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61 " AUNT SHADIE:I see you - and don't worry, you're not white.ROSE:I'm pretty sure I'm white. I'm English.AUNT SHADIE:White is blindness - it has nothing to do with the colour of your skin. "
― , The Unnatural and Accidental Women
62 " Everything changes. The leaves, the weather, the colour of your hair, the texture of your skin. The feelings you have today - whether they kill you or enthrall you - won’t be the same tomorrow, so let go. Celebrate. Enjoy. Nothing lasts, except your decision to celebrate everything, everyone, for the beauty that is there within each moment, each smile, each impermanent flicker of infinity. "
― Vironika Tugaleva
63 " Even though I didn’t originally buy it for you, because like an idiot I avoided your feelings like the plague, I hadn’t noticed until now that it wasn’t the lucky price that had drawn me to it, but the colour of it.” I heaved a deep breath, preparing myself. I remembered the last time I had said something so cheesy, and how he had laughed but I continued anyway, before my shyness could take over.“Hurry up, before you start regretting.” The taxi man had said. And I did.I looked him square in the eyes, blushing so furiously I was sure even my dark skin wouldn’t hide it. He met my gaze, somewhat shyly, which was a rare sight. “So I’ve decided to give this necklace to you as a symbol for what I realised today. The colour is green, like your… uh, like your eyes… and your eyes are my kryptonite.” I mumbled, looking at him into the eyes right until the end, until his face turned completely red and his jaw dropping so low I was sure it almost hit the counter, his eyes sparkling, wide with shock. "
― , What if we're faeries?
64 " Twilight was laying claim to the cité, and the sky was a deepening shade of lavender, spangled with stars and fleecy clouds the colour of plums. "
― Sharon Kay Penman , Devil's Brood (Plantagenets #3; Henry II & Eleanor of Aquitaine, #3)
65 " The colour of the water seems to be the colour of the glass into which it has been poured'. "
― Idries Shah
66 " At this point, the sequence of my memories is disrupted.I sank into a chaos of brief, incoherent and bizarre hallucinations, in which the grotesque and the horrible kept close company. Prostrate, as if I were being garrotted by invisible cords, I floundered in anguish and dread, oppressively ridden by the most unbridled nightmares. A whole series of monsters and avatars swarmed in the shadows, coming to life amid draughts of sulphur and phosphorus like an animated fresco painted on the moving wall of sleep.There followed a turbulent race through space. I soared, grasped by the hair by an invisible hand of will: an icy and powerful hand, in which I felt the hardness of precious stones, and which I sensed to be the hand of Ethal. Dizziness was piled upon dizziness in that flight to the abyss, under skies the colour of camphor and salt, skies whose nocturnal brilliance had a terrible limpidity. I was spun around and around, in bewildering confusion, above deserts and rivers. Great expanses of sand stretched into the distance, mottled here and there by monumental shadows. At times we would pass over cities: sleeping cities with obelisks and cupolas shining milk-white in the moonlight, between metallic palm-trees. In the extreme distance, amid bamboos and flowering mangroves, luminous millennial pagodas descended towards the water on stepped terraces. "
― Jean Lorrain , Monsieur De Phocas
67 " As I begin to recognise that the Negro is the symbol of sin, I catch myself hating the Negro. But then I recognise that I am a Negro. There are two ways out of this conflict. Either I ask others to pay no attention to my skin, or else I want them to be aware of it. I try then to find value for what is bad--since I have unthinkingly conceded that the black man is the colour of evil. In order to terminate this neurotic situation, in which I am compelled to choose an unhealthy, conflictual solution, fed on fantasies, hostile, inhuman in short, I have only one solution: to rise above this absurd drama that others have staged around me, to reject the two terms that are equally unacceptable, and through one human being, to reach out for the universal. When the Negro dives--in other words, goes under--something remarkable occurs. "
― Frantz Fanon , Black Skin, White Masks
68 " Yellow is the colour of the sun.Blue is the colour of the sky.Green is the colour of grass.Brown is the colour of your eyes.Black is the colour of the night.Orange is the colour of truth.Red is the colour of love.And...Rainbow is the colour of you. "
