42
" Innovation and disruption are ideas that originated in the arena of business but which have since been applied to arenas whose values and goals are remote from the values and goals of business. People aren’t disk drives. Public schools, colleges and universities, churches, museums, and many hospitals, all of which have been subjected to disruptive innovation, have revenues and expenses and infrastructures, but they aren’t industries in the same way that manufacturers of hard-disk drives or truck engines or drygoods are industries. Journalism isn’t an industry in that sense, either.
Doctors have obligations to their patients, teachers to their students, pastors to their congregations, curators to the public, and journalists to their readers--obligations that lie outside the realm of earnings, and are fundamentally different from the obligations that a business executive has to employees, partners, and investors. Historically, institutions like museums, hospitals, schools, and universities have been supported by patronage, donations made by individuals or funding from church or state. The press has generally supported itself by charging subscribers and selling advertising. (Underwriting by corporations and foundations is a funding source of more recent vintage.) Charging for admission, membership, subscriptions and, for some, earning profits are similarities these institutions have with businesses. Still, that doesn’t make them industries, which turn things into commodities and sell them for gain. "
― Jill Lepore
43
" March 1898
What a strange dream I had last night! I wandered in the warm streets of a port, in the low quarter of some Barcelona or Marseille. The streets were noisome, with their freshly-heaped piles of ordure outside the doors, in the blue shadows of their high roofs. They all led down towards the sea. The gold-spangled sea, seeming as if it had been polished by the sun, could be seen at the end of each thoroughfare, bristling with yard-arms and luminous masts. The implacable blue of the sky shone brilliantly overhead as I wandered through the long, cool and sombre corridors in the emptiness of a deserted district: a quarter which might almost have been dead, abruptly abandoned by seamen and foreigners. I was alone, subjected to the stares of prostitutes seated at their windows or in the doorways, whose eyes seemed to ransack my very soul.
They did not speak to me. Leaning on the sides of tall bay-windows or huddled in doorways, they were silent. Their breasts and arms were bare, bizarrely made up in pink, their eyebrows were darkened, they wore their hair in corkscrew-curls, decorated with paper flowers and metal birds. And they were all exactly alike!
They might have been huge marionettes, or tall mannequin dolls left behind in panic - for I divined that some plague, some frightful epidemic brought from the Orient by sailors, had swept through the town and emptied it of its inhabitants. I was alone with these simulacra of love, abandoned by the men on the doorsteps of the brothels.
I had already been wandering for hours without being able to find a way out of that miserable quarter, obsessed by the fixed and varnished eyes of all those automata, when I was seized by the sudden thought that all these girls were dead, plague-stricken and putrefied by cholera where they stood, in the solitude, beneath their carmine plaster masks... and my entrails were liquefied by cold. In spite of that harrowing chill, I was drawn closer to a motionless girl. I saw that she was indeed wearing a mask... and the girl in the next doorway was also masked... and all of them were horribly alike under their identical crude colouring...
I was alone with the masks, with the masked corpses, worse than the masks... when, all of a sudden, I perceived that beneath the false faces of plaster and cardboard, the eyes of these dead women were alive.
Their vitreous eyes were looking at me...
I woke up with a cry, for in that moment I had recognised all the women. They all had the eyes of Kranile and Willie, of Willie the mime and Kranile the dancer. Every one of the dead women had Kranile's left eye and Willie's right eye... so that every one of them appeared to be squinting.
