Home > Topic > the others
81 " Elise hid her face in his shoulder, embarassed, " Kane! What will they think?" She whispered against his neck." That we're newly bonded and I can't keep my hands off of my lovely mate." And sure enough, the good natured calls that accompanied them across the yard left her in no doubt that the others were thinking exactly that. "
82 " Grown-up people find it difficult to believe really wonderful things, unless they have what they call proof. But children will believe almost anything, and grown-ups know this. That is why they tell you that the earth is round like an orange, when you can see perfectly well that it is flat and lumpy; and why they say that the earth goes round the sun, when you can see for yourself any day that the sun gets up in the morning and goes to bed at night like a good sun as it is, and the earth knows its place, and lies as still as a mouse. Yet I daresay you believe all that about the earth and the sun, and if so you will find it quite easy to believe that before Anthea and Cyril and the others had been a week in the country they had found a fairy. "
― E. Nesbit
83 " Gerald's look assured her that he and the others would be as near angels as children could be without ceasing to be human. "
― E. Nesbit , The Enchanted Castle
84 " Awful things, children. Needy, self-centered tyrants, the boys all teeth and firsts, the girls all claws and spit. Gathering into sniveling packs and sniffing out vulnerabilities — and woe to the child not cunning enough to hide their own — the others would close in like the grubby shark they were. Great pastime, savaging someone. "
― Steven Erikson , The Bonehunters (Malazan Book of the Fallen, #6)
85 " And the others too were beginning to remark in Swann that abnormal, excessive, shameful and deserved senescence of bachelors, of all those for whom it seems that the great day which knows no morrow must be longer than for other men, since for them it is a void of promise, and from its dawn the moments steadily accumulate without any subsequent partition among offspring. "
― Marcel Proust , Swann's Way
86 " Memory is an artist, an impressionist. She adds colour, sound, smell and emotion to events at her whim. She adds, subtracts and embellishes until the event she started documenting is quite unrecognisable to the others who also experienced it, but at the same time, is more truthful to the owner of the memory. There is no reality. There are only impres- sions of past events, made by a million selves, all interacting with each other, vying for superiority. Reality doesn’t exist, perhaps in the end, that’s my only truth. "
― Nigel Jay Cooper , Beat the Rain
87 " Just then a familiar voiced spoke right in to Stephens’s ear which startled him as his eyes once again began slowly opening. “Don’t try to move or talk you two, not that you could if you wanted to anyway.” It was Bob inches away from his face and he sounded very different now, his voice was low and threatening and his eyes were unsmiling and cold. “Very soon you will be gone and there will be no trace of any of you here, or us for that matter.” He felt Bob go through his pockets until eventually he saw that he had pulled his van keys out of his pocket. Stephen looked around for his baby and he could see the others passing a sleeping Rosie clutching Roo and her dummy to the goblin like creatures. They grabbed her with their long thin hands with talon like fingers and then began sniffing her like animals that smelt out the prey. Bob saw him looking at them walking off with Rosie. “Don’t worry Stephen. The sproggers will care for her” Bob told him before letting out a spine shivering sinister laugh. "
― Gary Peeling
88 " We teach our girls how not to get raped with a sense of doom, a sense that we are fighting a losing battle. When I was writing this novel, friend after friend came to me telling me of something that had happened to them. A hand up their skirt, a boy who wouldn’t take no for an answer, a night where they were too drunk to give consent but they think it was taken from them anyway. We shared these stories with one another and it was as if we were discussing some essential part of being a woman, like period cramps or contraceptives. Every woman or girl who told me these stories had one thing in common: shame. ‘I was drunk . . . I brought him back to my house . . . I fell asleep at that party . . . I froze and I didn’t tell him to stop . . .’ My fault. My fault. My fault. When I asked these women if they had reported what had happened to the police, only one out of twenty women said yes. The others looked at me and said, ‘No. How could I have proved it? Who would have believed me?’ And I didn’t have any answer for that. "
― Louise O'Neill , Asking For It
89 " Lily was listening; Mrs. Ramsay was listening; they were all listening. But already bored, Lily felt that something was lacking; Mr. Bankes felt that something was lacking. Pulling her shawl round her Mrs. Ramsay felt that something was lacking. All of them bending themselves to listen thought, " Pray heaven that the inside of my mind may not be exposed," for each thought, " The others are feeling this. They are outraged and indignant with the government about the fishermen. Whereas, I feel nothing at all. "
90 " Well, let's argue this out, Mr Blank. You, who represent Society, have the right to pay me four hundred francs a month. That's my market value, for I am an inefficient member of Society, slow in the uptake, uncertain, slightly damaged in the fray, there's no denying it. So you have the right to pay me four hundred francs a month, to lodge me in a small, dark room, to clothe me shabbily, to harass me with worry and monotony and unsatisfied longings till you get me to the point when I blush at a look, cry at a word. We can't all be happy, we can't all be rich, we can't all be lucky - and it would be so much less fun if we were. Isn't it so, Mr Blank? There must be the dark background to show up the bright colours. Some must cry so that the others may be able to laugh the more heartily. "
― Jean Rhys , Good Morning, Midnight
91 " A man with a full stomach and the respect of his fellows had no business to scold about anything that he might think to be wrong in the ways of the universe, or even with the ways of society. Let the unfortunates rail; the others may play marbles. "
― Stephen Crane , The Red Badge of Courage
92 " Do for the others more than you do for yourself "