69 " Her eyes were a different shade of green today, a soft green. The colour of autumn leaves just before they started turning brown. He had known her for three years, and there were no two days that she looked the same. Every day was a different form of beauty that was slotted irrepressibly into his memory. "
70 " Your eyes have the colour of the moon, "
― Pablo Neruda , 100 Love Sonnets
71 " As soon as I turned the key I saw it hanging, the color of fire and sunset. the colour of flamboyant flowers. ‘If you are buried under a flamboyant tree, ‘ I said, ‘your soul is lifted up when it flowers. Everyone wants that.’She shook her head but she did not move or touch me. "
― Jean Rhys , Wide Sargasso Sea
72 " Right, you see that girl over there, the one in that group that keeps looking right at you?'...'Right, let's say I'm convinced she's wearing black knickers - she looks like a black knickers kind of gal to me - and I'm so sure that's what she's wearing, so positive of that sartorial fact, I want to bet a million dollars on it. The trouble is, if I'm wrong, I'm wiped out. So I also bet she's wearing knickers that aren't black, but are any one of a whole basket of colours - let's say I put nine hundred and fifty thousand dollars on that possibility: that's the rest of the market; that's the hedge. This is a crude example, okay, in every sense, but hear me out. Now if I'm right, I make fifty K, but even if I'm wrong I'm going to lose fifty K, because I'm hedged. And because ninety-five per cent of my million dollars is not in use - I'm never going to be called on to show it: the only risk is in the spread - I can make similar bets with other people. Or I can bet it on something else entirely. And the beauty of it is I don't have to be right all the time - if I can just get the colour of her underwear right fifty-five per cent of the time I'm going to wind up very rich... "
― Robert Harris , The Fear Index
73 " Human colour is the colour I'm truly interested in, the colour of your humanity. May the size of your heart and the depth of your soul be your currency. welcome aboard my Good Ship. Let us sail to the colourful island of misex identity. You can eat from the cooking pot of mixed culture and bathe in the cool shade of being mixed-race. There is no need for a passport. There are no borders. We are all citizens of the world. Whatever shade you are, bring your light, bring your colour, bring your music and your books, your stories and your histories, and climb aboad. United as a people we are a million majestic colours, together we are a glorious stained-glass window. We are building a cathedral of otherness, brick by brick and book by book. Raise your glass of rum, let's toast to the minorities who are the majority. There's no stopping time, nor the blurring of lines or the blending of shades. With a spirit of hope I leave you now. I drink to our sameness and to our unique differences. This is the twenty-first century and we share this, we live here, in the future. It is a beautiful morning, it is first light on the time of being other, so get out from that shade and feel the warmth of being outside.You tick: Other. "
― Salena Godden
74 " I bought a piece of God, ground to dust and mixed with alcohol in a glass bottle the colour of molasses. "
― Craig Clevenger , Dermaphoria
75 " It is not our religion, still less the colour of our skin, that produces virtue; virtue must be practised. Therefore, let no one do to others what he would not have done to himself. "
76 " The children had had an argument once about whether there was more grass in the world or more sand, and Roger said that of course there must be more sand because of under the sea; in every ocean all over the world there would be sand, if you looked deep down. But there could be grass too, argued Deborah, a waving grass, a grass that nobody had ever seen, and the colour of that ocean grass would be darker than any grass on the surface of the world, in fields or prairies or people's gardens in America. It would be taller than tress and it would move like corn in the wind. (" The Pool "
