his mouth, he spoke into the cuff of his long-sleeved tee. “Concession stand, Section B. Over.”
Allowing his hand to linger by his chin, he gingerly scratched his cheek as if he had meant to do it all along.
The same voice: “Yo, I’m in position. Ready when you is.”
Gareth cringed while crossing the wide concourse, checking both directions. The giant hallway was the main drag of a ghost town, its only residents a solitary custodian sweeping debris into a portable waste bin and the concession crew to his rear. "
― Jay Nichols , Uprising
71
" So here is what I see when we reclaim the church ladies: a woman loved and free is beautiful. She is laughing with her sisters, and together they are telling their stories, revealing their scars and their wounds, the places where they don't have it figured out. They are nurturers, creating a haven where the young, the broken, the tenderhearted, and the at-risk can flourish. These women are dancing and worshiping, hands high, faces tipped toward heaven, tears streaming. They are celebrating all shapes and sizes, talking frankly and respectfully about sexuality and body image, promising to stop calling themselves fat. They are saving babies tossed in rubbish heaps, rescuing child soldiers, supporting mamas trying to make ends meet halfway around the world, thinking of justice when they buy their daily coffee. They are fighting sex trafficking. They are pastoring and counseling. They are choosing life consistently, building hope, doing the hard work of transformation in themselves. They are shaking off the silence of shame and throwing open the prison doors of physical and sexual abuse, addictions, eating disorders, and suicidal depression. Poverty and despair are being unlocked - these women know there are many hands helping turn that key. There isn't much complaining about husbands and chores, cattiness, or jealousy when a woman knows she is loved for her true self. She is lit up with something bigger than what the world offers, refusing to be intimidated into silence or despair. "
― Sarah Bessey , Jesus Feminist: An Invitation to Revisit the Bible's View of Women
73
" Here she tossed her foot impatiently, and showed an inch or two of calf. A sailor on the mast, who happened to look down at the moment, started so violently that he missed his footing and only saved himself by the skin of his teeth. 'If the sight of my ankles means death to an honest fellow who, no doubt, has a wife and family to support, I must, in all humanity, keep them covered,' Orlando thought. Yet her legs were among her chieftest beauties. And she fell to thinking what an odd pass we have come to when all a woman's beauty has to be kept covered lest a sailor fall from a mast-head. 'A pox on them!' she said, realizing for the first time what, in other circumstances, she would have been taught as a child, that is to say, the sacred responsibilities of womanhood... "
― Virginia Woolf , Orlando
78
" Emma felt frightened, apprehensive, yes, but also elated and excited, her feelings all tumbled and mixed together like a stew of varied ingredients tossed into the same pot. She was aware of the blood coursing through her veins, the beat of her heart, the breath in her lungs. Was aware, too, of that clenched knot that hung in the pit of her stomach. This was what it was to be alive, to be at the edge, facing survival eye to eye, knowing, KNOWING, you would win. "
― Helen Hollick , The Forever Queen (Saxon #2)
80
" It was a tale well known to children all over Africa: Abu Kassem, a miserly Baghdad merchant, had held on to his battered, much repaired pair of slippers even though they were objects of derision. At last, even he couldn't stomach the sight of them. But his every attempt to get rid of his slippers ended in disaster: when he tossed them out of his window they landed on the head of a pregnant woman who miscarried, and Abu Kassem was thrown in jail; when he dropped them in the canal, the slippers choked off the main drain and caused flooding, and off Abu Kassem went to jail...
'One night when Tawfiq finished, another prisoner, a quiet dignified old man, said, 'Abu Kassem might as well build a special room for his slippers. Why try to lose them? He'll never escape.' The old man laughed, and he seemed happy when he said that. That night the old man died in his sleep.
We all saw it the same way. the old man was right. The slippers in the story mean that everything you see and do and touch, every seed you sow, or don't sow, becomes part of your destiny...
In order to start to get rid of your slippers, you have to admit they are yours, and if you do, then they will get rid of themselves.
Ghosh sighed. 'I hope one day you see this as clearly as I did in Kerchele. The key to your happiness is to own your slippers, own who you are, own how you look, own your family, own the talents you have, and own the ones you don't. If you keep saying your slippers aren't yours, then you'll die searching, you'll die bitter, always feeling you were promised more. Not only our actions, but also our omissions, become our destiny. "
― Abraham Verghese , Cutting for Stone