Am I to be haunted by masks now? "
― Jean Lorrain , Monsieur De Phocas
47
" It is possible to construct a history which is logically consistent. It cannot be said to be true; simply that it can be sustained without contradiction. Under a given set of experimental conditions, a finite number of possible histories can be recreated using Griffiths’s method; these are called Griffiths’s Consistent Histories. In these, the world behaves as though composed of separate objects, each having fixed, intrinsic properties. However, the number of consistent histories that can be created from a single set of data is generally greater than one. As a being you are self-aware, and this consciousness allows you to hypothesize that the story you’ve created from a given set of memories is a consistent history, justified by a single narrative voice. As a unique individual, having existed for a particular period and been subjected to an ontology of objects and properties, you can assert this with absolute certainty, and so automatically assume that it is a Griffiths’s history. You make this hypothesis about real life, rather than about the domain of dreams. "
― Michel Houellebecq , The Elementary Particles
52
" But it was not hateful bile that was thrust from me, it was an angry hatred that can only come from those that I had been repressed over the years. It was just subtle cracks that were forming and that was my response coming through. I spoke about the lies that she had subjected the family to, and her gross laziness, expecting Dad and now me to drop everything for her, were she could just as easily get here. And no she can not say I may not be in as this was essentially a night job. It was always the same old role that she wanted to play, the wounded wife and mother, by those that supposedly loved her but this was a self opposed persona and I told her as such. I do not know who was more shocked by the change in me, me or mother. What was shocking was mother's response, that Dad had always called me the specially impossible child, mother had always focused on the impossible part, but now she could finally see why Dad had thought I was special as well. It was a moment of rapture that was disturbed by the book demanding attention, or should I say the person in the book was demanding attention? And with that the spell was broken and mother returned to her normal self, bemoaning that if I did not go visit her soon that I would be written out of the will and I meekly said I would visit soon. "
― Beverley Price , Blood Bound
53
" Then, learn from me not to judge by appearances: I am, as Miss Scatcherd said, slatternly; I seldom put, and never keep, things in order; I am careless; I forget rules; I read when I should learn my lessons; I have no method: and sometimes I say, like you cannot bear to be subjected to systematic arrangements. This is all very provoking to Miss Scatcherd, who is naturally neat, puncutal, and particular. "
― Charlotte Brontë , Jane Eyre
57
" Haven't you got it through your head that human thought is a thing of the past & that philosophy is worse than Bertillon's guide to harassed cops? You make me laugh with your metaphysical anguish, it's just that you're scared silly, frightened of life, of men of action, of action itself, of lack of order. But everything is disorder, dear boy. Vegetable, mineral & animal, all disorder, & so is the multitude of human races, the life of man, thought, history, wars, inventions, business & the arts, & all theories, passions & systems. It's always been that way. Why are you trying to make something out of it? And what will you make? What are you looking for? There's no truth. There's only action, action subjected to every possible & imaginable contingency & contradiction. Life. Life is a crime, theft, jealousy, hunger, lies, disgust, stupidity, sickness, volcanic eruptions, earthquakes, piles of corpses. What can you do about it, my poor friend? "
― Blaise Cendrars , Moravagine
58
" But I've still better things about children. I've collected a great, great deal about Russian children, Alyosha. There was a little girl of five who was hated by her father and mother, 'most worthy and respectable people, of good education and breeding.' You see, I must repeat again, it is a peculiar characteristic of many people, this love of torturing children, and children only. To all other types of humanity these torturers behave mildly and benevolently, like cultivated and humane Europeans; but they are very fond of tormenting children, even fond of children themselves in that sense. it's just their defencelessness that tempts the tormentor, just the angelic confidence of the child who has no refuge and no appeal, that sets his vile blood on fire. In every man, of course, a demon lies hidden- the demon of rage, the demon of lustful heat at the screams of the tortured victim, the demon of lawlessness let off the chain, the demon of diseases that follow on vice, gout, kidney disease, and so on." This poor child of five was subjected to every possible torture by those cultivated parents. They beat her, thrashed her, kicked her for no reason till her body was one bruise. Then, they went to greater refinements of cruelty- shut her up all night in the cold and frost in a privy, and because she didn't ask to be taken up at night (as though a child of five sleeping its angelic, sound sleep could be trained to wake and ask), they smeared her face and filled her mouth with excrement, and it was her mother, her mother did this. And that mother could sleep, hearing the poor child's groans! Can you understand why a little creature, who can't even understand what's done to her, should beat her little aching heart with her tiny fist in the dark and the cold, and weep her meek unresentful tears to dear, kind God to protect her? Do you understand that, friend and brother, you pious and humble novice? Do you understand why this infamy must be and is permitted? Without it, I am told, man could not have existed on earth, for he could not have known good and evil. Why should he know that diabolical good and evil when it costs so much? Why, the whole world of knowledge is not worth that child's prayer to dear, kind God'! I say nothing of the sufferings of grown-up people, they have eaten the apple, damn them, and the devil take them all! But these little ones! I am making you suffer, Alyosha, you are not yourself. I'll leave off if you like "