77 " The plane banked, and he pressed his face against the cold window. The ocean tilted up to meet him, its dark surface studded with points of light that looked like constellations, fallen stars. The tourist sitting next to him asked him what they were. Nathan explained that the bright lights marked the boundaries of the ocean cemeteries. The lights that were fainter were memory buoys. They were the equivalent of tombstones on land: they marked the actual graves. While he was talking he noticed scratch-marks on the water, hundreds of white gashes, and suddenly the captain's voice, crackling over the intercom, interrupted him. The ships they could see on the right side of the aircraft were returning from a rehearsal for the service of remembrance that was held on the ocean every year. Towards the end of the week, in case they hadn't realised, a unique festival was due to take place in Moon Beach. It was known as the Day of the Dead......When he was young, it had been one of the days he most looked forward to. Yvonne would come and stay, and she'd always bring a fish with her, a huge fish freshly caught on the ocean, and she'd gut it on the kitchen table. Fish should be eaten, she'd said, because fish were the guardians of the soul, and she was so powerful in her belief that nobody dared to disagree. He remembered how the fish lay gaping on its bed of newspaper, the flesh dark-red and subtly ribbed where it was split in half, and Yvonne with her sleeves rolled back and her wrists dipped in blood that smelt of tin.It was a day that abounded in peculiar traditions. Pass any candy store in the city and there'd be marzipan skulls and sugar fish and little white chocolate bones for 5 cents each. Pass any bakery and you'd see cakes slathered in blue icing, cakes sprinkled with sea-salt.If you made a Day of the Dead cake at home you always hid a coin in it, and the person who found it was supposed to live forever. Once, when she was four, Georgia had swallowed the coin and almost choked. It was still one of her favourite stories about herself. In the afternoon, there'd be costume parties. You dressed up as Lazarus or Frankenstein, or you went as one of your dead relations. Or, if you couldn't think of anything else, you just wore something blue because that was the colour you went when you were buried at the bottom of the ocean. And everywhere there were bowls of candy and slices of special home-made Day of the Dead cake. Nobody's mother ever got it right. You always had to spit it out and shove it down the back of some chair. Later, when it grew dark, a fleet of ships would set sail for the ocean cemeteries, and the remembrance service would be held. Lying awake in his room, he'd imagine the boats rocking the the priest's voice pushed and pulled by the wind. And then, later still, after the boats had gone, the dead would rise from the ocean bed and walk on the water. They gathered the flowers that had been left as offerings, they blew the floating candles out. Smoke that smelt of churches poured from the wicks, drifted over the slowly heaving ocean, hid their feet. It was a night of strange occurrences. It was the night that everyone was Jesus......Thousands drove in for the celebrations. All Friday night the streets would be packed with people dressed head to toe in blue. Sometimes they painted their hands and faces too. Sometimes they dyed their hair. That was what you did in Moon Beach. Turned blue once a year. And then, sooner or later, you turned blue forever. "
― Rupert Thomson , The Five Gates of Hell
78 " The sunrise was the colour of bad blood. It leaked out of the east and stained the dark sky red, marked the scraps of the cloud with stolen gold. Underneath it the road twisted up the mountainside towards the fortress of Fontezarmo - a cluster of sharp towers, ash-black again the wounded heavens. The sunrise was red, black and gold.The colours of their profession. "
― Joe Abercrombie , Best Served Cold
79 " The sky above us seems huge, vast. It’s clear and crisp and visibility is so good that, when I look up, I feel like I'm staring at an inverted, endless ocean. I'm sure the blue is the colour of water above sand and the tiny, wispy clouds look like waves breaking over distant swells. I envy the birds I see overhead, zipping joyfully from left to right and so far above the death and decay that pollute the lower levels. A day like this should be enjoyed completely. I should be able to forget what dwells in the towns around us, I should find it in myself to dismiss what happened at that crossing, I should. "
― Jack Croxall , Wye
80 " It wasn't the first time I'd been with someone, but it was different this time. Maybe it was because when I told them I was bisexual they weren't like the girls who thought I was *really* a lesbian; they weren't like the boys who thought it was hot. Maybe it was because when they told me they were genderqueer I just said that I knew and they cried as they smiled at me. Or maybe it was just because our limbs fit together, maybe because it tasted like salt water and was the colour of sunlight through grass. Or maybe it was just all these things. "