93 " Living things don't all requirelight in the same degree. Some of usmake our own light: a silver leaflike a path no one can use, a shallowlake of silver in the darkness under the great maples.But you know this already.You and the others who thinkyou live for truth and, by extension, loveall that is cold. "
― Louise Glück , Poems 1962-2012
94 " If all emotions are common coin, then what is unique to the good man?To welcome with affection what is sent by fate. Not to stain or disturb the spirit within him with a mess of false beliefs. Instead, to preserve it faithfully, by calmly obeying God – saying nothing untrue, doing nothing unjust. And if the others don’t acknowledge it – this life lived in simplicity, humility, cheerfulness – he doesn’t resent them for it, and isn’t deterred from following the road where it leads: to the end of life. An end to be approached in purity, in serenity, in acceptance, in peaceful unity with what must be. "
― Marcus Aurelius , Meditations
95 " At the negotiations in Irvine, it became clear to me that there was no side I could stand on. The English despise me and my countrymen don’t trust me. Wallace and the others are rebelling in the name of Balliol. I cannot fight with them. It would be as much a betrayal of my oath as when I was fighting for England. I know what I must do. What I should have done months ago.’Robert felt embarrassed, about to say the words. Inside, his father’s voice berated him, but he silenced it. ‘I want you to weave my destiny,’ he finished. ‘As you did for my grandfather.’When she spoke, her voice was low. ‘And what is your destiny?’He met her eyes now, all hesitation and embarrassment gone. ‘To be King of Scotland.’A smile appeared at the corners of her mouth. It wasn’t a soft smile. It was hard and dangerous. ‘I will need something of yours,’ she said, rising. "
96 " Purgatory surpasses heaven and hell in poetry, because it represents a future and the others do not. "
― François-René de Chateaubriand , Mémoires d'Outre-Tombe
97 " You may have noticed that the books you really love are bound together by a secret thread. You know very well what is the common quality that makes you love them, though you cannot put it into words: but most of your friends do not see it at all, and often wonder why, liking this, you should also like that. Again, you have stood before some landscape, which seems to embody what you have been looking for all your life; and then turned to the friend at your side who appears to be seeing what you saw -- but at the first words a gulf yawns between you, and you realise that this landscape means something totally different to him, that he is pursuing an alien vision and cares nothing for the ineffable suggestion by which you are transported. Even in your hobbies, has there not always been some secret attraction which the others are curiously ignorant of -- something, not to be identified with, but always on the verge of breaking through, the smell of cut wood in the workshop or the clap-clap of water against the boat's side? Are not all lifelong friendships born at the moment when at last you meet another human being who has some inkling (but faint and uncertain even in the best) of that something which you were born desiring, and which, beneath the flux of other desires and in all the momentary silences between the louder passions, night and day, year by year, from childhood to old age, you are looking for, watching for, listening for? You have never had it. All the things that have ever deeply possessed your soul have been but hints of it -- tantalising glimpses, promises never quite fulfilled, echoes that died away just as they caught your ear. But if it should really become manifest -- if there ever came an echo that did not die away but swelled into the sound itself -- you would know it. Beyond all possibility of doubt you would say " Here at last is the thing I was made for" . We cannot tell each other about it. It is the secret signature of each soul, the incommunicable and unappeasable want, the thing we desired before we met our wives or made our friends or chose our work, and which we shall still desire on our deathbeds, when the mind no longer knows wife or friend or work. While we are, this is. If we lose this, we lose all. "
98 " Apart from such chaotic classics as these, my own taste in novel reading is one which I am prepared in a rather especial manner, not only to declare, but to defend. My taste is for the sensational novel, the detective story, the story about death, robbery and secret societies; a taste which I share in common with the bulk at least of the male population of this world. There was a time in my own melodramatic boyhood when I became quite fastidious in this respect. I would look at the first chapter of any new novel as a final test of its merits. If there was a murdered man under the sofa in the first chapter, I read the story. If there was no murdered man under the sofa in the first chapter, I dismissed the story as tea-table twaddle, which it often really was. But we all lose a little of that fine edge of austerity and idealism which sharpened our spiritual standard in our youth. I have come to compromise with the tea-table and to be less insistent about the sofa. As long as a corpse or two turns up in the second, the third, nay even the fourth or fifth chapter, I make allowance for human weakness, and I ask no more. But a novel without any death in it is still to me a novel without any life in it. I admit that the very best of the tea-table novels are great art - for instance, Emma or Northanger Abbey. Sheer elemental genius can make a work of art out of anything. Michelangelo might make a statue out of mud, and Jane Austen could make a novel out of tea - that much more contemptible substance. But on the whole I think that a tale about one man killing another man is more likely to have something in it than a tale in which, all the characters are talking trivialities without any of that instant and silent presence of death which is one of the strong spiritual bonds of all mankind. I still prefer the novel in which one person does another person to death to the novel in which all the persons are feebly (and vainly) trying to get the others to come to life. "
― G.K. Chesterton ,
99 " ...come lie beside me again and understand - the others can show by actions, but I alone will immortalize you in words... "
100 " Why should I wake up if not for myself? The others are smiling façades anyway or they’re programmed to feel joy. Push comes to shove we live in a fake world, pretending life’s always golly which is life’s greatest folly. "
― BatWhaleDragon , The Reflection Collection
