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1 " The Allatians believe that they have a writing system superior to all others. Unlike books written in alphabets, syllabaries, or logograms, an Allatian book captures not only words, but also the writer’s tone, voice, inflection, emphasis, intonation, rhythm. It is simultaneously a score and a recording. A speech sounds like a speech, a lament a lament, and a story re-creates perfectly the teller’s breathless excitement. For the Allatians, reading is literally hearing the voice of the past.But there is a cost to the beauty of the Allatian book. Because the act of reading requires physical contact with the soft, malleable surface, each time a text is read, it is also damaged and some aspects of the original irretrievably lost. Copies made of more durable materials inevitably fail to capture all the subtleties of the writer’s voice, and are thus shunned.In order to preserve their literary heritage, the Allatians have to lock away their most precious manuscripts in forbidding libraries where few are granted access. Ironically, the most important and beautiful works of Allatian writers are rarely read, but are known only through interpretations made by scribes who attempt to reconstruct the original in new books after hearing the source read at special ceremonies. "
― Ken Liu , The Paper Menagerie and Other Stories
2 " Solitude gives birth to the original in us, to beauty unfamiliar and perilous - to poetry. But also, it gives birth to the opposite: to the perverse, the illicit, the absurd. "
― Thomas Mann , Death in Venice and Other Tales
3 " In reality, where everything passes on naturally, the copy follows the original, the image the thing which it represents, the thought its object, but on the supernatural, miraculous ground of theology, the original follows the copy, the thing its own likeness." it is strange" says St. Augustine, " But nevertheless true, that this world could not exist if it was not known to God." That means the world is known and thought before it exists; nay it exists only because it was thought of. The existence is a consequence of the knowledge or of the act of thinking, the original a consequence of the copy, the object a consequence of its likeness. "
4 " I recognized the great monument from the illustration in the copy of /The Jungle Book/ that my mother kept in the top drawer of my bedside table. When I went with Sophia to the Taj Mahal for the first time, I was not as enchanted by the real mausoleum as I had been by its plaster, paint, and paper replica in the studio; the original posed a dreadfully seductive promise in cool marble of a strangely painful loveliness, a lover's lie that death itself might in some mysterious way, because of love, be lovely. "
5 " History has rewritten itself so many times I'm not really sure how it was to begin with -- it's a bit like trying to guess the original color of a wall when it's been repainted eight times. "
― Jasper Fforde , Something Rotten (Thursday Next, #4)
6 " [T]he greater the sense of awe with which a text was regarded, the more complete might be the amnesia as to the original circumstances of its composition. "
― Tom Holland , In the Shadow of the Sword: The Birth of Islam and the Rise of the Global Arab Empire
7 " For Japanese people before 1868, Europeans were little more than curious beasts, strange and incomprehensible. Then, after the Meiji Restoration, everything changed. Along with European science and technology, European art flooded into Japan, all forms of it representing themselves as the universal—and most advanced—model. The same was true of novels. The Japanese, with characteristic diligence, began to read masterpieces of European literature, first in the original and then in translation. And such is the power of literature that through the act of reading, little by little the Japanese came to live the lives of Europeans as if they were their own. They began to live the ambitions of Julien Sorel, the happiness of Jane Eyre, the sufferings of young Werther, and the despair of Anna Karenina as if they were their own. They thus began living a new temporality—that which flows in the West, dictated by the Gregorian calendar, marked by major historical events in the West. And by so doing, they eventually joined what the Europeans called " humanity. "
8 " For, from the time that the Bishop of Rome had gotten to be acknowledged for bishop universal, by pretence of succession to St. Peter, their whole hierarchy, or kingdom of darkness, may be compared not unfitly to the kingdom of fairies; that is, to the old wives' fables in England concerning ghosts and spirits, and the feats they play in the night. And if a man consider the original of this great ecclesiastical dominion, he will easily perceive that the papacy is no other than the ghost of the deceased Roman Empire, sitting crowned upon the grave thereof: for so did the papacy start up on a sudden out of the ruins of that heathen power. "
― Thomas Hobbes , Leviathan
