1
" War is an ugly thing, but not the ugliest of things: the decayed and degraded state of moral and patriotic feeling which thinks that nothing is worth a war, is much worse. When a people are used as mere human instruments for firing cannon or thrusting bayonets, in the service and for the selfish purposes of a master, such war degrades a people. A war to protect other human beings against tyrannical injustice; a war to give victory to their own ideas of right and good, and which is their own war, carried on for an honest purpose by their free choice, — is often the means of their regeneration. A man who has nothing which he is willing to fight for, nothing which he cares more about than he does about his personal safety, is a miserable creature who has no chance of being free, unless made and kept so by the exertions of better men than himself. As long as justice and injustice have not terminated their ever-renewing fight for ascendancy in the affairs of mankind, human beings must be willing, when need is, to do battle for the one against the other. "
― John Stuart Mill , Principles of Political Economy: And Chapters on Socialism
2
" Working on a typewriter by touch, like riding a bicycle or strolling on a path, is best done by not giving it a glancing thought. Once you do, your fingers fumble and hit the wrong keys. To do things involving practiced skills, you need to turn loose the systems of muscles and nerves responsible for each maneuver, place them on their own, and stay out of it. There is no real loss of authority in this, since you get to decide whether to do the thing or not, and you can intervene and embellish the technique any time you like; if you want to ride a bicycle backward, or walk with an eccentric loping gait giving a little skip every fourth step, whistling at the same time, you can do that. But if you concentrate your attention on the details, keeping in touch with each muscle, thrusting yourself into a free fall with each step and catching yourself at the last moment by sticking out the other foot in time to break the fall, you will end up immobilized, vibrating with fatigue.
It is a blessing to have options for choice and change in the learning of such unconsciously coordinated acts. If we were born with all these knacks inbuilt, automated like ants, we would surely miss the variety. It would be a less interesting world if we all walked and skipped alike, and never fell from bicycles. If we were all genetically programmed to play the piano deftly from birth, we might never learn to understand music. "
― Lewis Thomas , The Lives of a Cell: Notes of a Biology Watcher
3
" A kind of northing is what I wish to accomplish, a single-minded trek towards that place where any shutter left open to the zenith at night will record the wheeling of all the sky’s stars as a pattern of perfect, concentric circles. I seek a reduction, a shedding, a sloughing off.
At the seashore you often see a shell, or fragment of a shell, that sharp sands and surf have thinned to a wisp. There is no way you can tell what kind of shell it had been, what creature it had housed; it could have been a whelk or a scallop, a cowrie, limpet, or conch. The animal is long since dissolved, and its blood spread and thinned in the general sea. All you hold in your hand is a cool shred of shell, an inch long, pared so thin that it passes a faint pink light. It is an essence, a smooth condensation of the air, a curve. I long for the North where unimpeded winds would hone me to such a pure slip of bone. But I’ll not go northing this year. I’ll stalk that floating pole and frigid air by waiting here. I wait on bridges; I wait, struck, on forest paths and meadow’s fringes, hilltops and banksides, day in and day out, and I receive a southing as a gift. The North washes down the mountains like a waterfall, like a tidal wave, and pours across the valley; it comes to me. It sweetens the persimmons and numbs the last of the crickets and hornets; it fans the flames of the forest maples, bows the meadow’s seeded grasses and pokes it chilling fingers under the leaf litter, thrusting the springtails and the earthworms deeper into the earth. The sun heaves to the south by day, and at night wild Orion emerges looming like the Specter over Dead Man Mountain. Something is already here, and more is coming. "
― Annie Dillard , Pilgrim at Tinker Creek
10
" He knew clearly enough that his imagination was growing traitor to him, and yet at times it seemed the ship he sailed in, his fellow-passengers, the sailors, the wide sea, were all part of a filmy phantasmagoria that hung, scarcely veiling it, between him and a horrible real world. Then the Porroh man, thrusting his diabolical face through that curtain, was the one real and undeniable thing. At that he would get up and touch things, taste something, gnaw something, burn his hand with a match, or run a needle into himself.(" Pollock And The Porrah Man" ) "
15
" It is a strange thing, looking at the sea. When it is calm, or with only gentle ripples, it gives an impression of being soft and kind. But often, on such a calm, the wind suddenly blows, thrusting the water back into angry waves. At such times, in a certain sense, one feels sorry for the sea. Never of itself offensive to others, it is all too often attacked by wind and rain, the rain falling densely upon it, shaming the beauty of its calm face with a million bouncing bubbles. Were the wind to stop blowing, the ocean, surely, would never afflict the land with any calamity, nor would any human beings suffer. "
17
" In the molten fire where he lay he could watch the slow machinations of eternity, the cosmic miracle of each second being born, eggshaped, silverplated, phallic, time thrusting itself gleaming through the worn and worthless husk of the microsecond previous, halting, beginning to show the slow and infinitesimal accreations of decay in the clocking away of life in a mechanism encoded at the moment of conception, withering, shunted aside by time's next orgasmic thrust, and all to the beating of some galactic heart, to voices, a madman's mutterings from a snare in the web of the world. "
― William Gay , The Long Home
20
" Shh, kitten,” he whispered in English once more, nuzzling her temple, mouth open and hot against her ear. “Trust me.” His palms curved beneath her breasts, lifting them as his blunt fingertips tweaked her nipples expertly enough to have slickness gathering between her clenched thighs. “You are the most beautiful thing I have ever touched. Une ange, bébé.” He
groaned quietly as he caught her earlobe between his teeth. “Je t’adore,” he muttered, thrusting against her backside. "
― , The Corrupt Comte (The Bourbon Boys Quartet, #1)