43
" For example. But I cannot give you an example. It was not so much any one example, any one event, which I recollected which was important, but the flow, the texture of the events, for meaning is never in the event but in the motion through event. Otherwise we could isolate an instant in the event and say that this is the event itself. The meaning. But we cannot do that. For it is the motion which is important. And I was moving. I was moving West at seventy-five miles an hour, through a blur of million-dollar landscape and heroic history, and I was moving back through time into my memory. They say the drowning man re-lives his life as he drowns. Well, I was not drowning in water, but I was drowning in West. I drowned westward through the hot brass days and black velvet nights. It took me seventy-eight hours to drown. For my body to sink down to the very bottom of West and lie in the motionless ooze of History, naked on a hotel bed in Long Beach, California. "
― Robert Penn Warren , All the King's Men
57
" Sour MilkYou can't make itturn sweetagain. Onceit was an innocent colorlike the flowers of wild strawberries,and its texture was simplewould pass through a clean cheesecloth,its taste was fresh.And nowwith nothing more guilty that the passage of timeto chide it with,the same substancehas turned sour and lumpy.The sour milkmakes interesting & delicious doughs,can be carried to a further state of bacterial actionto create new foods,can in its own rightbe considered complicated and more interesting in textureto one who studies it closely,like a map of the world.Butto most of us:it is spoiled.Sour.We throw it out,down the drain-not in the backyard-careful not to spill anybecause the smell is strong.A good cook would be shocked with the waste.But we do not live in a world of good cooks.I am the milk.Time passes.You cannot make it turn sweetagain.I sit guiltily on the refrigerator shelftrembling with hope for a cookwho dreams of waffles,biscuits, dumplingsand other delicious breadsfearing the modern housewifewho will lift me off the shelf and with one deft twistof a wrist...you know the rest.You are the milk.When it is your turnremember,there is nothing more than the passage of timewe can chide you with. "
60
" You were born on a moving train.
And even though it feels like you're standing still,
time is sweeping past you, right where you sit.
But once in a while you look up,
and actually feel the inertia,
and watch as the present turns into a memory
—as if some future you is already looking back on it.
Dès Vu.
One day you’ll remember this moment,
and it’ll mean something very different.
Maybe you’ll cringe and laugh,
or brim with pride, aching to return.
or notice some detail hidden in the scene,
a future landmark making its first appearance
or discreetly taking its final bow.
So you try to sense it ahead of time, looking for clues,
as if you’re walking through the memory while it’s still happening,
feeling for all the world like a time traveler.
The world around you is secretly strange:
some details are charming and dated,
others precious and irretrievable,
but all fade into the quaint texture of the day.
You try to read the faces around you,
each fretting about the day’s concerns,
not yet realizing that this world is already out of their hands.
That it doesn’t have to be this way, it just sort of happened,
and everything will soon be completely different.
Because you really are a time traveler,
leaping into the future in little tentative steps.
Just a kid stuck in a strange land without a map,
With nothing to do but soak in the moment
and take one last look before moving on.
But another part of you is already an old man,
looking back on things.
Waiting at the door for his granddaughter,
who’s trying to make her way home for a visit.
You are two people still separated by an ocean of time,
Part of you bursting to talk about what you saw,
Part of you longing to tell you what it means. "
― The Dictionary of Obscure Sorrows