9 " The traumatic moment becomes encoded in an abnormal form of memory, which breaks spontaneously into consciouness, both as flashbacks during waking states and as traumatic nightmares during sleep. Small, seemingly insignificant reminders can also evoke these memories, which often return with all the vividness and emotional force of the original event. Thus, even normally safe environments may come to feel dangerous, for the survivor can never be assured that she will not encounter some reminder of the trauma. "
― Judith Lewis Herman , Trauma and Recovery: The Aftermath of Violence - From Domestic Abuse to Political Terror
10 " What we have instead are false memories aroused later and more pertinent to this later perspective than to the original events. Sometimes in matters of great emotion, one representation, retaining all the original intensity, comes to replace another, which is then discarded and forgotten. The new representation is called a screen memory. A screen memory is a compromise between remembering something painful and defending yourself against that very remembering. "
― Karen Joy Fowler
11 " The Hawaiian language is quite unusual because when the original Polynesians came in their canoes, most of their consonants were washed overboard in a storm, and they arrived here with almost nothing but vowels. All the streets have names like Kal'ia'iou'amaa'aaa'eiou, and many street signs spontaneously generate new syllables during the night. "
― Dave Barry , Dave Barry Talks Back
12 " We read and reread the words of the original text in order to penetrate through them, to reach, to touch the vision or experience which prompted them. We then gather up what we have found there and take this quivering almost wordless 'thing' and place it behind the language into which it needs to be translated. And now the principal task is to persuade the host language to take in and welcome the 'thing' which is waiting to be articulated. "
― John Berger , Confabulations
13 " Why? Because true translation is not a binary affair between two languages but a triangular affair. The third point of the triangle being what lay behind the words of the original text before it was written. True translation demands a return to the pre-verbal "
14 " Many historians regard him [Offa] as the most powerful Anglo-Saxon king before Alfred the Great. In the 780s he extended his power over most of Southern England. One of the most remarkable extantfrom King Offa's reign is a gold coin that is kept in the British Museum. On one side, it carries the inscription Offa Rex (Offa the King). But, turn it over and you are in for a surprise, for in badly copied Arabic are the words La Illaha Illa Allah ('There is no god but Allah alone'). This coin is a copy of an Abbasid dinarfrom the reign of Al-Mansur, dating to 773, and was most probably used by Anglo-Saxon traders. It would have been known even in Anglo-Saxon England that Islamic gold dinars were the most important coinage in the world at that time and Offa's coin looked enough like the original that it would have been readily accepted abroad. "
― Jim Al-Khalili
15 " A solitary, unused to speaking of what he sees and feels, has mental experiences which are at once more intense and less articulate than those of a gregarious man. They are sluggish, yet more wayward, and never without a melancholy tinge. Sights and impressions which others brush aside with a glance, a light comment, a smile, occupy him more than their due; they sink silently in, they take on meaning, they become experience, emotion, adventure. Solitude gives birth to the original in us, to beauty unfamiliar and perilous - to poetry. But also, it gives birth to the opposite: to the perverse, the illicit, the absurd. "
16 " We have testimony about solitude from the most creative among us. For Mozart, " When I am, as it were, completely myself, entirely alone, and of good cheer -- say, traveling in a carriage or walking after a good meal or during the night when I cannot sleep -- it is on such occasions that my ideas flow best and most abundantly." For Kafka, " You need not leave your room. Remain sitting at your table and listen. You need not even listen, simply wait, just learn to become quiet, and still, and solitary. The world will freely offer itself to you to be unmasked." For Thomas Mann, " Solitude gives birth the original in us, to beauty unfamiliar and perilous -- to poetry." For Picasso, " Without great solitude, no serious work is possible. "
17 " The idea of the original had no place. "
― Sherry Turkle , Alone Together: Why We Expect More from Technology and Less from Each Other
18 " The ring which you are holding, my friend, is identical to that one. I had it cut according to the model of the king's ring, and damascened in Spain. The original is still in the Escorial; it would have been pleasant to steal it, for I easily acquire the instincts of a thief when I am in a museum, and I always find objects which have a history - especially a tragic history - uniquely attractive. I am not an Englishman for nothing - but that which is easily enough accomplished in France is not at all practical in Spain: the museums there are very secure. "
― Jean Lorrain , Monsieur De Phocas
19 " Poetry is one of the ancient arts, and it began as did all the fine arts, within the original wilderness of the earth. "
